Kirill di Smolensk, S. S. Averincev, B, Bobrinskoy
Edizioni Qiqajon

Costantine Yiannitsiotis
trasfigurazione del salvatore

Silvano Livi vescovo ortodosso di Luini
il cerchio srl

Ostilio Lucarini
Edizioni Cappelli

Italy, Early XX Century

Neo-Baroque cupboard, richly carved with winged cherubs, lions, masks, leaf and fruit carvings. Base with two drawers in the lower band, two paneled doors with battle scenes and family crest in the center, feral feet. Upper part with two paneled doors with battle scenes and central family crest repeating the one below. Italy, early 20th century.

Armchair with foam padding, renewed upholstery, not original from the period and stained wooden legs.

Mochetti, Piacentino, Pistoletto
Edizioni galleria Toselli

Italy, Late XIX Century

Umbertino sofa in walnut, armrests and backrest enriched with scroll carvings, turned feet. Padded seat, backrest and armrests. Italy, late 19th century.

Writing desk with undertop, stained beech wood and wooden top covered in laminate.

China, Qing Era (1644-1911)

Porcelain centerpiece composed of nine saucers of various shapes and decorated with polychrome enamels with scenes of courtly life. China, late Qing period (1644-1911).

Oil on canvas. In the large classical landscape of Nordic style, with thick vegetation and a torrential river, three figures are depicted on the path on the left that evoke the biblical characters of the Flight into Egypt: a man leads a donkey, on which sits a woman, wrapped in a blue cloak, holding her little son in her arms. Restored and relined, the painting is presented in an early 1900s frame.

Family Lunch 1802

Oil on canvas. Signed and dated lower left. Genre scene of popular taste, it portrays a bourgeois family preparing to have lunch: the father, already seated at the table, is about to bless the meal, while his wife and son, standing, follow the prayer. Little is known about Charles Christophe Coventry, an English painter of whom we know mainly genre scenes of popular settings, such as this one. Restored and relined, the painting is presented in a period frame.

65 x 50 In

Asian wool carpet, large knot, hand made.

Italy, Late XIX Century

Pair of bedside tables in walnut, door and drawer with cherry panels, turned feet. Italy, late 19th century.

Italy, Early XX Century

Art Nouveau cupboard, two-drawer front, two doors with decorative tiles and open compartments, top with two shelf-support columns. Small missing parts. Italy, early 20th century.

67 x 40 In

Shirvan wool carpet, large knot, hand made.

50s-60s

Ceiling lamp, glass and brass.

England, XX Century

Oak hinged table, top supported by four turned legs, two of which can be opened to support the hinges. England, 20th century.

Italy, Early XX Century

Pair of Chippendale walnut benches, curved legs, padded seat. Italy, early 20th century.

Brevard S. Childs
Piemme

Armchair with spring and foam padding, renewed velvet covering, not original from the period, stained wooden legs.

Fantastic Vision with Figures

Oil on canvas. The signature of the painter Franco Rognoni appears at the bottom right, but the work has not been recognized as authentic by the artist's archive. It also well reflects Rognoni's pictorial style, characterized by figures, both men and houses drawn in black with a few precise strokes, and then filled with color that fades into the background. In the canvas, an elegant male figure appears, leaning impassively and indifferently on the flowered railing of a terrace overlooking a city; below him, at the bottom left, another face emerges (the same man?) wearing a military helmet and placed on a darker, less sunny city background: whether it is the man at war who recalls the time of peace or vice versa, the reference to the alternation in life of peace and war, of serenity and drama is evident. The work is presented in a frame.

Italy, 1970s

Vase in clear and red glass with gold leaf inclusions. Lateral handles in transparent glass curl.

Italy, XIX Century

Reliquary in carved and gilded wood, with a festoon with a central flower at the top.