Francesco Privitera
Guerini

Georges Castellan
Argo

Fulvio Tomizza
Arnoldo Mondadori Editore

Jiddu Krishnamurti
Edizioni Baul

Interior of Stable, 1889

Oil on hardboard. Signed and dated 11-30-1889 lower left. Delleani, who initially painted mainly historical subjects, progressively approached landscape painting "en plein air", especially of the places of his origins, the Piedmontese valleys, characterizing his views with chromatic vibrations and warm brightness. In the last decades of his life, however, he also allowed himself to be involved in the orientalist trend, but then returned to his landscape views, creating above all panels rich in warm colors and suggestive atmospheres. Rarer but equally evocative is his production of interiors, such as this one of a stable, where the animated figures, the sheep, appear as almost indistinct spots of color within an environment played entirely on the luminous effects of a single chromatic range. Restored and protected, the painting is presented in a gilded frame from the early 1900s.

Ceiling lamp with 3 pendants in colored glass and teak wood.

Europe, Early XX Century

Pair of chased, embossed, engraved and finely chased silver candlesticks with plant motif decorations. Engraved silver mark under base. Grams 1630.

Europe, Late XIX Century

Group of six neo-Renaissance chairs of European production, beech structure and chestnut seat, front crosspiece and carved backrest.

Oil on canvas. Venetian school of the eighteenth century. The portrait proposes the figure of a young woman wearing an everyday dress, but embellished with spotted fur edges; curiously, with the raised arm she flaunts a fur muff tucked over one hand, probably a habit to underline a fashion of the time. The painting shows signs of restoration, with conservation of the original canvas, although reassembled on a new frame. It is presented in a coeval oval frame, but surmounted by a wooden frieze added at a later time.

Pair of Italian-made armchairs, 1950s, with wooden structure, seat with original fabric and foam padding.

Avicenna
Unione Tipografico - Editrice Torinese

Italy, XX Century

Wrought iron torch holder supported by curled feet, has gilded bronze inserts.

Gianni Secondo
Edizioni Angolo Manzoni

Opera monumentale, uscita postuma, il volume raccoglie le più importanti notizie e documentazioni sulla danza russa, come un variegato atlante di geografia danzata. Il percorso riflette le inclinazioni, l'indole e il modo di intendere la danza condizionato dalle trasformazioni del gusto nelle varie epoche. Cartonato con cofanetto, esce a tiratura limitata (copie numerate da 1 a 399), illustrato con tavole a colori. L'autore, Gianni Secondo (Torino, 1925-2011): dottore in medicina e chirurgia, storico e critico di danza, bibliofilo e collezionista. Critico di balletto per numerose testate, è stato membro del comitato artistico del Festival Torinodanza.

Edoardo Schuré
Gius. Laterza & Figli

Jurij Oleša
il Saggiatore di Alberto Mondadori Editore

Colin Hayes
Nicola Zanichelli Editore

Francesco Semi
Del Bianco Editore

AA.VV.
Lidové Nakladatelstvi

Enrica Mariateresa Ferrazzi
Archivio Fotografico Italiano

AA.VV.
Gallerie d'arte Geri

Alceo Dossena
Galleria Micheli

Angelo Morretta
Longanesi & C.

Osvaldo Gambassi
L.S. Olschki

Daniel Dubuisson
Edizioni Dedalo