Angelo La Bella
Scipioni editore

Guide Michel Aurer
Editions Camera Obscura

Bernardino de Sahagùn
Sellerio editore

Laura Laurencich Minelli
EMI

Vera Agosti
Firenze Atheneum

Fabrizia Ramondino, Andreas Friedrich Müller
Einaudi

Alberto Castaldini
Archivio Storico Curia Diocesana

Piero Calamandrei
Bompiani

Henri Cartier-Bresson
Contrasto

Raffaele De Grada
Galleria d'arte Cocorocchia

Trentino, last quarter of the 18th century

Large Neoclassical cherry chest of drawers. Front with four drawers, the first two of which are placed side by side in the band under the top, tapered and carved uprights and feet. Carved studded edges. Fir interior. Original bronze handles and escutcheons. Trentino, last quarter of the 18th century.

Austria, Early XIX Century

Empire walnut sofa, open back and sides enriched with elliptical medallions in maple painted with allegorical motifs. Bipartite cane seat, truncated pyramidal legs. Austria, early 19th century.

Cabinet with drawers and hinged doors, in mahogany veneer, formica inserts and transparent glass resting on the top.

Dietrich von Hildebrwmd
Bompiani Editore

165 x 114 In

Kayseri carpet in cotton and wool, extra-fine knot, hand-made.

France, Late XX Century

Magnificent celadon-colored porcelain service painted with polychrome decoration depicting Koi carp and flowers of Chinese inspiration from the Kiang She period. The service consists of a soup tureen, 1 bowl with 11 small bowls, 5 serving plates, 12 soup plates, 12 dinner plates and 12 fruit plates. Manufacturer's mark printed under the base.

Italy, Late XIX Century

Bust of a young woman in white marble and alabaster with veins in shades of grey.

Italy, Late XIX Century

Pair of Neo-Baroque armchairs in walnut. Sides and back carved with leaf motifs and scrolls, crosspiece and front legs with cherubs and scrolls. Padded seat, back and armrests. Italy, late 19th century.

Salimbene De Adam
Garzanti

Italy, Late XIX Century

Neoclassical bedside table in walnut and walnut crotch, olive wood inserts and maple fillets. Folding top, concealing internal compartment, truncated pyramidal legs. Modifications. Italy, late 18th century.

Italy, 1950s

Centerpiece in beaten, embossed, chiseled and perforated silver supported by four vestal-shaped feet. Inside, relief decoration depicting faces with bunches of grapes. On the edge, floral festoons and scrolls. Silver hallmarks engraved. 950 grams.

Nude

Mixed media on paper. Signature and title of the work at the bottom. Caccioni, an artist who was born, trained and still lives in Bologna, is one of the protagonists of a generation that has now reached a definitive linguistic maturity and occupies a prominent space within the contemporary artistic panorama. His research mainly uses unusual materials such as acetates, PVC and, more recently, stage backdrops from 19th-century theatrical works, on which he intervenes by painting shapes drawn from a personal memory and from suggestions coming from different cultures and historical periods. A recurring element in Luca Caccioni's work is writing, a self-signifying sign that designs the work and is capable of recounting thoughts; working by superimposition, the images are constructed by adding or subtracting color on the various supports. Work in frame.

Europe, Late XIX-Early XX Century

Wrought iron fireplace andiron with gilded parts.