Giuseppe Baretti
Giuseppe Laterza

Marcello e Rosalba Tabanelli
Il Mercante di Stampe

Franco Cologni, Alessandro Colombo
Ponte vecchio di Magenta

S.A.
Claudio Zanettin

Gianni Berengo Gardin
Teatro alla Scala

Carlo Orsi
s.e.

Maria Canella, Daniela Ciancio, Flaminio Gualdoni
Skira Editore

Nell'interpretazione creativa di Lia Bosch tessuti e colori, ricami e intarsi, abiti e accessori sprigionano lo straordinario valore espressivo e simbolico della moda. Da una ricerca che affonda le radici nella millenaria tradizione partenopea emergono, grazie a un'artigianalità preziosa, costumi che portano nomi antichi ed evocativi e che rimandano a miti e leggende legati alla figura femminile e alla cultura napoletana: Parthenope e Mater Matuta, Janara e le Muse. Per l'ideazione dei suoi costumi Lia Bosch attinge all'archeologia e all'arte, all'astrologia e all'alchimia, alla magia e alla ritualità, e attraverso un linguaggio iconico ed emotivo offre una visione metaforica di valori complessi e misteriosi, un'intimità inconscia e profondissima. Attraverso i testi di Flaminio Gualdoni, Daniela Ciancio e Maria Canella, il volume narra di una femminilità arcaica che in queste creazioni si fa simbolo e si dispiega in un racconto universale di trasformazione e rinascita.

Piera Scuri
Edizioni Dedalo

Suzanne Slesin, Stafford Cliff, Daniel Rozensztroch
Thames and Hudson

Donatella Bernabò Silorata
Iredon Edizioni

Jean-Luc Olivié, Cristina Beltrami
Skira Editore

Pieter De Bruyne
Museum of Decorative Arts

Berke Breathed
RCS Rizzoli Libri

Giovanni Boccaccio
Fratelli Spada editori

Pair of imposing vintage armchairs, made in Italy in the 20th century, with redone padding and new upholstery in long-haired synthetic fabric in shades of white.

Etchings. The names of the engraver and painter are at the bottom. The series, based on drawings by Giovanni Battista Piazzetta (1682-1754), included fifteen prints and was titled "The Twelve Apostles or Work painted by Giambattista Piazzetta (1683-1754) engraved by Marco Pitteri Veneto with Privilege of the Most Excellent Senate". The eleven apostles (excluding the traitor Judas) were joined by the face of Mary, the image of the Father with the Holy Spirit, and Saint Paul. This series lacks the representation of Christ. The prints have stains and water stains. They are presented in 18th-century lacquered wood frames with contemporary glass.

Lombardy, XIX Century

Carved and gilded wooden console table. The tripartite band beneath the top features floral carvings and masks, supported by four curved legs richly carved with leafy and floral motifs, resting on a molded base carved with acanthus leaves and a ribbon. The central column is turned and carved with lion heads and draperies. Feral feet. Replaced gray marble top. Lombardy, last quarter of the 19th century.

A 1960s jacaranda veneered writing desk from the "530" series, designed by Gianfranco Frattini for Bernini, features a shelf with roller shutters. This piece was restored in our workshop. Very good condition.

Fendi Mia bag in brown canvas with gold-tone metal details. The bag features chain handles intertwined with brown patent leather straps and an elegant metal buckle with brown patent leather inserts. It is in excellent condition.

Set of six vintage chairs with chromed metal legs and bent plywood shells. In good overall condition, they show some signs of wear, as shown in the photos.

Pia Vivarelli
De Luca Edizioni d'Arte

Italy, XX Century

Chesterfield-style 3-seater sofa. Burgundy tanned leather with a tufted finish, turned walnut-stained beech legs. Italy, 20th century.

Italy, Early XIX Century

Gilded fir frame. Oval molding applied to a rectangular base, leaf carvings, and pastiglia beading. Italy, early 19th century.

Italy, Late XIX Century

Neoclassical armchair. Enveloping backrest with double gilded canework and fabric, carved with leaves, flowers, beads, and a central ribbon. Truncated conical legs, cane seat with cushion, padded armrests. Italy, late 19th century.