England, Late XIX-Early XX Century

Engraved silver bucket with Greek decoration and festoons. Silver marks engraved on the podded handle. 294 grams.

Italy, XX Century

Sugar bowl in chiselled silver and engraved with Greek motifs on the edges. Flower grip and podded handles with four-leaf clovers. Silver marks under the lid and on a handle, difficult to read, Milanese silversmith. 436 grams. Crystal bowl.

s.a.
Pagni e Bardi

Italy, Mid XIX Century

White marble sculpture depicting the bust of a girl. Three-quarter face with downward gaze. Dark patina wooden base.

Italy, Second Half XIX Century

Large majolica plate decorated with great heat in monochrome blue with a mythological subject. Cambering of the cable and brim worked like a pod. Shaped edge. Manufacture mark under the base, lantern in underglaze blue.

Europe, Late XIX - Early XX Century

Oval-shaped tray in embossed and engraved silver, decorated with leaf and Greek scrolls. Silver mark engraved on the reverse. 2680 grams.

Italy, Mid XX Century ca.

Circular silver legume bowl, ring-shaped. Silver and silversmith's marks engraved on the edges. 1120 grams.

Italy, Early XIX Century

Silver salt shaker with an elongated shape supported by four zoomorphic feet. 136 grams.

London 1832

Sterling silver oval tray. In the centre engraving depicting shoots with flowers and leaves, finely chiseled snake-like edge and handles. Marks of the silversmith, the silversmith and the dealer Joseph Mayer engraved on the reverse. 2516 grams.

Floor lamp that incorporates a model widely used by Stilnovo in the 60s in particular in the ceiling models. Lamp with base and stem in metal and enamelled aluminium, brass, white opal glass diffuser.

Italy, 1930s

Virgin Mary and Child in ceramic cast by Lino Berzoini for Ars Pulchra. Author's signature engraved at the bottom and manufacturer's mark on the reverse.

Italy, Early XVII Century

Circular marble bowl shaped like a pod. On the front, a finely sculpted face.

Italy, 1970s

Centerpiece in molded and glazed ceramic. Manufacture mark in relief under the base.

Italy, 1940s

Yellow Murano glass paperweight.

Iconic dining table with oval top model "Samo" designed by Carlo Scarpa in 1970 and produced by Simon; in white saccharoid marble.

Paris, Early XIX Century

Group of four Empire candlesticks in gilded bronze and burnished bronze, Paris, early 19th century. Vase-shaped holder with pods in the lower section, faceted quiver shaft ending with a trio of claw feet, circular support base. The gilded bronze parts are finely chiseled, decorated with various types of frets including foliaceous frets. The group of candlesticks described here is a close variant of a model created by André Antoine Ravrio (1759-1814) around 1808 and supplied in several examples for the imperial furnishings of the Château de Fontainebleau. Ravrio was one of the most talented French bronze workers of the early 19th century, together with Claude Galle and Thomire, being supplier to Emperor Napoleon. His adopted son, Louis-Stanislas Lenoir-Ravrio (1783-1846), who like his father was one of the main bronzesmiths of his time, also worked in André's workshop. The two worked together from 1811, the year in which Louis officially became a collaborator, until 1814, the year of his father's death, continuing the activity until 1840.

s.a.
Istituto della Enciclopedia Italiana fondata da Giovanni Treccani

Particular cabinet consisting of a pair of hinged door wardrobes with central dressing table with double column of drawers and lockable mirror with wooden doors. Rosewood veneered wood, ebonized wood bands, retro-treated glass top.

18th Century / 1701 - 1800

French neoclassical chest of drawers inlaid with breccia top, front with 2 drawers, front and sides inlaid with architectural whims enclosed within gilt bronze borders, wavy legs. Entirely decorated with neoclassical gilt bronze elements. Veneered in bois de rose; among the woods used there are palm, maple, green stained maple and boxwood. Interior in oak.

Large "Pipistrello" model table lamp designed by Gae Aulenti and produced by Martinelli Luce since 1965. Lamp adjustable in height via a steel telescope, it has a base in white painted aluminum with satin aluminum finishes while the diffuser is in white methacrylate . It can be used both as a table lamp and as a support lamp with diffused light.