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modern antiques, modern design antiques, chair, modern antique chair, modern antique chair, Italian chair, vintage chair, 1950s chair, 1950s design chair, 1950s chairs — Chairs 50's

modern antiques, modern design antiques, chair, modern antique chair, modern antique chair, Italian chair, vintage chair, 1950s chair, 1950s design chair, 1950s chairs — Chairs 50's

modern antiques, modern design antiques, chair, modern antique chair, modern antique chair, Italian chair, vintage chair, 1950s chair, 1950s design chair, 1950s chairs — Chairs 50's

modern antiques, modern design antiques, chair, modern antique chair, modern antique chair, Italian chair, vintage chair, 1950s chair, 1950s design chair, 1950s chairs — Chairs 50's

modern antiques, modern design antiques, chair, modern antique chair, modern antique chair, Italian chair, vintage chair, 1950s chair, 1950s design chair, 1950s chairs — Chairs 50's

modern antiques, modern design antiques, chair, modern antique chair, modern antique chair, Italian chair, vintage chair, 1950s chair, 1950s design chair, 1950s chairs — Chairs 50's

modern antiques, modern design antiques, chair, modern antique chair, modern antique chair, Italian chair, vintage chair, 1950s chair, 1950s design chair, 1950s chairs — Chairs 50's

modern antiques, modern design antiques, chair, modern antique chair, modern antique chair, Italian chair, vintage chair, 1950s chair, 1950s design chair, 1950s chairs — Chairs 50's

Chairs 50's

Features

Production: Italiana

Time: 1950s

Production country: Italy

Main essence: Beech

Material: Foam , Velvet

Description

Group of six chairs in beech wood, seat upholstered with foam and covering in velvet.

Product Condition:
Product in good condition, has small signs of wear and tear.

Dimensions (cm):
Height: 91
Width: 45
Depth: 54

Seat height: 51

Additional Information

Production: Italiana

Time: 1950s

1950s

Main essence: Beech

It is a semi-hard wood which, unfortunately, is easily wormed, therefore it is considered poor. Due to its light but variegated shades, from blond to reddish, it was nevertheless appreciated by French cabinetmakers. It was mainly used for furniture structures or, as an alternative to walnut, by provincial English furniture makers for popular works, mostly in the 1700s. The noblest use is due to Thonèt, who applied the steam bending of the beech in the making of the furniture, in particular for the chairs that took his name.

Material:

Foam

Velvet

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