Two Revival Armchairs and Four Chairs Italy 20th Century Two Revival Armchairs and Four Chairs Italy 20th Century Two Revival Armchairs and Four Chairs Italy 20th Century Two Revival Armchairs and Four Chairs Italy 20th Century Two Revival Armchairs and Four Chairs Italy 20th Century Two Revival Armchairs and Four Chairs Italy 20th Century Two Revival Armchairs and Four Chairs Italy 20th Century Two Revival Armchairs and Four Chairs Italy 20th Century Two Revival Armchairs and Four Chairs Italy 20th Century Two Revival Armchairs and Four Chairs Italy 20th Century Two Revival Armchairs and Four Chairs Italy 20th Century Two Revival Armchairs and Four Chairs Italy 20th Century Two Revival Armchairs and Four Chairs Italy 20th Century Two Revival Armchairs and Four Chairs Italy 20th Century Two Revival Armchairs and Four Chairs Italy 20th Century Two Revival Armchairs and Four Chairs Italy 20th Century Two Revival Armchairs and Four Chairs Italy 20th Century Two Revival Armchairs and Four Chairs Italy 20th Century Two Revival Armchairs and Four Chairs Italy 20th Century Two Revival Armchairs and Four Chairs Italy 20th Century
Two Revival Armchairs and Four Chairs Italy 20th Century Features
Age: 20th Century / 1901 - 2000
Origin: Italy
Main essence: Beech
Description Set of two armchairs and four chairs, partially gilded carvings. Open back, padded seat. Manufactured in Italy, mid 20th century.
Product Condition: Fair condition. Wear consistent with age and use.
Dimensions (cm): Height: 101 Width: 59 Depth: 64,5
Seat height: 49
Additional Information
Age: 20th Century / 1901 - 2000 20th Century / 1901 - 2000
Main essence: Beech It is a semi-hard wood which, unfortunately, is easily wormed, therefore it is considered poor. Due to its light but variegated shades, from blond to reddish, it was nevertheless appreciated by French cabinetmakers. It was mainly used for furniture structures or, as an alternative to walnut, by provincial English furniture makers for popular works, mostly in the 1700s. The noblest use is due to Thonèt, who applied the steam bending of the beech in the making of the furniture, in particular for the chairs that took his name.