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In our catalog you can find works of art from the 16th century to the present day. In our online art gallery it is possible to find the right place.There is an important and refined selection of antique paintings, contemporary art, antique paintings and sculptures with which you can enrich your home.

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Ancient Painting G. Muzzioli '800 Portrait Drunk Baccus Oil on Canvas
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ARAROT0198569

Ancient Painting G. Muzzioli '800 Portrait Drunk Baccus Oil on Canvas

Drunk Baccus

ARAROT0198569
Ancient Painting G. Muzzioli '800 Portrait Drunk Baccus Oil on Canvas

Drunk Baccus

Oil on canvas. Signed lower right. The god is depicted standing on the scene, clad only in a cloth around his loins and by ivy leaves placed on his hips and head, while holding a chalice in one hand; his gaze is vacant and dazed. Behind him, a semi-reclining putto plays with ivy. All around are white clouds, just as the ground is white, with flashes of blue sky and a green bush creating the only contrasts. On the back of the work is the label 'Mario Galli Collezione d'Arte', with cataloguing number 64 and the artist's autograph inscription. The work well represents the painting of this artist, who was born in Modena but trained artistically first in Rome and then in Florence, where he spent most of his life. His rich production initially proposed mainly historical subjects, but then turned to portraits and finally to landscapes. His uniqueness can be recognised in his ability to range from historical subjects, often placed in settings taken from ancient Pompeii, to the Macchiaioli-style naturalism of his second period, in which Muzzioli sought a significant perception of atmosphere and light in subjects inspired by the rural Tuscan environment, often set in antiquity. In this work, a portrait of a mythological character, the artist's luministic intent strongly transpires, the search for the effect of light playing on the naked bodies of the god and the putto, then fading into the background. The Art Gallery label leads back to the Florentine Mario Galli (1877 -1946), a sculptor who was also an important collector of works especially by Macchiaioli. The work shows an important crack and has been retouched. It is presented in a stylish frame.

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2,860.00€

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Modern Painting Signed B. Ferrari Oil on Canvas Italy XX Century
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ARARNO0184428

Modern Painting Signed B. Ferrari Oil on Canvas Italy XX Century

Ligurian Beach

ARARNO0184428
Modern Painting Signed B. Ferrari Oil on Canvas Italy XX Century

Ligurian Beach

Oil on canvas. Signed lower left. It is a glimpse of the Ligurian Riviera, near a cove, surmounted by houses close to the coast. Berto Ferrari, born and always lived in Liguria, was a skilled and sensitive marine and landscape painter of the post-impressionist tradition, who painted the beauties of the Ligurian Riviera and numerous views of the Apennine hinterland. The painting has drops of color and traces of restoration. It is in a coeval frame.

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360.00€

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Oil on Panel 'Rape of Europa'
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ARARPI0180783

Oil on Panel 'Rape of Europa'

Pseudo Giampietrino B, 1530s-1540s

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Christian Orthodox Alabaster Icon
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ARARIC0257509

Christian Orthodox Alabaster Icon

(Ethiopia)

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Antique Painting City Glimpse Oil on Canvas Italy XIX Century
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ARAROT0275061

Antique Painting City Glimpse Oil on Canvas Italy XIX Century

ARAROT0275061
Antique Painting City Glimpse Oil on Canvas Italy XIX Century

Oil on canvas. View of a town crossed by a wide navigable canal, on which a church overlooks on the left, while a civic tower stands out in the background; numerous popular figures enliven the scene. Relined, the painting has a marked crack. It is presented in a period frame.

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740.00€

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Christian Orthodox icon on board
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ARARIC0257512

Christian Orthodox icon on board

(Ethiopia)

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Painting by Mario Sironi
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ARARNO0260836

Painting by Mario Sironi

Female figure ca. 1950

ARARNO0260836
Painting by Mario Sironi

Female figure ca. 1950

Tempera on paper applied to canvas. Signed lower right. On the back is the label of the Galleria Cadario in Milan, where the work was exhibited. The work is accompanied by an authentication from the Mario Sironi Archive, with archive number 4/25: During his career, Sironi has joined various artistic movements and even founded one together with other artists, as in the case of the Novecento Italiano movement. Over the years, Sironi has been a member of Futurism, the Italian avant-garde born in 1909 with the famous manifesto by Filippo Tommaso Marinetti; after which for a certain period he was also influenced by the Metaphysical movement, founded in the 1920s by Giorgio de Chirico, and starting from the 1930s his painting abandoned the clear sign of the first Novecento season to go through an expressionist period, characterized by an approximation of the figure and a marked brushstroke. The female figure has always been the protagonist in Mario Sironi's works, gradually represented in different ways, following the evolution of the artist's style. This figure is part of the production of the 50s, in which Sironi lived withdrawn, avoiding recognition and even refusing invitations to the most prestigious events; it was a period of solitude and depression that, however, from an artistic point of view, revealed itself to be surprisingly generative at times: starting from 1942, Sironi fell back on a metaphysical reflection with very heterogeneous works, in which clear tones and dark spatulas, mannequins and empty atmospheres alternate. The work is presented in a frame.

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Painting Penitent Magdalene
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ARARPI0275265

Painting Penitent Magdalene

ARARPI0275265
Painting Penitent Magdalene

Oil on canvas. Lombard school of the 17th century. According to the classic iconography, the penitent Magdalene is depicted with tears in her eyes, her hair loose, undressed, holding the jar of ointment with which she anointed Jesus in the Gospel episode, and the skull, the Memento mori par excellence. Above her, a little angel points to the sky above. The pictorial methods are very similar to a similar work by Panfilo Nuvolone (1581 -1651), an Italian painter active between Lombardy and Emilia, an interpreter of an outdated late Mannerism inspired by the dictates of the Counter-Reformation, known for his still lifes but also the author of figures similar to this one. The painting, restored and relined, is presented in an antique gilded frame.

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3,060.00€

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Painting Holy Family with Saints
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ARARPI0274706

Painting Holy Family with Saints

ARARPI0274706
Painting Holy Family with Saints

Oil on canvas. Venetian school of the 17th century. The figures, portrayed in the foreground half-length, see Mary placed in the center with the baby Jesus in her arms; behind them on the left is Saint Joseph and below him the little John the Baptist, dressed in furs and with the traditional cross-shaped staff with the band bearing the inscription "Ecce Agnus Dei". The gazes of these four figures are turned to the left, where Saint Catherine of Siena appears, recognizable by the black habit of the Dominicans, and by her iconographic attributes, the crown of thorns, the stigmata and the lily. Jesus is holding out his hands towards her, to stipulate that mystical marriage that characterized the saint. Restored and relined, the painting shows widespread small losses of color. It is presented in a re-adapted 19th century frame.

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2,860.00€

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Virgin of the Nativity, early 15th century
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ARARAR0204982

Virgin of the Nativity, early 15th century

Sculptor active in the Adriatic area

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Antique Painting Portrait of a Nobleman Oil on Canvas '600
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ARARPI0274930

Antique Painting Portrait of a Nobleman Oil on Canvas '600

ARARPI0274930
Antique Painting Portrait of a Nobleman Oil on Canvas '600

Oil on canvas. Portrait of a nobleman, proud with his hand resting on the hilt of his sword and dressed in a cloak edged with ermine. At the top right appears the coat of arms of his family, which features a red lion rampant crowned and holding a sword; across is a band with three groups of balls arranged in a flower. A similar lion rampant is found in the coat of arms of some cities in central Italy, such as Faenza. Restored and relined, the painting is presented in a contemporary frame in carved and lacquered wood.

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3,570.00€

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Antique Painting Religious Subject Oil on Canvas XVIII Century
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ARARPI0274929

Antique Painting Religious Subject Oil on Canvas XVIII Century

ARARPI0274929
Antique Painting Religious Subject Oil on Canvas XVIII Century

Oil on canvas. The scene is set inside a marble palace, with arches and vaults; the numerous figures occupy the space in a play of intertwining bodies and glances that meet. In the center the Virgin Mary lifts the Baby Jesus to show him to the visitors; behind her on the right Joseph watches attentively, while above hovers a little angel bearing the scroll with the Gloria. On the left the group of the three kings from the East, paying homage to the Child, and behind them the curious servants who observe and point. The bright and vivid colors stand out. Restored and relined, the painting is presented in a regilded late 19th century frame.

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2,440.00€

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Antique Painting Landscape Oil on Canvas Italy XIX Century
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ARAROT0274354

Antique Painting Landscape Oil on Canvas Italy XIX Century

ARAROT0274354
Antique Painting Landscape Oil on Canvas Italy XIX Century

Oil on canvas. Central European School of the 19th century. Unidentified signature lower right. Sweet and serene countryside landscape, with a small stream flowing through the meadows, a small house nearby, popular figures walking on the paths. The painting has several paint losses and slight holes (marked crack). It is presented in a readjusted antique frame.

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660.00€

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Deposition of Christ in the tomb
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ARARPI0197806

Deposition of Christ in the tomb

Lombard painter (Giuseppe Meda?) ca. 1560-1570

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Antique Painting Portrait of a Noble Copy Italy XIX Century
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ARARPI0274168

Antique Painting Portrait of a Noble Copy Italy XIX Century

Copy from Nicolas De Largillière

ARARPI0274168
Antique Painting Portrait of a Noble Copy Italy XIX Century

Copy from Nicolas De Largillière

Oil on octagonal metal plate. This is a copy of the portrait of the Infanta Maria Anna Vittoria of Bourbon (1718-1781), painted by Nicolas de Largillière in 1724, currently preserved in the Prado Museum in Madrid. The original better highlights the very young age of the princess, first daughter of Philip V of Spain and Elisabeth Farnese, who was engaged to Louis XV in 1722, at the age of just four, and immediately sent to Paris; the young Infanta was nicknamed "l'infante Reine" (the child queen), but did not marry the French king, who in 1725 decided to send her home because she was too young. The child, who in this copy seems a little older, is depicted at the French court, probably in a room of the Louvre Palace where she stayed, in a sumptuous princely dress, with the royal crown resting on the rich console table to her right. The painting is presented in a contemporary gilded frame.

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1,460.00€

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Antique Painting River Landscape Oil on Canvas XVIII Century
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ARARPI0273771

Antique Painting River Landscape Oil on Canvas XVIII Century

ARARPI0273771
Antique Painting River Landscape Oil on Canvas XVIII Century

Oil on canvas. Large in size and octagonal in shape, the canvas features a landscape inscribed in a frame painted with friezes, falling into the category of eighteenth-century painting conceived for furnishing purposes. The scene is set by a river, on whose bank rise architectural ruins of classical structures, which tower majestically over the figurines of popular characters animating the scene. The painting, already restored and relined, features several small holes, paint losses and widespread stains.

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1,970.00€

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Antique Painting Landscape Oil on Canvas XVIII Century
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ARARPI0273768

Antique Painting Landscape Oil on Canvas XVIII Century

ARARPI0273768
Antique Painting Landscape Oil on Canvas XVIII Century

Oil on canvas. Large format and octagonal shape, the canvas presents a landscape inscribed in a frame painted with friezes, falling into the category of eighteenth-century painting conceived for furnishing purposes. The landscape sees on the left some bare rocks from which a small waterfall flows, while on the right the ruins of an architectural structure, in front of which two women in traditional popular clothes are conversing. The canvas, already restored and relined in the past, presents widespread small holes, paint losses and stains. The canvas falls into the category of eighteenth-century paintings for furnishing purposes.

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1,970.00€

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Antique Painting Landscape Oil on Canvas Italy XVIII Century
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ARARPI0273769

Antique Painting Landscape Oil on Canvas Italy XVIII Century

ARARPI0273769
Antique Painting Landscape Oil on Canvas Italy XVIII Century

Oil on canvas. Large in size and octagonal in shape, the canvas presents a landscape inscribed in a frame painted with friezes, falling into the category of eighteenth-century painting conceived for furnishing purposes. The landscape shows a village near the coast, with fishing boats on the seashore; on the left, the ruins of a colonnade dominate in the foreground, under which two figures converse. The canvas, already restored and relined in the past, presents widespread loss of paint, small holes and stains.

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1,970.00€

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Drawing, Vault of the Hall of Eagles
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ARARPI0163830

Drawing, Vault of the Hall of Eagles

Domus Aurea Vincenzo Brenna

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Painting with Storm Scene
ARARPI0274167

Painting with Storm Scene

ARARPI0274167
Painting with Storm Scene

Oil on canvas. French school of the second half of the 18th century. Probably the work of a follower of Claude Joseph Vernet (1714 -1789), a French painter specialized in marine scenes and who painted several times glimpses of storms and shipwrecks. The scene is set on a rocky coast, near a village built on the cliff above; a strong storm is underway, which unleashes a lightning bolt, shooting from the top right, above some frightened figures of wayfarers, and directed towards the sailing ship that is sailing at the mercy of the strong waves. The sky is full of black clouds, even if in the distance a patch of blue seems to be already beginning to open up. Restored and relined, the painting is presented in a period frame.

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2,570.00€

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Painting Tavern Scene
ARARPI0270149

Painting Tavern Scene

ARARPI0270149
Painting Tavern Scene

Oil on canvas. Inside an inn, which almost seems to be made in a cave, opening onto a rather barren countryside, some men eat, drink and relax at the table next to the fire, while a woman sitting on the floor watches them amused while eating. The figures are grotesque, almost caricatural, the colors earthy, to underline the peasant extraction of the scene. Restored and relined, the painting is presented in an ancient frame.

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1,060.00€

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Painting Scene with Card Players
ARARPI0270151

Painting Scene with Card Players

ARARPI0270151
Painting Scene with Card Players

Oil on canvas. Inside an inn, some customers are playing cards: the man sitting on the left is cheating, hiding a card in the collar of his shabby jacket, under the amused gaze of the innkeeper who arrives. The figures are grotesque, almost caricatural; the colors are predominantly earthy, to emphasize the popular setting. Restored and relined (on the back is a restorer's label dated 1952), the painting is presented in an antique frame.

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1,260.00€

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Female figures by Francesco Conti
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ARTPIT0001710

Female figures by Francesco Conti

Heroines of Antiquity, 18th Century

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Antique Painting Religious Subject Oil on Canvas XVIII Century
ARARPI0270155

Antique Painting Religious Subject Oil on Canvas XVIII Century

Adoration of the Shepherds, ca. 1620

ARARPI0270155
Antique Painting Religious Subject Oil on Canvas XVIII Century

Adoration of the Shepherds, ca. 1620

Oil on canvas. Venetian school of the 17th century. Looking at the models spread by Jacopo Bassano, the painting presents a scene full of figures and surrounding elements typical of pastoral life, elegant but with a rustic simplicity. The shepherds create with Mary and Joseph a circle of figures adoring the Baby Jesus, a circle in which the animals, the ox and the sheep also participate, while the little angels complete the scene by circling above. The work can be traced back to the production of Baldassarre D'Anna, a painter born in Venice who trained with Leonardo Corona, of whom he reproduced the chromatic liveliness and the chiaroscuro instance, and then worked in Venice, in Dalmatia, in Istria and in the whole Friuli area. It is placed in the artist's best phase, between 1610 and 1620, in particular we find the same characteristics and many characters of the series of eight canvases made around 1620 for the Santuario delle Grazie in Cordovado in the province of Pordenone: similar are the vivid colors spread with clear backgrounds and sharp draperies, the energetic contours, the severe and marked physiognomies that are found both in the shepherds and in the kneeling Madonna. We also find in the work the realistic notes "alla Bassano", such as the basket of eggs from which a napkin emerges, the architectures devoid of any monumentality. Due to its small size, this canvas can be traced back to a private commission, intended for personal devotion or for collecting. The painting, restored and relined, is presented in a gilded frame in style. The painting is accompanied by an expertise.

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3,440.00€

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