Price

255 € 18180 € Apply

Material

Dimensions


3 cm 333 cm

12 cm 475 cm

1 cm 236 cm

5 cm 165 cm

28 cm 53 cm
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New Selected section with the best of our Antiques, Modern Antiques, Art and Books catalog: a few selected products that are constantly updated.

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Vintage Table La Rotonda by Cassina Walnut Italy 1980s
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MOTATA0204489
Vintage Table La Rotonda by Cassina Walnut Italy 1980s

MOTATA0204489
Vintage Table La Rotonda by Cassina Walnut Italy 1980s

Round table in solid walnut designed by Mario Bellini and produced by Cassina in the 1980s.

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6,650.00€

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L. Frigerio Lamps Paper Brass Italy 1970s
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SELECTED
MOILIL0168686
L. Frigerio Lamps Paper Brass Italy 1970s

MOILIL0168686
L. Frigerio Lamps Paper Brass Italy 1970s

Pair of table lamps with original base in cast brass worked in the typical style of Luciano Frigerio, paper lampshade.

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2,675.00€

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Pair of Antique Candle-Holders Bronze Japan XIX Century
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SELECTED
OGANOG0235189
Pair of Antique Candle-Holders Bronze Japan XIX Century

Japan XIX Century

OGANOG0235189
Pair of Antique Candle-Holders Bronze Japan XIX Century

Japan XIX Century

Pair of refined candle holders with evocative porcelain subjects mounted on burnished and gilded bronze garden seats. The two "Erxian"brothers of Chinese origin but replicated in the Hirado factories in the 19th century hold candle holders in the form of plants with flowering branches. The bronze settings were most likely made in Europe.

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3,870.00€

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Vintage 1950s Lamp O-Luce 4458 Design Giuseppe Ostuni
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SELECTED
MOILIL0227914
Vintage 1950s Lamp O-Luce 4458 Design Giuseppe Ostuni

MOILIL0227914
Vintage 1950s Lamp O-Luce 4458 Design Giuseppe Ostuni

Ceiling lamp, 7 lights in enamelled aluminium, brass and glass.

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1,840.00€

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Plato's Academy Silk Tapestry Italy XVII-XVIII Century
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SELECTED
ANCOSP0084001
Plato's Academy Silk Tapestry Italy XVII-XVIII Century

Central Italy Late 17th-early 18th century

ANCOSP0084001
Plato's Academy Silk Tapestry Italy XVII-XVIII Century

Central Italy Late 17th-early 18th century

Small silk tapestry, with some applied inserts in painted canvas, corresponding to the faces and hands of the characters. The scene depicts Plato's Academy, with the philosopher sitting on the ground, his back against a tree, dressed in a cassock and a mantle that drapes him, with his right hand holding a tablet or parchment. He is intent on carrying out a philosophy lesson, with the young students who surround him and with one of whom he is speaking in particular. Behind a rural landscape inhabited by men who are doing agricultural work: some intent in sowing, some in harvesting and some, again, in cutting down a tree with an ax. In the background, to the right of the main group, a turreted construction can be seen, while to the left an ancient herm. Inserted in a coeval frame, molded in several orders with ebonized parts alternating with others veneered in tortoiseshell.

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Vintage 1980s Sofa Velvet Leatherette with Pillowcases Italy
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MOSEDI0237120
Vintage 1980s Sofa Velvet Leatherette with Pillowcases Italy

MOSEDI0237120
Vintage 1980s Sofa Velvet Leatherette with Pillowcases Italy

2-seater sofa, structure covered in imitation leather, foam cushions with velvet covering. Restored.

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2,050.00€

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Mirror Neoclassical Carved Wood Italy XVIII Century
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SELECTED
ANCOSP0180887
Mirror Neoclassical Carved Wood Italy XVIII Century

Italy, Last Quarter XVIII Century

ANCOSP0180887
Mirror Neoclassical Carved Wood Italy XVIII Century

Italy, Last Quarter XVIII Century

Neoclassical mirror in carved and partially lacquered and gilded wood, Lombardy last quarter of the 18th century. Medallion frieze with love knot placed on the top, made with a ribbon and held by a float, and richly carved floral festoons; gilt moldings, mercury mirror. Decorated in the upper part with a cancurrent motif enriched with golden leaf elements, attributable to the iconographic repertoire of Giocondo Albertolli (Bedano 1742–Milan 1839), Swiss-Italian architect, decorator and teacher.

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3,120.00€

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Vintage 1950s Chairs Painted Beech Fabric Italy
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SELECTED
MOSESE0173065
Vintage 1950s Chairs Painted Beech Fabric Italy

MOSESE0173065
Vintage 1950s Chairs Painted Beech Fabric Italy

Elegant group of 6 chairs in stained beech wood, foam padding and fabric covering. Very good condition, restored.

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1,490.00€

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Antique Table Lamps Paris '900 Cut Crystals Bronze Lampshades
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SELECTED
OGANOG0190575
Antique Table Lamps Paris '900 Cut Crystals Bronze Lampshades

France Mid 1900s

OGANOG0190575
Antique Table Lamps Paris '900 Cut Crystals Bronze Lampshades

France Mid 1900s

Pair of lamps in cut crystal and bronze with fabric lampshades. Adhesive label of the manufacturer under the base of a lamp.

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2,300.00€

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Chandelier Glass Italy XX Century
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ANILLA0132241
Chandelier Glass Italy XX Century

20th Century / 1901 - 2000

ANILLA0132241
Chandelier Glass Italy XX Century

20th Century / 1901 - 2000

Chandelier in gilded bronze and ground glass. The open cartouche-shaped structure develops through 12 sliding arms with fluted bell-shaped candle holders and corolla-shaped bobeches over pierced acanthus jets, interspersed with 4 amethyst-colored terminals in the shape of an urn. The frame is centered by an urn-shaped column with a pinnacle terminal. Entirely decorated with transparent, amber and amethyst glass pendants, including a faceted sphere pendant. Attributable to Baccarat production.

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11,000.00€

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Antique Painting Boutique of Tanzio da Varallo Religious Subject
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SELECTED
ARARPI0234757
Antique Painting Boutique of Tanzio da Varallo Religious Subject

Martyrdom of the Franciscans in Nagasaki

ARARPI0234757
Antique Painting Boutique of Tanzio da Varallo Religious Subject

Martyrdom of the Franciscans in Nagasaki

Oil painting on canvas. The work is a faithful copy of the homonymous masterpiece by Tanzio da Varallo (1580-82 /1633), created by the painter from Valsesia for the Franciscan convent of Santa Maria delle Grazie in Varallo, and currently preserved at the Pinacoteca di Brera. The painting depicts the martyrdom which occurred in 1597 in Nagasaki of twenty-three Franciscan friars, who were subsequently beatified in 1627, a date which allows us to place the work in the last years of the artist's activity. Tanzio da Varallo was probably inspired for its creation by the text "Life and exploits of the Martyrs of Japan" by the Spanish Franciscan Marcello di Ribadeneira; of the Brera painting we know a partial preparatory drawing (preserved in the Pinacoteca di Varallo), a sanguine drawing published by Testori (1964) and a canvas (from a private collection in Borgosesia) published by Ferro. The replica proposed here is faithful to the original, even in size, only a few centimeters lower in height, probably lost during the re-lining of the work. Although it is a copy of notable quality, where in particular the richness of highlights stands out which stand out on the warmer and darker tones of the flesh tones, compared to the original one notices a lower fineness of execution, a tendency towards simplification and a pathetic accentuation, which they testify to the hand of a copyist concerned with reproducing the model in every detail, without granting himself any license. Furthermore, this copyist seems to have been very familiar with Tanzio's style, to the point of even perfectly imitating his hooked hands. One can therefore think of a pupil of Tanzio or of his workshop (which was continued by his brother Melchiorre upon Tanzio's death), or of an artist who saw and appreciated his works, such as for example Pietro Francesco Gianoli, who worked above all in churches in Valsesia and in the Novara area and of which other replicas of works by Tanzio da Varallo are known, such as David with the head of Goliath. Furthermore, since the work presented here, before being acquired by a private collector, remained located for centuries in a Franciscan convent in Lombardy, it is plausible that it is a copy of that of Tanzio commissioned by the Order itself, for another monastery, by a painter who was stylistically close to Tanzio and could look to the original. The painting has been relined and restored. It is presented in a late 19th-early 20th century setting.

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Pair of Vintage 1960s Armchairs Aluminium Fabric Foam
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MOSEPO0204947
Pair of Vintage 1960s Armchairs Aluminium Fabric Foam

MOSEPO0204947
Pair of Vintage 1960s Armchairs Aluminium Fabric Foam

Pair of armchairs with foam padding, fabric covering and aluminum base. Restored. A pair of armchairs suitable for an environment with a relaxation area with an original style, a taste of times gone by and a touch of elegance. The product has been carefully restored by our laboratory, with a restoration intervention that involves the replacement of the padding and fabric.

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1,850.00€

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Vintage 1960s Table Simon Doge Design Carlo Scarpa Steel
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SELECTED
MOTATA0236613
Vintage 1960s Table Simon Doge Design Carlo Scarpa Steel

MOTATA0236613
Vintage 1960s Table Simon Doge Design Carlo Scarpa Steel

Iconic Doge table designed by Carlo Scarpa and produced by Simon since 1968. Made with a steel structure with brass spacers and a large crystal top, the sculptural shape has made it an emblem of the "Ultrarational"movement.

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7,800.00€

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Di Herone Alessandrino De gli automati, overo machine se moventi, Libri due, Tradotti dal greco da Bernardino Baldi Abbate di Guastalla
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LISCMA0225225
Di Herone Alessandrino De gli automati, overo machine se moventi, Libri due, Tradotti dal greco da Bernardino Baldi Abbate di Guastalla

Erone Alessandrino
Girolamo Porro

LISCMA0225225
Di Herone Alessandrino De gli automati, overo machine se moventi, Libri due, Tradotti dal greco da Bernardino Baldi Abbate di Guastalla

Erone Alessandrino
Girolamo Porro

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950.00€

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Antique Painting Jesus Christ and the Adulteress Flemish XVI Century
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ARARPI0235790
Antique Painting Jesus Christ and the Adulteress Flemish XVI Century

Flemish School, XVI Century

ARARPI0235790
Antique Painting Jesus Christ and the Adulteress Flemish XVI Century

Flemish School, XVI Century

Oil on wooden board. Flemish school of the 16th century. The work has a plaque at the base attributing it to Lambert Van Noort (1520 -1571), justified by the closeness to his pictorial methods which can be found in the faces of Jesus and Magdalene, but not confirmable for the other parts of the painting. The work recounts the episode from the Gospel of John in which the scribes and Pharisees brought a woman accused of adultery to Jesus, to test her observance of the law of Moses, which included stoning. But Jesus, bending down to the ground, began to write with his finger in the dust, then when urged, he pronounced the words "Let anyone among you who is without sin cast the first stone", saving the woman and subsequently forgiving her. The large stage is filled with a large and tight group of characters. Jesus in the centre, is the only figure bent on the ground, estranged from the rest of the group and fixed in his gesture of writing with one finger; standing behind him, with a precise vertical alignment of her face with that of Christ, is the accused woman, who covers her body with her cloak observing Jesus' gesture, while awaiting the sentence; all around the scribes, the Pharisees, some soldiers, who instead speak animatedly among themselves, are agitated, confronting each other, indicating what Jesus is doing. The subject was widely represented in Flemish painting, with different interpretative methods. If in this painting the Flemish school is clearly perceived in the faces with hard features and in the rather rigid bodies in the movements of the scribes and Pharisees, as well as in the representation of the building in the background and in the meticulous representation of the shoes in the right foreground, the two The figures of Jesus and the woman are instead affected by the Italian influence, which softened the features of the faces, gave the movements of the body greater composure and gracefulness, and with the help of a brighter color made them stand out among the other figures. The panel of the painting was subjected to restoration and relined in the first half of the 20th century. The painting is presented in an adapted antique frame.

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12,150.00€

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Antique Cupboard Baroque Style Mid XVIII Century Lacquered Wood
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ANMOCR0147776
Antique Cupboard Baroque Style Mid XVIII Century Lacquered Wood

Parma Mid 18th century

ANMOCR0147776
Antique Cupboard Baroque Style Mid XVIII Century Lacquered Wood

Parma Mid 18th century

Baroque double body sideboard, supported by carved shelf feet, in the lower part it has four doors with tiles, also in the upper part there are four degrees doors, here decorated with characteristic tiles. Entirely lacquered in blue.

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Antique Large Plate Cloisonné Enamels Japan Meiji Era 1890 ca
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OGANOG0235210
Antique Large Plate Cloisonné Enamels Japan Meiji Era 1890 ca

Japan, Meiji Era 1890 ca

OGANOG0235210
Antique Large Plate Cloisonné Enamels Japan Meiji Era 1890 ca

Japan, Meiji Era 1890 ca

Large polylobed cloisonné enamel plate decorated with multiple concentric orders. A delicate composition of flowers and birds decorate the central part, all in the style of Namikawa Yasuyuki.

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2,860.00€

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Pair Of Consoles Neoclassical Walnut Piacenza Italy Second Half 1700
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ANTACO0118932
Pair Of Consoles Neoclassical Walnut Piacenza Italy Second Half 1700

18th Century / 1701 - 1800

ANTACO0118932
Pair Of Consoles Neoclassical Walnut Piacenza Italy Second Half 1700

18th Century / 1701 - 1800

Pair of neoclassical consoles from Piacenza, supported by truncated pyramidal legs ending with pear-shaped feet, in the upper part they are tightened by collars. Walnut.

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6,800.00€

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Frame Gilded Linden Italy XVIII Century
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ANCOSP0170700
Frame Gilded Linden Italy XVIII Century

Central Italy, Third Quarter XVIII Century

ANCOSP0170700
Frame Gilded Linden Italy XVIII Century

Central Italy, Third Quarter XVIII Century

Antique frame in carved and gilded linden wood, central Italy, third quarter of the 18th century. Richly carved with vine leaves and bunches of grapes; in the top section it has a mobile flagpole decorated at the ends with pine cone-shaped plant elements.

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2,800.00€

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Ancient Baroque Mirrors Mid XVIII Century Mercury Mirror
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ANCOSP0148809
Ancient Baroque Mirrors Mid XVIII Century Mercury Mirror

Emilia Half XVIII Century

ANCOSP0148809
Ancient Baroque Mirrors Mid XVIII Century Mercury Mirror

Emilia Half XVIII Century

Group of four Baroque mirrors carved with scrolls and floral motifs, entirely gilded with leaf; the mercury mirrors (one broken) are etched, with figures of classical divinities.

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6,100.00€

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