Art

Antique Painting

Three Etchings by Antonio Tempesta 1610/1613

Code: ARARPI0075906

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Three Etchings by Antonio Tempesta 1610/1613

Code: ARARPI0075906

not available
Add to cart
SAFE PAYMENTS
pagamenti sicuri
Request information
Book a date
Go to noleggio.dimanoinmano.it to rent the product
Rent

Three Etchings by Antonio Tempesta 1610/1613

Features

Artist:  Antonio Tempesta (1555-1630)

Artwork title:  Tre acqueforti

Age:  17th Century / 1601 - 1700

Subject:  Scene with Figures

Artistic technique:  Printing

Technical specification:  Etching (Cable Engraving)

Description : Tre acqueforti

Etching on paper, monogrammed in slab. Each one has on the back a paperboard of " il gabinetto delle stampe" of Milan with the informations about heac printing, title, date and technical characteristics. Two of them, named "Abramo libera lot" and " La morte di Abimelech" are dated 1613 and the monogram of the artist on the slab. Thei ar part of the serie " Le battaglie dell'Antico Testamento". The third, named " La caccia allo struzzo", is dated 1610 and beloges to a serie of six hunting scenes. Displayed in frames.

Product Condition:
Fair condition. Wear consistent with age and use.

Frame Size (cm):
Height: 50,5
Width: 36
Depth: 2

Artwork dimensions (cm):
Height: 21
Width: 29

Additional Information

Artist: Antonio Tempesta (1555-1630)

Age: 17th Century / 1601 - 1700

17th Century / 1601 - 1700

Subject: Scene with Figures

Artistic technique: Printing

La stampa è un processo per la produzione di testi e immagini, tipicamente mediante l'impiego dell'inchiostro su carta e di una pressa da stampa. Spesso viene svolto come processo industriale su larga scala ed è una parte essenziale dell'editoria.

Technical specification: Etching (Cable Engraving)

Etching (in Latin as aqua fortis) was once used to describe the nitric acid, also called stain. Today it refers to a type of printing and the way to produce it. The etching technique was known since ancient times and was used for engraving decorations on weapons. Some of the first to use it for fine art prints have been Albrecht Dürer in Germany and Parmigianino in Italy.
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