Europe, Late XIX - Early XX Century

Centerpiece in embossed and chiselled silver with a wavy edge, decorated with festoons and leaf scrolls, supported by three curled feet. Silver mark engraved under the base. 874 grams.

Italy, XX Century

Centerpiece in embossed and podulated silver. Silver marks engraved on the outer edge. 440 grams.

Italy, XX Century

Oval silver tray. Marks of the silver and the silversmith engraved in the cable. 784 grams.

England, Late XIX-Early XX Century

Engraved silver bucket with Greek decoration and festoons. Silver marks engraved on the podded handle. 294 grams.

Italy, XX Century

Sugar bowl in chiselled silver and engraved with Greek motifs on the edges. Flower grip and podded handles with four-leaf clovers. Silver marks under the lid and on a handle, difficult to read, Milanese silversmith. 436 grams. Crystal bowl.

Italy, 1970s

Christofle Milan silver centrepiece, elongated shape with rounded bottom. Marks of the silver and the silversmith engraved. 425 grams.

Italy, Mid XIX Century

White marble sculpture depicting the bust of a girl. Three-quarter face with downward gaze. Dark patina wooden base.

Italy, Second Half XIX Century

Large majolica plate decorated with great heat in monochrome blue with a mythological subject. Cambering of the cable and brim worked like a pod. Shaped edge. Manufacture mark under the base, lantern in underglaze blue.

Europe, Late XIX - Early XX Century

Oval-shaped tray in embossed and engraved silver, decorated with leaf and Greek scrolls. Silver mark engraved on the reverse. 2680 grams.

Italy, Mid XX Century ca.

Circular silver legume bowl, ring-shaped. Silver and silversmith's marks engraved on the edges. 1120 grams.

Italy, Early XIX Century

Silver salt shaker with an elongated shape supported by four zoomorphic feet. 136 grams.

London 1832

Sterling silver oval tray. In the centre engraving depicting shoots with flowers and leaves, finely chiseled snake-like edge and handles. Marks of the silversmith, the silversmith and the dealer Joseph Mayer engraved on the reverse. 2516 grams.

Italy, 1930s

Virgin Mary and Child in ceramic cast by Lino Berzoini for Ars Pulchra. Author's signature engraved at the bottom and manufacturer's mark on the reverse.

Italy, Early XVII Century

Circular marble bowl shaped like a pod. On the front, a finely sculpted face.

Italy, Early XX Century

Polychrome ceramic sculpture depicting a battle between cocks. Author's signature engraved on the base.

Paris, Early XIX Century

Group of four Empire candlesticks in gilded bronze and burnished bronze, Paris, early 19th century. Vase-shaped holder with pods in the lower section, faceted quiver shaft ending with a trio of claw feet, circular support base. The gilded bronze parts are finely chiseled, decorated with various types of frets including foliaceous frets. The group of candlesticks described here is a close variant of a model created by André Antoine Ravrio (1759-1814) around 1808 and supplied in several examples for the imperial furnishings of the Château de Fontainebleau. Ravrio was one of the most talented French bronze workers of the early 19th century, together with Claude Galle and Thomire, being supplier to Emperor Napoleon. His adopted son, Louis-Stanislas Lenoir-Ravrio (1783-1846), who like his father was one of the main bronzesmiths of his time, also worked in André's workshop. The two worked together from 1811, the year in which Louis officially became a collaborator, until 1814, the year of his father's death, continuing the activity until 1840.

18th Century / 1701 - 1800

French neoclassical chest of drawers inlaid with breccia top, front with 2 drawers, front and sides inlaid with architectural whims enclosed within gilt bronze borders, wavy legs. Entirely decorated with neoclassical gilt bronze elements. Veneered in bois de rose; among the woods used there are palm, maple, green stained maple and boxwood. Interior in oak.

18th Century / 1701 - 1800

Pair of Barocchetto Neapolitan sofas, supported by eight curved and carved legs, the under-the-top shaped band is decorated with sun-shaped and rocaille carvings, represented again on the backrest, which is also curved; the armrests are shaped and carved with swirls. Entirely gilded with painted silver leaf, the seating and the raised backrest are padded.

Paris Third Quarter of the 19th Century

Napoleon III two-door sideboard, made by the cabinetmaker Georges-Alphonse-Bonifacio Monbro. Structure in ebony veneered oak, embellished with semi-precious stones and gilded bronzes. White marble top arranged within the edge, front with two doors decorated with reserves with vases of flowers and fruit made of stones in the centre, uprights at forty-five degrees, bracket feet. The bronzes, chiseled and gilded, portray leafy friezes, phytomorphic elements, godrons, rosettes, masks and volutes. The pilasters of the uprights are also made of gilded bronze, decorated with bunches and grape leaves and culminating with a caryatid and a telamon. Interior doors veneered in mahogany. Stamped in several parts on the hull and on the bronzes. Restorations and replacements.

18th Century / 1701 - 1800

Large chest of drawers with barocchetto shelf from Emilia, with the typical curved and rounded on silhouette on the front and on the sides, which can be opened. Supported by curved feet, the under-the-top band is shaped, it has three drawers and two upper ones side by side, under the top. The shelf has a grooved base with a drawer and a smaller drawer on the front: the upper part with glass panels on the front and on the sides used to be a display case for a statue, which originally could only be opened with a door on the back, but it was modified in the 19th century by adding a wooden panel on the back, while a small door and a shelf have been added on the front. Maple burl veneer with walnut edges, the interiors are in poplar, the handles are in bronze with pendants and nozzles with a coat of arms depicting a pair of rampant lions topped by a two-headed eagle with the imperial crown.