Italy Late 19th century

Chest made with ancient woods, Italy late 19th century. Notched undertop band, decorated with Renaissance-style motifs and a typical Umbertine medallion on the front. Feet wavy.

Italy, first quarter of the nineteenth century

Empire psyche in walnut, Italy, first quarter of the 19th century. Tilting mercury mirror framed by semi-columns with gilded and chiseled bronze applications. Equipped with 1 drawer. Walnut interior.

Italy Early 19th century

Neo-Renaissance style trunk with coeval side table, Italy, early 19th century. Trunk in camphor wood decorated with embossed sheet metal and bottom in gilded sheet metal, wrought iron handles on the sides, interior with a pair of side storage compartments. Equipped with lock with double throw opening mechanism on the front and bell sound signal. Side table in walnut, turned uprights, plinth feet connected by crosspieces. Restorations and replacements.

Late 18th century

Neoclassical chest supported by shaped feet, on the front it presents characteristic tiles; in spruce, the lock has been replaced.

XIX Century - from 1801 to 1900

Travel trunk in wood covered with iron foil straps fixed with studs. The metal bands are adorned with a decoration of plant racemes with flowers, made with a burin. The reserves between the metal foils are covered in velvet, now abraded adorned with a quadrangular motif with foil.

Late 19th - early 20th century

Neo-Renaissance trunk supported by lion feet, it is entirely covered in leather and decorated with studs to create phytomorphic motifs, while on one side they recreate initials.

Italy Late 17th - Early 18th Century

Walnut chest, Italy late 17th - early 18th century. Front with serrated undertop band, frame carved with a phytomorphic motif and lower band carved with leafy elements. Wrought iron handles. Feet replaced.

XX Century - from 1901 to 2000

Separé composed of four panels, covered on one side with embossed and gilded leathers, originally wall leathers.

Italy Mid 19th century

Louis Philippe Psyche in walnut, Italy mid 19th century. Tilting mirror within a frame supported by a pair of turned uprights, pin embellished with elements in gilded bronze in the shape of an arrow, intertwined saber legs connected by a turned crossbar. The uprights are inserted into a top with drawer in the band.

Early 20th century

Lacquered and painted clock with floral motifs, on the display with Roman numerals the signature “Vergès à Beziers” is present.

Bar cabinet, with hinged door with cup holder, and flap door usable as a top. Walnut veneered wood, brass base.

Late 19th century

Chest supported by shelf feet, in mahogany, is decorated with small inlays.

XVIII Century - from 1701 to 1800

Piedmontese chest with a frame along the lower band and inlays along the sides and the top. The feet had been replaced.

XVIII Century - from 1701 to 1800

Walnut chest, supported by lion feet, the uprights are moved and carved in scrolls.

Late 18th century

Neoclassical chest in walnut, supported by carved shelf feet, the front and sides are decorated with a characteristic Greek carved.

XVIII Century - from 1701 to 1800

Lombard neoclassical dressing table, supported by truncated pyramidal legs tightened by a collar at the top, on the front they have two pairs of side drawers; the central part of the top can be folded down and gives access to the internal compartment with mirror. Veneered in rosewood, with maple and bois de rose threads, legs with cherry wood reserves, the interiors are in spruce. Originally the top had two side flaps that could be opened, which were subsequently blocked and the upper drawers were obtained.

XVIII Century - from 1701 to 1800, 17th century - from 1601 to 1700

Chest in fir supported by bracket feet, on the front it is decorated with carved rosettes; has inventory mark "AM", with restorations and replacements.

XIX Century - from 1801 to 1900, XX Century - from 1901 to 2000

Travel trunk in wood covered with iron foil straps fixed with studs. The metal bands are adorned with a decoration of plant racemes with flowers and mythological figures, made with a burin. The reserves between the metal foils are lined with red velvet.