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150 € 36000 € Apply

Material

Dimensions


3 cm 333 cm

9 cm 473 cm

1 cm 205 cm

7 cm 166 cm

32 cm 52 cm
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Vintage Display Cabinet Mahogany Glass United Kingdom 1940s-50s
SELECTED
SELECTED
MOMOMO0279212

Vintage Display Cabinet Mahogany Glass United Kingdom 1940s-50s

MOMOMO0279212
Vintage Display Cabinet Mahogany Glass United Kingdom 1940s-50s

Particular vintage display cabinet, with original writing in English, and manufacturer's label on the back, composed of storage compartments with vertically opening glass doors, in mahogany wood.

In Cart

3,800.00€

In Cart
Antique Painting Workshop of Francesco Bassano Italy XVI Century
SELECTED
SELECTED
ARARPI0278456

Antique Painting Workshop of Francesco Bassano Italy XVI Century

Nativity

ARARPI0278456
Antique Painting Workshop of Francesco Bassano Italy XVI Century

Nativity

Oil on canvas. Second half of the 16th century. The painting comes from the historical family collection of Count Castracane, as documented by the original autographed paper receipt of Francesco Bassano (attached to the work) which states: "Your Illustrious Count Castracane. Recipio de somesso sua somma de quinquaginta ducati per lo dipinto de mano mia de Nativitas Domini Nostri come Ella mhada ordenato. Dev.mo Obb.mo Servo suo Franciscus da Ponte de Bassano. Il die 12 decembre 1589". On the back of the frame there is also an inventory label at the top and the writing "proprietà Castracane" at the bottom. The aforementioned Count Castracane belongs to the noble family of Castracani degli Altelminelli di Fano, of Lucca origin. Francesco Dal Ponte da Bassano, known as Il Giovane, worked for many years in the important workshop of his father Jacopo, known as Bassano il Vecchio, before moving to Venice in 1578 where he opened his own personal atelier, while continuing to collaborate with the Bassano workshop, which was managed in the meantime by his brother Leandro after the death of his father. Towards the end of the 1580s, however, Francesco experienced a crisis that was also reflected in his allegorical production: in a progressive approach to the taste of his brother Leandro, the colour became lighter, losing strength, the forms dilated and simplified, the composition became fragmented. The production of the Bassano family was distinguished above all by sacred subjects, inserted however in rural settings, which lead to their being defined as biblical-pastoral. In this painting too, the Holy Family does not dominate the centrality of the scene, but is one of the two groups of very human figures that occupy the right part of the scene, while on the left stands out the group of shepherds with the animals of the countryside and the simple objects of everyday life. The rural context is also well defined by the surrounding objects, despite the hut of the birth being replaced by an architectural structure with marble columns, but of a colour that blends in with the other surrounding structures. The only spiritual elements are the angel - solitary! - who appears to the shepherds for the announcement, relegated to the top, small and barely hinted at; and the halo that surrounds the head of the Baby Jesus, who is also depicted peacefully asleep, unaware of what is happening around him and what awaits him. Characteristic of the production of his father's Bassano workshop were the richness and chromatic vivacity and the luminous contrasts, which however were toned down in Francesco, translating into more tenuous chromatic choices and simplified forms, losing part of their strength. This can also be seen in this work, which dates back to the last years of the artist's life, especially in the characters' clothes; note in particular how Mary's dress is no longer red as per tradition, a colour strongly symbolic of human pain, but is the same pink shade as the central shepherd's tunic, almost as if to underline the Madonna's belonging to humble and simple humanity. Moreover, Francesco Bassano in his last period, due to his health compromised by serious hypochondria (he committed suicide in 1592), received commissions for works that were only partially executed by him, but delegated at least partially to his assistants. This indicates that the work was commissioned to him and came from his workshop, as his autographed declaration states, but probably not made directly by the master, but rather by one of his collaborators. The painting has been restored and relined. It is presented in an antique wooden frame from the late 18th - early 19th century.

In Cart

12,000.00€

In Cart
Antique Neoclassical Table Lacquered Wood Italy Late XIX Century
SELECTED
SELECTED
ANTCON0000192

Antique Neoclassical Table Lacquered Wood Italy Late XIX Century

Milan, late 19th century

ANTCON0000192
Antique Neoclassical Table Lacquered Wood Italy Late XIX Century

Milan, late 19th century

A Neoclassical late 18th Century lacquered wood wall table with truncated pyramid legs and carved shelves. Frames decorated with leaves, lion head, oak leaves roses. Macchiavecchia marble top. Gilded and lacquered. Manufactured in Northern Italy (Lombardia).

In Cart

4,200.00€

In Cart
Vintage Stilnovo Table Lamp Aluminium Glass Design Italy 1960s
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SELECTED
MOILIL0278530

Vintage Stilnovo Table Lamp Aluminium Glass Design Italy 1960s

MOILIL0278530
Vintage Stilnovo Table Lamp Aluminium Glass Design Italy 1960s

Vintage table lamp made by Stilnovo with white enamelled aluminium base, large salmon-coloured glass diffuser, push-button ignition.

In Cart

1,400.00€

In Cart
Antique Baroque Lantern Holders Gilded Wood Italy XVIII Century
SELECTED
SELECTED
ANILLA0180881

Antique Baroque Lantern Holders Gilded Wood Italy XVIII Century

Lombardy, Early XVIII Century

ANILLA0180881
Antique Baroque Lantern Holders Gilded Wood Italy XVIII Century

Lombardy, Early XVIII Century

Antique Baroque Lantern Holders Gilded Wood Italy XVIII Century Pair of lantern holders with iron structure and carved and gilded wooden body. An expression of fully baroque taste, the arms are moved in an "S" shape, while the wooden essence is carved with characteristic flower and leaf motifs that curl. The floral corollas at the ends of the arms hide the hook that originally held the lantern holding chain.

In Cart

5,500.00€

In Cart
Antique Tripod Gilded Bronze Porcelain France XIX Century
SELECTED
SELECTED
ANMOAL0192959

Antique Tripod Gilded Bronze Porcelain France XIX Century

Paris, Late XIX Century

ANMOAL0192959
Antique Tripod Gilded Bronze Porcelain France XIX Century

Paris, Late XIX Century

Vase holder tripod in gilded bronze and Sèvres ceramic, modeled after Pierre Gouthière. Circular base in cobalt blue Sèvres porcelain, with golden decorations on the top and wreath of myrtle leaves on the band; underneath three feet in gilded bronze with a spiral motif support the whole thing. The three bronze goat feet rest on the surface with an upside-down pine cone in the centre; the tripod is contained by a band decorated with frets in the lower part, the uprights end with faun heads characterized by a long beard and ram's horns, connected to each other by festoons of vine leaves and bunches of grapes. In the centre, descending from above following a spiral trajectory, is the figure of a snake with a body covered in scales and a wide open mouth. On the top it has a second pine cone element, opposite to the first, surmounted by a tuft of leaves arranged in a radial pattern and by a vase holder plate, the latter embellished with a fret and ending with a perforated railing element with an everted edge. These elements, originally separated by a Sèvres porcelain vase missing here, were superimposed and fixed together at a later stage. The base features the Sèvres manufacturing mark.

In Cart

9,200.00€

In Cart
Antique Baroque Console Gilded Wood Marble Top XVIII Century
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SELECTED
ANTACO0232556

Antique Baroque Console Gilded Wood Marble Top XVIII Century

Florence, Mid XVIII Century

ANTACO0232556
Antique Baroque Console Gilded Wood Marble Top XVIII Century

Florence, Mid XVIII Century

Baroque console in carved and gilded wood with top in Siena's marble, Florence, mid-18th century. Supported by four wavy legs connected to each other by a central crosspiece, the console is decorated with curl carvings, "C" shaped volutes and rocaille, leafy and floral elements, the latter placed in the band under the top. Restorations on the floor.

In Cart

5,900.00€

In Cart
Ancient Coffee Table with Top in Various Marble Essences Checkerboard
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SELECTED
ANTATV0144713

Ancient Coffee Table with Top in Various Marble Essences Checkerboard

Tuscany, England Mid 19th century

ANTATV0144713
Ancient Coffee Table with Top in Various Marble Essences Checkerboard

Tuscany, England Mid 19th century

Circular top in various essences of marble, with polychrome checkerboard in the center; the marble is framed in a rosewood support, supported by a central turned baluster resting on three shaped and fluted feet.

In Cart

5,400.00€

In Cart
Auditorium. Progetti Roma anno XIII E. F.
SELECTED
SELECTED
LIARAR0265174

Auditorium. Progetti Roma anno XIII E. F.

Mario Palanti
Rizzoli & C.

LIARAR0265174
Auditorium. Progetti Roma anno XIII E. F.

Mario Palanti
Rizzoli & C.

In Cart

395.00€

In Cart
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Neapolitan Chest Of Drawers Rococo Red Marble Poplar Bronze Italy 1700
SELECTED
SELECTED
ANMOCA0091745

Neapolitan Chest Of Drawers Rococo Red Marble Poplar Bronze Italy 1700

Naples Third Quarter XVIII Century

ANMOCA0091745
Neapolitan Chest Of Drawers Rococo Red Marble Poplar Bronze Italy 1700

Naples Third Quarter XVIII Century

Neapolitan Rococo chest of drawers, supported by curved feet, the under-the-top band is curved as well; on the curved front, it features two drawers with retractable chain. Quadripartite veneered wood, with double borders set at 45° degrees, the same motif is proposed in the reserves on the sides. The two drawers are decorated with a central inlay with a poly-lobed threading with a bouquet of flowers inside, inhabited by a parrot. The shaped top is in red breccia marble from the Appennini; the handles is bronzy and bronze appliqués are used on the feet, on the upper part of the uprights and in the centre of the frontal apron.

In Cart

8,200.00€

In Cart
Empire Desk Chestnut Mahogany Italy XIX Century
SELECTED
SELECTED
ANTASC0112155

Empire Desk Chestnut Mahogany Italy XIX Century

19th Century / 1801 - 1900

ANTASC0112155
Empire Desk Chestnut Mahogany Italy XIX Century

19th Century / 1801 - 1900

c

In Cart

3,300.00€

In Cart
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Antique Side Table Empire Cherry Alabaster Italy XIX Century
SELECTED
SELECTED
ANTATV0092591

Antique Side Table Empire Cherry Alabaster Italy XIX Century

Kingdom of the Two Sicilies First Quarter 19th Century

ANTATV0092591
Antique Side Table Empire Cherry Alabaster Italy XIX Century

Kingdom of the Two Sicilies First Quarter 19th Century

Gueridon supported by three uprights carved with lion feet and in the upper part with caryatids, to support the undertop band. The female figures are standing, dressed according to the Egyptian taste: they wear a low-cut dress that leaves the breasts uncovered, tightened at the waist by a belt, they wear bracelets and necklaces, while the hair is styled according to the Egyptian taste, with braids that fall neatly on the shoulders. These figures are partly ebonized, to make the skin, while the clothes and details are gilded. The legs are connected by a platform in the shape of a concave triangle. The circular top is in alabaster, enclosed within a cherry veneered frame.

In Cart

6,500.00€

In Cart
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Bookcase and Étagère Mahogany Bronze Napoleon III - France XIX Century
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SELECTED
ANMOAL0135327

Bookcase and Étagère Mahogany Bronze Napoleon III - France XIX Century

19th Century / 1801 - 1900

ANMOAL0135327
Bookcase and Étagère Mahogany Bronze Napoleon III - France XIX Century

19th Century / 1801 - 1900

French Napoleon III center bookcase, supported by wavy legs, the lower band on both the front and sides is shaped; on the front it has two doors finished with fake books, with applied leather ribs, so as to simulate an open bookcase. In the upper part there is an open compartment and an upper tray shelf. The etagere has a similar shape, but in the central compartment there are various shelves placed at different heights. Interior in mahogany, they are veneered in bois de rose, with a 45 ° cut and quadripartite on the tops; the furniture is decorated with gilded bronzes and worked with leafy volutes, in the shoes, on the uprights, on the lower band and in the side handles.

In Cart

7,700.00€

In Cart
Søborg Mobelfabrik 316 Chair Design Peter Hvidt Vintage Denmark 1950s
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SELECTED
MOSESE0276476

Søborg Mobelfabrik 316 Chair Design Peter Hvidt Vintage Denmark 1950s

1950s

MOSESE0276476
Søborg Mobelfabrik 316 Chair Design Peter Hvidt Vintage Denmark 1950s

1950s

Vintage Danish-made chair with teak wood frame and straw seat.

In Cart

720.00€

In Cart
Pair of Antique Trypods Rosewood England XIX Century
SELECTED
SELECTED
ANMOCO0144512

Pair of Antique Trypods Rosewood England XIX Century

England First Quarter XIX Century

ANMOCO0144512
Pair of Antique Trypods Rosewood England XIX Century

England First Quarter XIX Century

Pair of tripods supported by saber-shaped uprights with lion feet, are connected by a small hexagonal shelf in the lower part; above, they frame a top that is also hexagonal, with a high band adorned with rosette carvings, also re-proposed on the top of the uprights. Rosewood.

In Cart

5,800.00€

In Cart
Bust of a gentleman
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SELECTED
ARARAR0132245

Bust of a gentleman

Claude Munier

Call
Pair of Antique Baroque Style Candle-Holders Wood Italy 1750 ca.
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SELECTED
ANILLA0152931

Pair of Antique Baroque Style Candle-Holders Wood Italy 1750 ca.

Milan, 1750 ca.

ANILLA0152931
Pair of Antique Baroque Style Candle-Holders Wood Italy 1750 ca.

Milan, 1750 ca.

Pair of lamp holders in carved pine wood, lacquered white and partially gilded, supported by a cylindrical rod. Composed of large opposing "C" volutes, they are carved with curls and leaf motifs, embellished with a flowering branch that descends from the upper corolla, a support for the candle. Above the two lights there is a perforated and gilded sheet iron plate.

Reserved

5,200.00€

Reserved
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Venetian Baroque Console Walnut Alabaster Marble Italy XVIII Century
SELECTED
SELECTED
ANTACO0128595

Venetian Baroque Console Walnut Alabaster Marble Italy XVIII Century

18th Century / 1701 - 1800

ANTACO0128595
Venetian Baroque Console Walnut Alabaster Marble Italy XVIII Century

18th Century / 1701 - 1800

Venetian baroque console supported by wavy legs, the apron on the front and sides is carved with characteristic rocaille motifs. In walnut, the shaped top is in alabaster with a border in black marble and white Botticino.

In Cart

4,700.00€

In Cart
Antique Painting Still Life Bartolomeo Arbotori Italy XVII Century
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SELECTED
ARARPI0143673

Antique Painting Still Life Bartolomeo Arbotori Italy XVII Century

Bartolomeo Arbotori (Piacenza 1594 - 1676)

Call
Antique Roman Trumeau Walnut Bois de Violette XVIII Century
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SELECTED
ANMORI0276260

Antique Roman Trumeau Walnut Bois de Violette XVIII Century

Rome, Late XVIII Century

ANMORI0276260
Antique Roman Trumeau Walnut Bois de Violette XVIII Century

Rome, Late XVIII Century

Walnut trumeau completely veneered in bois de violette, fillets and phytomorphic inlays in maple, on the entire surface. Base with three drawers with a wavy front, pierced and carved pilasters with a curling movement, two placed on the front uprights at 45 degrees and another four halfway up the sides where the piece of furniture widens through a constructive leavening. Drop-leaf door, concealing a cabinet with a pair of lateral drawers surmounted and a central open compartment, secret in the sliding top. Upper part with a pair of mercury mirror doors and two lamp-holder drawers underneath, internal castle composed of three drawers and open compartments, cymatium with a carved scroll molding. The carved parts of the piece of furniture, frames and curls are ebonized, the feet end in a shelf at the front. Interior of the drawers in poplar. Antique escutcheons in chiseled and gilded bronze. Restoration. Rome, second quarter of the 18th century.

In Cart

12,000.00€

In Cart
Antique Painting St. John the Baptist Fans Francken II Workshop
SELECTED
SELECTED
ARARPI0148161

Antique Painting St. John the Baptist Fans Francken II Workshop

Fans Francken II Workshop

Call
Antique Painting Still Life Oil on Canvas Italy XVII-XVIII Century
SELECTED
SELECTED
ARARPI0141146

Antique Painting Still Life Oil on Canvas Italy XVII-XVIII Century

Still life with holes, fruit, a parrot and quail

ARARPI0141146
Antique Painting Still Life Oil on Canvas Italy XVII-XVIII Century

Still life with holes, fruit, a parrot and quail

Oil painting on canvas. Neapolitan school of the seventeenth-eighteenth century. The large composition is rich in numerous different elements: in the center stands a large floral composition, of multiple varieties in bright colors; on the left of the flowers, resting on a Doric capital, there is a budgie with bright colors contrasting with the dull ones of the dead quail lying on the floor below, together with some pumpkins and a pewter vase. The painting, restored and relined, is presented in a period frame. It comes from an important collection (Commendatore Arturo Stucchi, an entrepreneur from Como, is mentioned on the back).

In Cart

5,000.00€

In Cart
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Antique Painting Mentore Silvani Oil on Canvas Italy 1872
SELECTED
SELECTED
ARAROT0147772

Antique Painting Mentore Silvani Oil on Canvas Italy 1872

Snowy Landscape with Figures 1872

ARAROT0147772
Antique Painting Mentore Silvani Oil on Canvas Italy 1872

Snowy Landscape with Figures 1872

Oil on canvas. Signed, dated 1872 and located in Parma in the lower right corner. It is a large winter landscape with a strong scenic impact, which fits well into the scenographic traditionalism of the painting of Mentore Silvani, a native artist of Traversetolo (Parma), a landscape painter but also known as a set designer. In the scene, sprinkled with the white of a short snowfall that creates that typical rarefied and silent winter atmosphere, between bare and dry trees, a dirt road winds its way through by a traveler; on the right a dilapidated building with a wash house where a woman draws water; in the center a small column on which a sacred image is mounted. Trained in his hometown, Silvani participated in the exhibitions of the Encouragement of Parma starting from 1864, and it is mainly in his city that his works are found today (at the Municipality of Parma, the National Gallery, the Paolo Toschi artistic high school ); however, he also exhibited in Milan (1872) and Florence (1875). Trained as a scenographer at the school of Gerolamo Magnani, Silvani held this position in Parma but also in Venice starting from 1871. His pictorial production, which includes mainly rural landscapes of the Parma countryside, is always characterized by fidelity to reality. The work proposed here is presented in a contemporary frame.

In Cart

9,500.00€

In Cart
Painting Love and Psyche Oil on Canvas Italy XVIII Century
SELECTED
SELECTED
ARARPI0183429

Painting Love and Psyche Oil on Canvas Italy XVIII Century

Love and Psyche

ARARPI0183429
Painting Love and Psyche Oil on Canvas Italy XVIII Century

Love and Psyche

Oil painting on canvas. Northern Italian school of the 17th century. The scene refers, with some variations but very close in size, to a part of the large fresco entitled "Banchetto degli dei" in the Chamber of Cupid (or Chamber of Cupid and Psyche) of Palazzo Té in Mantua, a large representation of over nine meters made by Giulio Romano with his workshop in the 16th century. The proposed scene (which in Mantua is located to the right of the great banquet) sees Cupid and Psyche lying on a triclinium, while a small winged figure crowns them with laurel and two nymphs wash Cupid's hand; in the background on the right a group of satyrs is sacrificing a goat to the altar of a deity, while in the centre, in the distance, a city is burning. The banquet of the gods is the final moment of the myth of the two lovers who, after many trials and vicissitudes, obtain Venus'permission to get married. The work, restored and relined, is presented in an antique frame.

In Cart

6,000.00€

In Cart