Carved and painted sculpture - Part of an education of the Virgin Mary

Fiesole ca. 1465 – 1526

Painted stucco sculpture depicting the bust of Christ the Redeemer. Dressed in a red tunic embellished with a gold collar, a blue cloak is draped over his left shoulder. His face is slightly turned to the left, his features pointed and gaunt, his gaze melancholic and downcast, framed by long, almost disheveled curls. Presented with a molded wooden base, lacquered in black with gold inserts, made in Tuscany in the 17th century.

Venice, Early XIX Century

Pair of candle holders resting on bases, Venice first half of the 19th century. Carved and lacquered Moors, dressed in mecca-gilded and multi-coloured robes and shoes; with their raised arm they hold a candle base, while in the other they hold a small plate. The two moors rest on the same number of lacquered octagonal bases, decorated with marbled elements and a pair of carved and gilded lion protomes. Dishes that are not contemporary.

Italy, Half XIX Century

Female statue in white statuary marble, allegorical personification of autumn, Italy mid-19th century. Whole figure dressed in the old fashioned way with gown, headdress of vine leaves and bunches of grapes, the latter also placed along the left side; with his right arm he holds autumn fruits. Resting on a circular base. Small breaks.

Lombardy Early 18th Century

Sculpture of a baroque angel holding a vase in carved lime wood and completely repainted black in a later period, Lombardy, early 18th century. The figure, dressed in a robe decorated with lambrequins, is placed on a base supported by four feral feet. The tastings carried out brought the original colors to light.