Italy, Late XIX Century

Pair of small Rococo-style mirrors in burnished gold-painted wood, with leaf carvings and scrolls, and mercury mirrors. Italy, late 19th century.

Vintage furniture composed of enamelled metal uprights with height-adjustable brass ends, two adjustable storage compartments in teak veneer with hinged doors, small desk with drawers and a Formica top.

Italy, XX Century

20th-century neoclassical-style cabinet. Crafted with a curved, half-moon structure. The front features a door with an open top, like the sides, while the base, framed with grooves at the corners, features carved floral festoons. The feet are turned, conical, and carved in a spiral pattern. The uprights and cylindrical top are carved with a floral motif. The interior is lined with a mirror and a glass shelf, completely gilded with imitation gold leaf.

Georg Laue
Kunstkammer Georg Laue

Gianni Cancellieri, Cesare De Agostini
Giorgio Nada Editore

Ferrari SpA
The Condé Nast Publications Ltd

Three vintage coffee tables with brass frames and square glass tops.

77 x 48 In

Kum wool rug, hand-made, extra-fine knot.

Vintage circular mirror with a black glass frame. In good overall condition, with a small imperfection as shown in the photo.

96 x 55 In

Kars rug in wool, large knot and hand-made.

Sketch for the "Aida" 1974

Charcoal on paper. Signed and dated lower right, with the name of the sitter. Accompanied by a photo certificate from the General Catalogue and Archive of the artist's works. This work is by the prominent Italian painter Remo Brindisi, whose painting, based on a descriptive and realistic approach in his early works, added expressionist nuances in his later works, giving rise to his own neo-figurative language. His work is always imbued with social and political intentions. Brindisi also worked as a sculptor, illustrator, writer, set designer, and cultural curator. His collaboration on the grandiose sets and costumes for the 1974 production of Aida at the Verona Arena was particularly noteworthy, a sketch of which is presented here. The work is presented framed.

Candle Production

Ceiling lamp with a blue plastic diffuser and a chrome-plated metal fixing device. It bears the manufacturer's logo.

1970s Chloé handbag in soft black leather with light brown inserts. It's in perfect condition both inside and out. It can also be used as a clutch.

Vintage rectangular mirror made in Italy with a bamboo and wicker frame.

63 x 53 In

Melas rug in cotton and wool, fine knot, hand-made.

La Nuit Fennec evening clutch bag decorated with colored glass beads; black interior with small pocket. Chain missing.

Sketches for "Aida" 1974

Charcoal on paper. Signed and dated lower right, with the name of the sitter (for Amneris). Accompanied by a photo-certificate from the General Catalogue and Archive of the artist's works. This work is by the prominent Italian painter Remo Brindisi, whose painting, based on a descriptive and realistic approach in his early works, added expressionist nuances in his later works, giving rise to his own neo-figurative language. His work is always imbued with social and political intentions. Brindisi also worked as a sculptor, illustrator, writer, set designer, and cultural curator. His collaboration on the grandiose sets and costumes for the 1974 production of Aida at the Verona Arena was particularly noteworthy; a sketch for Princess Amneris is presented here. The work is presented in a frame.

Double-size linen sheet with two pillowcases; cutwork; monogrammed. It has light stains. Sheet: 232x280 cm. Pillowcases: 47x83 cm.

Vintage furniture of Italian manufacture in oak veneer with hinged doors and open shelves.

Untitled

Ballpoint pen on paper. Signed lower right. The work is accompanied by a photo certificate by the artist. Carmelo Cappello, known as a painter but above all as a sculptor, began his career with figurative painting, but under the influence of Russian Constructivism, he shifted toward abstraction, both in sculpture and painting, falling within the Spatialist movement. Framed work.

98 x 44 In

Kazak wool rug, fine knot, hand-made. Requires restoration.

Sketch

Mattia on paper. Signed lower right. Emilio Scanavino, a painter and sculptor originally from Genoa, began his career as a figurative artist, then developed post-cubist characteristics into his work, with forms that gradually became more stylized until they completely dissolved in the early 1950s. Framed.

Marinella Bonvini Mazzanti
Tecnostampa Edizioni