Price

155 € 36000 € Apply

Material

Dimensions


3 cm 333 cm

9 cm 473 cm

1 cm 205 cm

7 cm 132 cm

32 cm 54 cm
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SELECTED - Page 12

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Antique Travel Trunk Mid XVII Century Leather Wooden Decorations
SELECTED
SELECTED
OGANOG0222281

Antique Travel Trunk Mid XVII Century Leather Wooden Decorations

Europe, Mid XVII Century

OGANOG0222281
Antique Travel Trunk Mid XVII Century Leather Wooden Decorations

Europe, Mid XVII Century

Small wooden travel box covered with iron foil straps fixed with small studs. The metal bands are adorned with a decoration of vegetal racemes with flowers, made in embossed and burin. Between the metal plates the casket is covered in worked leather and features a Greek decoration and vegetal motifs. Interior covered in fabric.

Reserved

860.00€

Shipping for Italy: Free
Reserved
Antique Candle-Holders Bronze Japan XIX Century
SELECTED
SELECTED
OGANOG0235189

Antique Candle-Holders Bronze Japan XIX Century

Japan XIX Century

OGANOG0235189
Antique Candle-Holders Bronze Japan XIX Century

Japan XIX Century

Pair of refined candle holders with evocative porcelain subjects mounted on burnished and gilded bronze garden seats. The two "Erxian"brothers of Chinese origin but replicated in the Hirado factories in the 19th century hold candle holders in the form of plants with flowering branches. The bronze settings were most likely made in Europe.

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3,870.00€

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O-Luce 4458 Lamp Design Giuseppe Ostuni Vintage 1950s-1960s
SELECTED
SELECTED
MOILIL0227914

O-Luce 4458 Lamp Design Giuseppe Ostuni Vintage 1950s-1960s

MOILIL0227914
O-Luce 4458 Lamp Design Giuseppe Ostuni Vintage 1950s-1960s

Ceiling lamp, 7 lights in enamelled aluminium, brass and glass.

In Cart

1,840.00€

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In Cart
video
Plato's Academy Silk Tapestry Italy XVII-XVIII Century
SELECTED
SELECTED
ANCOSP0084001

Plato's Academy Silk Tapestry Italy XVII-XVIII Century

Central Italy Late 17th-early 18th century

ANCOSP0084001
Plato's Academy Silk Tapestry Italy XVII-XVIII Century

Central Italy Late 17th-early 18th century

Small silk tapestry, with some applied inserts in painted canvas, corresponding to the faces and hands of the characters. The scene depicts Plato's Academy, with the philosopher sitting on the ground, his back against a tree, dressed in a cassock and a mantle that drapes him, with his right hand holding a tablet or parchment. He is intent on carrying out a philosophy lesson, with the young students who surround him and with one of whom he is speaking in particular. Behind a rural landscape inhabited by men who are doing agricultural work: some intent in sowing, some in harvesting and some, again, in cutting down a tree with an ax. In the background, to the right of the main group, a turreted construction can be seen, while to the left an ancient herm. Inserted in a coeval frame, molded in several orders with ebonized parts alternating with others veneered in tortoiseshell.

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3,560.00€

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In Cart
video
Antique Table Lamps Paris '900 Cut Crystals Bronze Lampshades
SELECTED
SELECTED
OGANOG0190575

Antique Table Lamps Paris '900 Cut Crystals Bronze Lampshades

France Mid 1900s

OGANOG0190575
Antique Table Lamps Paris '900 Cut Crystals Bronze Lampshades

France Mid 1900s

Pair of lamps in cut crystal and bronze with fabric lampshades. Adhesive label of the manufacturer under the base of a lamp.

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2,300.00€

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In Cart
Antique Painting Jesus Christ and the Adulteress Flemish XVI Century
SELECTED
SELECTED
ARARPI0235790

Antique Painting Jesus Christ and the Adulteress Flemish XVI Century

Flemish School, XVI Century

ARARPI0235790
Antique Painting Jesus Christ and the Adulteress Flemish XVI Century

Flemish School, XVI Century

Oil on wooden board. Flemish school of the 16th century. The work has a plaque at the base attributing it to Lambert Van Noort (1520 -1571), justified by the closeness to his pictorial methods which can be found in the faces of Jesus and Magdalene, but not confirmable for the other parts of the painting. The work recounts the episode from the Gospel of John in which the scribes and Pharisees brought a woman accused of adultery to Jesus, to test her observance of the law of Moses, which included stoning. But Jesus, bending down to the ground, began to write with his finger in the dust, then when urged, he pronounced the words "Let anyone among you who is without sin cast the first stone", saving the woman and subsequently forgiving her. The large stage is filled with a large and tight group of characters. Jesus in the centre, is the only figure bent on the ground, estranged from the rest of the group and fixed in his gesture of writing with one finger; standing behind him, with a precise vertical alignment of her face with that of Christ, is the accused woman, who covers her body with her cloak observing Jesus' gesture, while awaiting the sentence; all around the scribes, the Pharisees, some soldiers, who instead speak animatedly among themselves, are agitated, confronting each other, indicating what Jesus is doing. The subject was widely represented in Flemish painting, with different interpretative methods. If in this painting the Flemish school is clearly perceived in the faces with hard features and in the rather rigid bodies in the movements of the scribes and Pharisees, as well as in the representation of the building in the background and in the meticulous representation of the shoes in the right foreground, the two The figures of Jesus and the woman are instead affected by the Italian influence, which softened the features of the faces, gave the movements of the body greater composure and gracefulness, and with the help of a brighter color made them stand out among the other figures. The panel of the painting was subjected to restoration and relined in the first half of the 20th century. The painting is presented in an adapted antique frame.

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12,170.00€

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In Cart
video
Ancient Baroque Mirrors Mid XVIII Century Mercury Mirror
SELECTED
SELECTED
ANCOSP0148809

Ancient Baroque Mirrors Mid XVIII Century Mercury Mirror

Emilia Half XVIII Century

ANCOSP0148809
Ancient Baroque Mirrors Mid XVIII Century Mercury Mirror

Emilia Half XVIII Century

Group of four Baroque mirrors carved with scrolls and floral motifs, entirely gilded with leaf; the mercury mirrors (one broken) are etched, with figures of classical divinities.

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6,100.00€

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In Cart
Antique Vase Wucai Porcelain China Shunzhi Era (1644-1661)
SELECTED
SELECTED
OGANCE0235196

Antique Vase Wucai Porcelain China Shunzhi Era (1644-1661)

China, Shunzhi Era (1644-1661)

OGANCE0235196
Antique Vase Wucai Porcelain China Shunzhi Era (1644-1661)

China, Shunzhi Era (1644-1661)

Porcelain vase painted with wucai enamels within reserves with decoration of chrysanthemum plants and peonies on a very dense background with a fish scale motif painted in red.

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4,240.00€

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In Cart
Pair of Ancient Portrait Holders Late XIX Century Bronze Hard Stones E
SELECTED
SELECTED
OGANOG0217273

Pair of Ancient Portrait Holders Late XIX Century Bronze Hard Stones E

Italy, Late XIX Century

OGANOG0217273
Pair of Ancient Portrait Holders Late XIX Century Bronze Hard Stones E

Italy, Late XIX Century

Pair of portrait frames in bronze and semi-precious stones Enrico Bosi Florence. Enrico Bosi was active between 1850 and 1865 in Florence where he had his studio. He often worked together with other important figures such as Francesco Betti, Bianchini and the Buoninsigni brothers.

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1,575.00€

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In Cart
video
Vintage 1950s Table Lamp Millefiori by F.lli Toso Glass Italy
SELECTED
SELECTED
OGMOOG0231770

Vintage 1950s Table Lamp Millefiori by F.lli Toso Glass Italy

Italy, 1950s

OGMOOG0231770
Vintage 1950s Table Lamp Millefiori by F.lli Toso Glass Italy

Italy, 1950s

Glass table lamp with murrine inclusions. Millefiori Fratelli Toso Murano.

In Cart

1,875.00€

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In Cart
Vintage 1970s Suitcase Louis Vuitton Alzer 80 Monogram Canvas France
SELECTED
SELECTED
ABVI1A0234009

Vintage 1970s Suitcase Louis Vuitton Alzer 80 Monogram Canvas France

Paris, 1970s

ABVI1A0234009
Vintage 1970s Suitcase Louis Vuitton Alzer 80 Monogram Canvas France

Paris, 1970s

Louis Vuitton hard suitcase Bisten 80 model in the iconic monogram canvas, dating back to the 1970s. The interior is lined and the handles are rounded in leather; the corners are made of brass and the edges are made of lozine, a very resistant volcanic fibre. Original S-shaped lock, reinforced by two additional locks inspired by trunk locks (key missing). The condition is very good, despite some very slight marks. Inside it has the authentic label bearing the unique product number (902220). Model currently out of production.

In Cart

3,860.00€

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In Cart
Modern Drawing C. Bravo Camus Chiquito Futbolista de Tanger 1982
SELECTED
SELECTED
ARARNO0235215

Modern Drawing C. Bravo Camus Chiquito Futbolista de Tanger 1982

Chiquito Futbolista de Tanger 1982

ARARNO0235215
Modern Drawing C. Bravo Camus Chiquito Futbolista de Tanger 1982

Chiquito Futbolista de Tanger 1982

Sanguine on paper. Signed and dated in Roman numerals lower right. The title at the top right. Claudio Bravo Camus was a Chilean painter who established himself above all for his compositions (particularly parcels) and hyper-realistic portraits, including those of eminent political figures. Rightly considered one of the greatest masters of hyperrealism, Claudio Bravo pursued photography in painting, but always starting from the direct observation of the objects themselves: "The eyes see much more than the camera: half tones, shadows, minute changes of color and lights,” he said. The portrait presented here, that of a well-known Moroccan football player, exudes a meticulous and mimetic realism, particularly in the man's gaze; it was created during the years in which the artist lived in Tangier, where he had taken refuge to escape Franco's dictatorship. It is presented in a frame.

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3,940.00€

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In Cart
Vintage 1970s Louis Vuitton Suitcase Bisten 60 Monogram Canvas
SELECTED
SELECTED
ABVI1A0234008

Vintage 1970s Louis Vuitton Suitcase Bisten 60 Monogram Canvas

Paris, 1970s

ABVI1A0234008
Vintage 1970s Louis Vuitton Suitcase Bisten 60 Monogram Canvas

Paris, 1970s

Louis Vuitton hard suitcase Bisten 60 model in the iconic monogram canvas, dating back to the 1970s. The interior is lined and the handles are rounded in leather; the corners are made of brass and the edges are made of lozine, a very resistant volcanic fibre. Original S-shaped lock, reinforced by two additional locks inspired by trunk locks (key missing). The condition is very good, despite some very slight marks. Inside it has the authentic label bearing the unique product number (902222). Model currently out of production.

In Cart

2,860.00€

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In Cart
Inkwell by Jean-Marie Pigalle Bronze Marble France XIX Century
SELECTED
SELECTED
OGANOG0121494

Inkwell by Jean-Marie Pigalle Bronze Marble France XIX Century

19th Century / 1801 - 1900

OGANOG0121494
Inkwell by Jean-Marie Pigalle Bronze Marble France XIX Century

19th Century / 1801 - 1900

Inkwell with large base in green serpentine marble surmounted by two cup-shaped vases with lids and lion handles with the function of inkwells. In the center, a statue of Mercury with the author\'s engraved signature. The bronzes are gilded and have some parts worked in burin.

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2,060.00€

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In Cart
Vintage 1960s Table Teak Beech Restored Italy
SELECTED
SELECTED
MOTATA0124748

Vintage 1960s Table Teak Beech Restored Italy

MOTATA0124748
Vintage 1960s Table Teak Beech Restored Italy

Table with base in stained beech wood and top in teak veneer. Restored.

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1,750.00€

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In Cart
Small Antique Mannerist Frame Oak Wood Marble Italy XVI-XVII Century
SELECTED
SELECTED
ANCOSP0161607

Small Antique Mannerist Frame Oak Wood Marble Italy XVI-XVII Century

Italy XVI - First Half XVII Century

ANCOSP0161607
Small Antique Mannerist Frame Oak Wood Marble Italy XVI-XVII Century

Italy XVI - First Half XVII Century

Small Mannerist frame in ebony with commissary marble, Italy 16th - first half 17th century. Molded perimeter with protruding sections at the corners, 4 reserves in violet stain slab marble, molded octagonal frame placed in the center originally decorated with 4 small turned elements on the sides, 2 present with lacks while 2 completely absent, oval light. Restoration interventions of the late nineteenth century, added the oak bottom and replaced some ebony frames.

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2,425.00€

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Vintage 1950s Kitchen Cart Angelo De Baggis 65 Design Ico Parisi
SELECTED
SELECTED
MOCOCO0231125

Vintage 1950s Kitchen Cart Angelo De Baggis 65 Design Ico Parisi

Angelo de Baggis production from the 1950s

MOCOCO0231125
Vintage 1950s Kitchen Cart Angelo De Baggis 65 Design Ico Parisi

Angelo de Baggis production from the 1950s

Vintage service trolley with inclined arms and magazine rack function in stained wood, glass and brass.

Reserved

1,050.00€

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Reserved
Antique Cupboard Walnut Poplar Italy XVIII Century
SELECTED
SELECTED
ANMOCR0227472

Antique Cupboard Walnut Poplar Italy XVIII Century

Lombardy, Mid XVIII Century

ANMOCR0227472
Antique Cupboard Walnut Poplar Italy XVIII Century

Lombardy, Mid XVIII Century

Large double-body library sideboard, on the front it has three pairs of paneled doors with characteristic frames, also featured in the upper body, following the wavy volume of the cymatium. In walnut, the sides are in poplar and the back in fir. The piece of furniture has been reduced in width and has small defects.

In Cart

18,000.00€

In Cart
Vintage 1950s Cabinet with Vanity Table Maple and Glass
SELECTED
SELECTED
MOMOMO0227988

Vintage 1950s Cabinet with Vanity Table Maple and Glass

MOMOMO0227988
Vintage 1950s Cabinet with Vanity Table Maple and Glass

Dresser with mirror, open shelf in transparent glass. Maple veneered wood, top with back-treated glass. Restored.

In Cart

1,980.00€

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In Cart
video
Pair of Antique Corner Cabinets Poplar Piacenza Italy 18th Century
SELECTED
SELECTED
ANTANG0000147

Pair of Antique Corner Cabinets Poplar Piacenza Italy 18th Century

Italy Last Quarter XVIII Century

ANTANG0000147
Pair of Antique Corner Cabinets Poplar Piacenza Italy 18th Century

Italy Last Quarter XVIII Century

Pair of big corner cabinets with rudentate pillars that end with pyramidal truncated feet and with a two-panels door. In the middle of the panels there are medaillons painted with landscapes of buildings and hills in the backbround; the rose windows are hels by pink ribbons and sourmounted by a basket of flowers in the middle. Coeval iron keyholes. Original lacquering.

In Cart

8,900.00€

In Cart
Antique Painting with The Announcement Oil on Hardboard Italy 500
SELECTED
SELECTED
ARARPI0197090

Antique Painting with The Announcement Oil on Hardboard Italy 500

ARARPI0197090
Antique Painting with The Announcement Oil on Hardboard Italy 500

Oil on wooden board. Central Italian school of the second half of the 16th century. The sacred scene of the Annunciation sees the two protagonist figures placed in the foreground in an interior that corresponds to Mary's room. The young woman is sitting in front of a small wooden desk, supported by figures of angels, on which rests the prayer book and a vase with small flowers; at her feet, the sewing basket. Mary's body is partially turned backwards, in a twisted movement, almost as if she were trying to escape, as if she wanted to get away from the other figure, that of the Archangel Gabriel. He stands on the right, majestic and elegant, with one hand holding a lily and the other pointing upwards above him, where the white dove, symbol of the Holy Spirit, is emerging from a gap of light. In the background, tall columns with drapes surmount the platform on which Mary's bed rests. The composition refers, in the figurative style and in the chromatic choices, to the already mannerist painting of the schools of central Italy: in particular there is a strong concordance of style and composition with some works of the same subject by the painter Bastiano Vini Detto Bastiano Veronese (1525-1530 / 1602), who lived and worked in Pistoia from around 1540. It is in this city that some of his Annunciations are found: in particular the one in the Church of Santa Maria delle Grazie (an altarpiece measuring over two meters in height), shows clear similarities on a formal and compositional level with the one presented here . There is concordance in the setting of the sacred scene: a room, in the background of which is a curtain that partially covers a bed, furnished with the elements essential to the narrative, the lectern and the chair richly decorated with caryatids of cherubs or angels that seem to be carved in the wood. The compositional scheme corresponds, albeit with slight variations, with the two figures arranged "frieze-like" on the same laying plane, and the somatic features of the Virgin and the Archangel also correspond. However, the floor differs, which, while it is homogeneous in our table, in the Pistoia one presents itself with alternating checkerboard colors, but it seems that this design of the floor was added in a later period, on the occasion of the reconstruction of the altar in 1637 -1639, in pendant with that of another work by the same Sebastiano Vini in the same church, a Sacred Conversation. It therefore seems rather certain that our panel was painted looking at the work of Bastiano Veronese, probably at the specific request of the client, and before the change in the floor, therefore dating back to the second half of the 16th century. The painting has undergone restoration, with the application of two reinforcements to the back of the panel. It is presented in a late 19th century setting. (Reference for the Pistoia altarpiece: Catalog of cultural heritage https://catalogo.beniculturali.it/detail/HistoricOrArtisticProperty/0900035285)

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12,560.00€

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In Cart
Antique Fireplace Charles X Paolo Moschini '800 Ebony Elm
SELECTED
SELECTED
ANCOSP0164100

Antique Fireplace Charles X Paolo Moschini '800 Ebony Elm

Lombardy, XIX Century

ANCOSP0164100
Antique Fireplace Charles X Paolo Moschini '800 Ebony Elm

Lombardy, XIX Century

Charles X fireplace entirely veneered in elm root, Lombardy, third decade of the 19th century. Attributable to the production of Paolo Moschini, a skilled inlayer and cabinetmaker active between Soncino, his hometown, and Milan in the first half of the nineteenth century. Front with architrave and projecting plinths, connected by double columns finely fluted and embellished with gilded wooden capitals, the upper ones of which are carved with frets and acanthus leaves. Base and architrave edges threaded in amaranth, threaded column profiles in ebony. Central mercury mirror placed within the frame.

In Cart

3,500.00€

In Cart
video
The Allegory of Autumn White Marble Italy XIX Century
SELECTED
SELECTED
ARARAR0183427

The Allegory of Autumn White Marble Italy XIX Century

Italy, Half XIX Century

ARARAR0183427
The Allegory of Autumn White Marble Italy XIX Century

Italy, Half XIX Century

Female statue in white statuary marble, allegorical personification of autumn, Italy mid-19th century. Whole figure dressed in the old fashioned way with gown, headdress of vine leaves and bunches of grapes, the latter also placed along the left side; with his right arm he holds autumn fruits. Resting on a circular base. Small breaks.

In Cart

9,500.00€

In Cart
Triptych Clock G. Philippe Bronze France XIX Century
SELECTED
SELECTED
OGANOG0136012

Triptych Clock G. Philippe Bronze France XIX Century

19th Century / 1801 - 1900

OGANOG0136012
Triptych Clock G. Philippe Bronze France XIX Century

19th Century / 1801 - 1900

Triptych clock in gilded and chiseled bronze with carved and gilded wooden bases. The clock with a large rectangular base features finely worked burin decorations with leaf volutes, garlands, lion protomes and a cup-shaped vase at the top. Enamelled metal display with hours in Roman numerals and minutes in Arabic numerals protected by a lid with curved glass; the hands are in gilded and perforated bronze. In the center of the dial and on the manufacture branded mechanism. The six-flame candelabra have the same decorations as the clock and are 67 centimeters high.

In Cart

3,670.00€

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In Cart