Pair of Antique Wall Lamps Bronze Italy XX Century - Italy, XX Century

Oil on canvas. Unidentified signature lower right. An elegant and refined composition of roses in delicate shades of pink and white, arranged in a gilded metal basin, sits on a small table along with pomegranates, a symbol of fertility and prosperity, an embossed silver plate, and a casket containing a pearl necklace. The background, in a single, earthy, nuanced color, highlights the light effects of the flowers and objects.

Rio in Venice, 1970

Oil on canvas. Signed lower right. Title on the back, stamp of Galleria Bolzani, Milan, and the artist's studio address. The Venetian painter Eugenio Polesello devoted himself primarily to landscapes, which he executed with clear tones and simple color schemes, always reminiscent of his Venetian training. Framed.

Oil on canvas. Unidentified signature lower right. Decorative panels with various flowers—roses, carnations, violets—scattered freely on a light background. There are several small, scattered losses of color, the background color predominating. Framed with slat frames.

Canal in Venice

Oil on canvas. Signed lower right. Title on the back, stamp of Galleria Bolzani, Milan, and the artist's studio address. The Venetian painter Eugenio Polesello devoted himself primarily to landscapes, which he executed with clear tones and simple color schemes, always reminiscent of his Venetian training. Framed.

Oil on canvas. Signed and dated lower right. Crescent-shaped, originally intended as a panel above a door, the canvas features a pleasant yet melancholic composition of loose roses arranged on a raised painted surface. The work is presented in a period frame.

Oil on canvas. Signed A. Dronsart at the bottom left. A delicate composition of roses in a vase, in soft, pale hues that play on nuanced effects. Presented in a contemporary gilded frame.

Still Life with Clock and Fruit

Oil on hardboard. Signed lower left. The Milanese artist, son of the famous painter Alcide Davide Campestrini, devoted himself to still life, figure painting, and Alpine landscapes, using a technique rooted in his father's school and the late 19th-century tradition. Typical of his work is the composition presented here, which juxtaposes scattered fruit—in this case, oranges and grapes—with an elegant, antique table clock. The painting is presented in a contemporary frame (1960s-1970s).

In my Studio 1943

Oil on panel. Unsigned, the painting bears the label of the Giotto Sacchetti retrospective, held from June 26 to July 16, 1967, on the back, where this work was exhibited under the catalogue number 51. The work appears in the monograph published in 1967 (plate XXVIII). Giotto Sacchetti painted reality, "Truth" with a keen and sensitive spirit of observation, through the careful analysis of nature perpetuated through strongly constructive brushstrokes of clear Tuscan influence. This work features a view of his studio, a large vase of peach blossoms. Framed.

Oil on canvas. Signed lower right. Magdalene, depicted nude with long, loose hair, is portrayed in a contemplative pose: seated in the desert on a stone, reading the Bible with the skull beside her (as per traditional iconography), she is visited by an angel who supports her in her ecstatic impulse, as she reaches toward the sky, which fades into the cloud. The painting is presented in a contemporary frame.

Motivo a Burano 1967

Oil on canvas. Signed lower right. Title on the back, stamp of Galleria Bolzani, Milan, and the artist's studio address. The Venetian painter Eugenio Polesello devoted himself primarily to landscapes, which he executed with clear tones and simple color schemes, always reminiscent of his Venetian training. Framed.

Figure in Landscape 1920

Oil on canvas. Signature, date, and location (Venice) at lower left. Work by the Venetian artist Giovanni Caldana, who established himself as a portraitist. Presented here is a portrait of a man in walking attire against the backdrop of Alpine mountain slopes. The work is presented in a period frame.

Big New Year's Eve Party 1960

Mixed media on paper. Signed and dated lower right. A humorous and ironic presentation of the menu for the 1960 New Year's Eve party, by the renowned Russian set designer, painter, and illustrator Nicola Benois, who was the chief set designer at Milan's Teatro Alla Scala from 1935. The work includes a photo of a thank-you note that accompanied the piece, addressed to the friend with whom the artist shared the party. Framed work.