Giuseppe Ajmone Autumn Flowers Modern Painting Oil on Canvas '900 - Autumn Flowers

Genre Scene at Court

Oil on canvas. Signed lower right. Antonio Zavaga was an Italian painter between the 19th and 20th centuries, specialized in 18th-century style painting, mainly of a gallant and salon setting. The scene of this work is also set in a rich 18th-century style hall: a lady and a gentleman sit at a table playing chess, while the lady-in-waiting brings tea and another gentleman watches amused. The work is presented in a painted frame from the late 19th-early 20th century.

Oil on canvas. The scene of the well-known evangelical episode of the adoration of the wise men is set in an unusual setting: the Holy Family is not in a hut or a stable, but in front of the architectural remains of an imposing marble building; placed on top of a hill, it sees in the background a flat landscape rich in vegetation and inhabited by villages with numerous bell towers. The figures of the kings and the family are depicted with delicate lines, bright but shaded colors, detailed details; moreover in the right corner of the scene appears an emaciated, poor, indistinct figure, a beggar who, hidden in the shadow of the palace, bows to pay homage to the little Jesus, on a par with the rich and powerful kings in his humble devotion. On the back of the canvas there are traces of small restorations. At the bottom right there is a slight cut. The work is presented in a period frame.

Torrefazione Caffè Pernigotti, 1924

Color lithograph. Signed and dated 1924 top right. Printed by the printer Barabino & Graeve of Genoa. This is an advertising poster for the well-known Pernigotti company of Novi Ligure, today renowned above all for the famous Gianduiotti chocolates, but which began with the production of various confectionery and similar products. Ettore Mazzini, a Genoese portrait and landscape painter, also created various advertising illustrations for important Ligurian companies (we recall the poster for the naval, thermal, electrical and mechanical constructions of the Ansaldo group of Genoa). The poster presented is in good condition, with humidity stains and a cut in the paper. Framed.

Interior with Figures and Animals, 1917

Oil on canvas. Signed and dated lower right. In Giuseppe Solenghi's extensive production, rich in lyricism expressed with delicate and refined tones and strokes, the urban landscapes of Milan or the Venetian lagoon views prevail, but there are also several glimpses of the countryside, mainly Lombardy, as well as rustic interiors. In this work the artist portrays the interior of a peasant house, where humans and animals coexist: the scene is pervaded by a serene atmosphere of family everyday life, in which the warm light of the sun filtering through the open door creates plays of light and shadow on the earth tones of the interior. The painting is presented in a mid-20th century frame.

Landscape with Figures

Mixed media on cardboard. Signed lower left. Stamp of the artist's studio on the back. The painter of Apulian origins Giuseppe Casciaro, painter and teacher at the Institute of Fine Arts in Naples where he trained, was essentially a landscape painter and produced in particular views of the surroundings of Naples, Irpinia (Nusco) and Puglia. He preferred the pastel painting technique in which he excelled. Here is a glimpse of a Mediterranean countryside, crossed by a path with wayfarers. It is presented in a period frame.

Oil on canvas. Central European school of the first half of the 20th century. Unidentified signature on the lower left. In a wide valley under sharp mountain peaks, a small lake opens up, on which some houses overlook and boats sail; some common people's figures are busy with daily activities. Pleasant and serene in the green-blue hues of nature. It is presented in a period frame.

Oil painting on canvas. Central European school of the first half of the 20th century. Unidentified signature lower left. Sweetness and tenderness shine through these two embraced figures, similar in facial features and expression, composed in their elegant and lively clothes, with the background of a floral wallpaper. The painting is presented in a period frame.

Oil on canvas. German school of the mid-20th century. At the bottom right is the signature W. Purschke and the location Munchen. The scene is set inside the study of a high prelate: sitting at his desk he listens to two men who show him a route on a map; at the top left is placed on a shelf a model of a ship: perhaps the bishop is also the owner of the ship, who discusses the next trip with its owner. From the window, closed by a worked grille, you can glimpse the village, with houses with a characteristic Nordic appearance. The painting is presented in a period frame.

Inlay made of various woods. The inlay depicts the figure of a cellist in eighteenth-century dress. Francesco Ferrario was an accomplished cabinetmaker, influenced by the Neoclassical and Art Nouveau movements. Having trained in drawing at the Brera Academy, after collaborating with the finest artists of the time, he opened a workshop in Milan, first on Via Tenca, and then in 1927 on Corso Sempione. A label on the back of the work places it among the works produced at this latter location. The work is presented in a period frame.

Canale Veneziano dall'Alto, 1949

Oil on plywood. Signed and dated lower right. Title on the back. Rino Villa is known as one of the initiators (along with Seibezzi, Da Venezia, Ravenna, Bergamini, Mori, Dalla Zorza, etc.) of the Impressionist revival of Venetian painting. He established himself primarily as a landscape painter, especially depicting views of Venice, dominated by the gray of its lagoon skies. The work is presented in a frame.

Seashore with Boats and Figures

Oil on canvas. Signed lower left. Son of an artist, Cesare Gheduzzi established himself as a landscape painter. Although he lived in Turin, he spent a long time on the Ligurian Riviera, creating wide views of the sea, coastal landscapes and fishermen at work, which he reproduced with fidelity and elegance, while favoring cold colors to create an emotional detachment and favor the scenographic effect (inherited from his father who was a set designer for the Teatro Regio in Turin). It is presented in a contemporary frame.

Sant'Ilario 1945

Oil on canvas. Signed and dated lower left. Title on the back of the frame. The painter Mario Guerzoni distinguished himself as a landscape painter, proposing glimpses of different parts of Italy, often coastal views. Sant'Ilario is located in the Riviera di Levante, in the Golfo Paradiso, on the slopes of the Ligurian Apennines. Framed.