Pair of Armchairs - France Late 18th Early 19th Century

Italy, XIX Century

Walnut work table, with a drop-leaf top concealing open compartments. Drawer under the top, lyre legs joined by a crosspiece to the base. Italy, 19th century.

England, Late XIX Century

Pair of George III style wall tables that open to play, made in the Victorian era. The tables have four truncated pyramidal uprights of which the two rear ones, open like compasses, allow the support of the upper half top forming a round gaming table covered in green felt. The legs, like the bands and the tops, have a rosewood veneered border with fillets to outline reserves veneered in satinwood. In the reserves of the bands there are inlaid floral spiral and anthem motifs, on the tops they are repeated with festoons of bellflowers and a half rosette in the centre. The finely crafted inlays in various woods and stained maple create a strong chromatic effect, accentuated by the burin definitions; on the back of a small table there is a partially preserved label of a deposit or transport.

Italy, Late XIX Century

Walnut work table, drawer in the band under the top, turned legs resting on wavy feet joined by a crosspiece. Italy, late 19th century.

Austria, Late XIX Century

Biedermeier working table in maple and maple burl. Tripartite elliptical top with green leather inserts, rotating opening of the two lateral elements of the top that give access to open compartments below and central fabric basket. Turned legs ending with goat feet. Austria, second quarter of the 19th century.

Italy, XIX Century

Walnut workbench, drawer in the under-top band and in the apron, turned legs resting on wavy feet joined by a turned crosspiece. Italy, 19th century.

Italy, Late XIX - Early XX Century

Small Art Nouveau table. Made of mahogany with slightly sabre-shaped legs joined together with a mahogany tray. The mahogany surface is decorated with brass plates with floral motifs, cut and finely engraved.

Antique Inlaid Writing Desk

Lombard neoclassical writing desk, late 18th century. Made in openwork, the table is supported by four truncated pyramidal legs, with a drawer in the band. The entire surface is veneered in bois de rose with bois de rose borders, bands inlaid with leafy scrolls that start from the tails of facing birds of prey, top with central rosette with cameo in the center.

England Third Quarter 19th Century

Tray table, England, second half of the 19th century. Made of finely chased and gilded bronze with a papier maché top. Four uprights in the shape of a winged dragon with a goat's foot, connected to each other by a crosspiece with a pinnacle, support a top embellished with gilded bronze applications in the rocaille style. The tray is signed "Jennet & Bettridge London" surmounted by a crown. This is one of the most important manufacturers of furniture and objects made of papier maché, a company that has exhibited at the most important universal exhibitions of the 19th century. On the cover of the book "japanned papier maché and tinware" there is a drawing of the Universal Exhibition of 1851, depicting the Jennens & Bettridge stand.

Northern France, Mid XIX Century

Mahogany side table, side drawer in the band under the top, truncated conical legs culminating with cups and wheels. Northern France, mid-19th century.

Italy, Mid XIX Century

Walnut “coat stand” center table, round top with lifting mechanism that transforms into a three-tier etagere. Turned central leg, with carvings and gouges, resting on three wavy feet with carvings of leaf motifs. Italy, mid-19th century.