Bust Of A Woman White Carrara Marble Italy Second Half 19th Century

Central Italy Late 17th-early 18th century

Small silk tapestry, with some applied inserts in painted canvas, corresponding to the faces and hands of the characters. The scene depicts Plato's Academy, with the philosopher sitting on the ground, his back against a tree, dressed in a cassock and a mantle that drapes him, with his right hand holding a tablet or parchment. He is intent on carrying out a philosophy lesson, with the young students who surround him and with one of whom he is speaking in particular. Behind a rural landscape inhabited by men who are doing agricultural work: some intent in sowing, some in harvesting and some, again, in cutting down a tree with an ax. In the background, to the right of the main group, a turreted construction can be seen, while to the left an ancient herm. Inserted in a coeval frame, molded in several orders with ebonized parts alternating with others veneered in tortoiseshell.

Italy, Last Quarter XVIII Century

Neoclassical mirror in carved and partially lacquered and gilded wood, Lombardy last quarter of the 18th century. Medallion frieze with love knot placed on the top, made with a ribbon and held by a float, and richly carved floral festoons; gilt moldings, mercury mirror. Decorated in the upper part with a cancurrent motif enriched with golden leaf elements, attributable to the iconographic repertoire of Giocondo Albertolli (Bedano 1742–Milan 1839), Swiss-Italian architect, decorator and teacher.

Central Italy, Third Quarter XVIII Century

Antique frame in carved and gilded linden wood, central Italy, third quarter of the 18th century. Richly carved with vine leaves and bunches of grapes; in the top section it has a mobile flagpole decorated at the ends with pine cone-shaped plant elements.

Emilia Half XVIII Century

Group of four Baroque mirrors carved with scrolls and floral motifs, entirely gilded with leaf; the mercury mirrors (one broken) are etched, with figures of classical divinities.