Bench - Italy, mid 19th century

Italy

Lacquered and painted wooden table, legs covered with chiseled and gilded copper sheet, depicting a neoclassical vase. Top painted in imitation marble. Italy, 19th century.

England, Mid XIX Century

Victorian mahogany card table, rotating and book-like top with green cloth inside and chip holder. Four turned legs joined by a lower shelf with balustrade. Missing parts. England, mid-19th century.

Italy

Coffee table with wooden top painted in imitation marble supported by a gilded iron and wood carving in Mecca style depicting leaves and flowers. Italy, 19th century.

England, Mid XIX Century

Mahogany gueridon, walnut and maple burl veneered top, central compass rose inlay. Turned leg resting on three wavy feet. England, mid-19th century.

Carved and Gilded Display Cabinet, XIX Century

Rococo style display table from the end of the 19th century. Carved in rocaille and completely gilded, it has four Louis XV legs that support a top in a structure of wavy and carved frames that accommodate beveled and engraved glass, both in the top and in the bands, where the glass doors open to act as support shelves; inside, red velvet lining. This type of table was born at the end of the 19th century, they are functional furnishings, mainly used to contain bottles and glasses for bars or collections of objects.

Italy, XIX Century

Walnut work table, with a drop-leaf top concealing open compartments. Drawer under the top, lyre legs joined by a crosspiece to the base. Italy, 19th century.

England, Late XIX Century

Pair of George III style wall tables that open to play, made in the Victorian era. The tables have four truncated pyramidal uprights of which the two rear ones, open like compasses, allow the support of the upper half top forming a round gaming table covered in green felt. The legs, like the bands and the tops, have a rosewood veneered border with fillets to outline reserves veneered in satinwood. In the reserves of the bands there are inlaid floral spiral and anthem motifs, on the tops they are repeated with festoons of bellflowers and a half rosette in the centre. The finely crafted inlays in various woods and stained maple create a strong chromatic effect, accentuated by the burin definitions; on the back of a small table there is a partially preserved label of a deposit or transport.

Italy, Late XIX Century

Walnut work table, drawer in the band under the top, turned legs resting on wavy feet joined by a crosspiece. Italy, late 19th century.

Austria, Late XIX Century

Biedermeier working table in maple and maple burl. Tripartite elliptical top with green leather inserts, rotating opening of the two lateral elements of the top that give access to open compartments below and central fabric basket. Turned legs ending with goat feet. Austria, second quarter of the 19th century.

Italy, XIX Century

Walnut workbench, drawer in the under-top band and in the apron, turned legs resting on wavy feet joined by a turned crosspiece. Italy, 19th century.

England Third Quarter of the XIX Century

Tray table, England, second half of the 19th century. Made of finely chased and gilded bronze with a papier maché top. Four uprights in the shape of a winged dragon with a goat's foot, connected to each other by a crosspiece with a pinnacle, support a top embellished with gilded bronze applications in the rocaille style. The tray is signed "Jennet & Bettridge London" surmounted by a crown. This is one of the most important manufacturers of furniture and objects made of papier maché, a company that has exhibited at the most important universal exhibitions of the 19th century. On the cover of the book "japanned papier maché and tinware" there is a drawing of the Universal Exhibition of 1851, depicting the Jennens & Bettridge stand.

Northern France, Mid XIX Century

Mahogany side table, side drawer in the band under the top, truncated conical legs culminating with cups and wheels. Northern France, mid-19th century.