Matteo Fato
La Stampa

AA.VV.
Istituto dell'Enciclopedia italiana fondata da G. Treccani

Francesca Richer, Matthew Rosenzweig
Thames & Hudson Ltd.

This book was inspired by a lecture on the work of Gerhard Richter, in which the concept emerged of the 'first work' as the work in which the artist recognized himself for the first time. The curators found the idea of an artist looking at his or her method by way of the 'first work' intriguing, and wondered what other artists would choose as their number one. The submissions received for this book reveal the artists' ways of thinking from a new angle, and, together, form a remarkable document of the creative process.

Mauro Corradini
Edizioni dei Soncino

AA.VV.
Alfieri & Lacroix

Alberta Brambatti, Donata Maccelli, Lucia Tonini
Cantini

Sergio Los
Be-Ma editrice

s.a.
R.C. Edizioni La casa di Matriona

Engelina Smirnova
R.C. Edizioni La casa di Matriona

Ol'ga Popova
R.C. Edizioni La casa di Matriona

Germano Celant
Prearo editore

Mauro Corradini
Edizioni dei Soncino

Dominique Stella
Mazzotta

Karl Pavlovich Bri︠u︡llov
Parkstone

Gianluca Marziani
SilvanaEditoriale

Alastair Hull, José Luczyc-Wyhowsa
Mondadori Electa

Luigi Cavadini, Riccardo Carazzetti
s.e.

Corrado Marsan
Edizioni Galleria Poggiali e Forconi

Mark Francis, Hal Foster
Phaidon Press Limited

From the late 1950s to the late 1960s the word Pop described art, film, photography and architectural design which engaged with the new realities of mass production and the mass media. Unlike books which present Pop art in isolation, this is a comprehensive survey of Pop in all of its forms across America, Britain and Europe

In addition to the key artworks by Andy Warhol, Roy Lichtenstein, Claes Oldenburg, Ed Ruscha, Richard Hamilton, Sigmar Polke, Martial Raysse and many others the book includes works of photography and avant-garde film, as well as what the critic Reyner Banham defined as Pop architecture, ranging from Alison and Peter Smithson's House of the Future to Archigram's Walking City and Robert Venturi and Denise Scott Brown's Learning from Las Vegas

Editor Mark Francis was former Founding Director of the Andy Warhol Museum and editor of 'Les Années Pop' (Centre Georges Pompidou, 2001). Survey author Hal Foster is Professor of Art at Princeton University, author of The Return of the Real and editor of the bestselling TheAnti-Aesthetic: Essays on Postmodern Culture and Recodings: Art, Spectacle, Cultural Politics

Rudolf Kuenzli
Phaidon Press Limited

"This volume presents a rich selection of the Dadas' experimental visual and literary works. Covering not only Western Europe and America but also Central and Eastern Europe, Japan and later Neo-Dada, eminent scholar and Director of the International Dada Archive Rudolf Kuenzli gives a lively, accessible and comprehensive assessment. Linking visual art, performance and literature, this is a fresh treatement of Dada as the Dadas saw it"--Preface.

Ephrem Yon, Philippe Sers
Passigli Editore

AA.VV.
Istituto della Enciclopedia Italiana fondata da Giovanni Treccani

L. Camusso, S. Bortone
Arnoldo Mondadori Editore

Mary Ann Caws
Phaidon Press Limited

Surrealism is a survey of the twentieth century's longest lasting and, arguably, most influential art movement. Championed and held together by André Breton for over forty years, Surrealism was France's major avant-garde artistic tendency from 1924 onwards, rapidly spreading around the globe to become an international phenomenon. During World War II, Surrealism's exiled artists and writers had a major impact on American art and were a primary influence for the Abstract Expressionist generation. The official Surrealist movement continued to the end of Breton's life in 1966, and its legacy is still pervasive today, in contemporary art as well as in numerous quotations from surrealist imagery in cinema, advertising and the media.



Survey Mary Ann Caws - a distinguished scholar, translator and associate of the surrealists - describes in clear, perceptive and lively prose the essential characteristics that define Surrealism, as well as tracing a concise path through the chronology of this prolific and wide-ranging movement. The text also demonstrates how Surrealist art and writing are interdependent.



Works provides an extensive colour plate section with extended captions for every artwork. Following the movement from its beginnings in the 1920s up to the 40s and950s, its six sections trace the themes that predominated at different stages.



Artists include Eileen Agar, Jean Arp, Antonin Artaud, Hans Bellmer, Jacques-André Boiffard, Brassaï, Victor Brauner, André Breton, Jacques Brunius, Luis Bunel, Claude Cahun, Leonora Carrington, Giorgio de Chirico, Joseph Cornell, Salvdor Dalí, Paul Delvaux, Oscar Domínguez, Marcel Duchamp, Nusch Eluard, Max Ernst, Léonor Fini, Esteban Francés, Wilhelm Freddie, Alberto Giacometti, Arshile Gorky, Jindrich Heisler, Geores Hugnet, Valentine Hugo, Marcel Jean, Frida Kahlo, André Kertész, Frederick Kiesler, Greta Knutson-Tzara, Wifredo Lam, Jacqueline Lamba , Len Lye, Dora Maar, F.E. McWilliam, René Magritte, Man Ray, André Masson, Roberto Matta, Henri Michaux, Lee Miller, Joan Miró, Pierre Molinier, Henry Moore, Max Morise, Paul Nougé, Gordon Onslow Ford, Meret Oppenheim, Wolfgang Paalen, Roger Parry, Roland Penrose, Pablo Picasso, Kay Sage, Kurt Seligmann, Jindrich Styrsky, Maurice Tabard, Yves Tanguy, Dorothea Tanning, Toyen, Tristan Tzara, Raoul Ubac, Remedios Varo, Wols



Documents section includes important rediscovered writings alongside the key texts by leading figures. Many of the texts have been specially translated for this volume by Mary Ann Caws and Jonathan Eburne.