Pair of lamps, in Murano glass.

Pair of vintage armchairs with ash wood structure and original checked fabric in brick tones, "Carmina" model, designed by Carlo Santi and produced by Arflex starting from 1975.

Italy, XX Century

Pair of painted wood, iron and sheet metal table lamps. Sculpture of a cherub holding a branch culminating in four light points. Italy, 20th century.

Roberta Cordani
CELIP

Floor lamp with 2 light points with adjustable inclination and orientable cap, chromed metal base, chromed aluminum structure.

Italy, 1980s

Pair of transparent glass vases with an everted edge profiled in green and orange. Under the base of a vase the manufacturer's signature is engraved: "Venini Italia".

A. R. Lurija
C.E Giunti-G.Barbera

Northern Italy, Mid XVIII Century

Oval majolica tray, with expanded rim, shaped profile and light cord. High-fire decoration in monochrome, in shades of cobalt blue on a white background. A decorative motif with swirls of leaves interspersed with festoons with a trellis motif runs along the brim. A bouquet of flowers in the center. Decoration called "a Rouen". Northern Italy, probably Lodi area.

Germany, Early XX Century

Silver gravy boat with mouldings on the edges and handles with leafy scrolls. Silver hallmarks incised under the base. 570 grams.

Ceiling lamp in brass and glass made in the 60s.

Austria, Late XIX Century

Small four-drawer chest of drawers, late 19th century, Austro-Hungarian Empire. Made of oak and pine and then veneered in mahogany and mahogany feather on the front.

Austria, Early XX Century

Thonet coat stand, Austria, early 20th century. Made of beech with three feet to support a central upright on which 3 hangers rest, branded under the leg. Thonet is the most important company and the first to produce furniture in bent beech using the steam technique. It will be followed and imitated by numerous companies.

80's

Coffee table, in chromed metal and glass.

Italy, Late XIX Century

Walnut work table, drawer in the band under the top, turned legs resting on wavy feet joined by a crosspiece. Italy, late 19th century.

Switzerland, 2000

Pop Swatch watch dedicated to the Year of Brazil. Plastic with strap made of woven multicolored cotton threads.

Italy, Late XIX Century

Neoclassical style sofa in gilded and carved wood with leafy and floral decorations, turned legs and armrest columns, padded back, seat and armrests. Italy, late 19th century.

Pascucci linen tablecloth with 8 napkins, prints depicting dragons. The molds are handmade by artisans of the Pascucci family. The rust color is characteristic of their products.

Fernando Mazzocca
Edizioni Electa

Adjustable lamp with joint, chromed and enamelled aluminium.

Italy, Mid XIX Century

Pair of Baroque style chairs in walnut, open backrest with scroll carvings. Wavy legs, padded seat. Italy, mid-19th century.

Switzerland, 2000

Watch with removable feather in plastic and rubber case.

Storage unit with compartments with flap front. Laminate-covered wood, metal legs.

Untitled

Acrylics on board. Signed lower right. The artist Marisa Mezzadra has combined the art of painting with poetry, translating into images what great poets of different centuries have inspired her. An English teacher at Bocconi University in Milan, she has combined two worlds, that of painting and that of teaching, in the constant search for new methods of developing her two activities. In particular, Marisa Mezzadra's metaphysical painting seeks to reveal the hidden meaning of existence, of the world within us and around us, in the profound essence of splendid nature.

AA.VV.
Edizioni Electa