The landscape of Giuseppe Carozzi

Oil on panel. In the bottom left of this signature with a dedication to his friend Weiss. In contemporary frame.

Bust in stone

The first '900

Stone sculpture depicting a bust in stone. The work of the anonymous author.

Trento Longaretti

Christ on the Cross

Oil on canvas. Signed in the lower right. On the back another signature and the words "Sketch for the mosaic. Christ on the cross". For Longaretti it is known by the Way of the Cross prepared a mosaic for the church of Monasterolo del Castello (BG). In the frame.

Trento Longaretti

The risen christ

Oil on canvas. Signed in the lower right. On the back another signature and the words "Sketch for the mosaic - The risen Christ." For Longaretti it is known by the Way of the Cross prepared a mosaic for the church of Monasterolo del Castello (BG). In the frame.

The nativity, the bas-relief carved in wood

Bas-relief carved in wood and decorated in polychrome, framed in the frame.

Francesco Londonio, attributable to

Studies of heads of goats

Oil on panel.

Victor Antonio Candia (1872-1931)

Oil on cardboard. Signature in the lower right-hand corner. To Verso title, date and signature again. Presented in a golden frame degli anni ' 50.

Renato Balsamo (1937)

Oil on canvas. Signature in the lower right-hand corner. The reverse signature, title and date.

Emil Lindenfeld (1905-1986)

Snowy landscape. Oil on plywood, signed bottom right, pencil dedication on the back.

Alfredo Belcastro (1893-1961)

Oil on canvas. Run with pointillist technique, which the author Vigezzo adopts in the years ' 30; faithful and passionate singer of the mountains of val Vigezzo, the author completes the fascination with the suggestion of a woman with child, who represents, thus placed, our Lady of the snows. Although not signed, for the choice of subject and the preparation of painting, the work is attributed to Bach.

Napoleon Grady (1860-1949)

Napoleon Grady (1860-1949), portrait of a young woman. Oil on Tablet, signed upper right. The back stamp of the atelier of the painter. Pleasant and delicate, as is characteristic of the author in his female portraits.

Mario Tozzi (1895-1979)

Ink on paper. Signature, date and dedication bottom right.

The landscape of Napoleone Grady

Lake Orta

Oil on tablet. Signed in the lower left; the back featured the title and date of the autographs and the stamp of the studio of the painter. In contemporary frame.

Glimpse of the land of John Lumi

Rustic

Oil on plywood. Signed in the lower right. On the back is still the name of the artist and likely the title (Rustic). In the frame.

Pair of paintings by Fortunino Matania

Battle scenes

Watercolours on paper. Signed and dated 1904 bottom right. Gifted and precocious artist, he became famous since the beginning of the '900 as an illustrator, working for "The illustration francaise" from 1902 and "The sphere" since 1904, specializing in the description of tragic events such as the sinking of the Titanic in 1912, and reportage during the first world war. The two watercolours refer both to the operations of the Russian army, engaged in a clash with the japanese troops (war of 1904-1905). In the frame.

Anatomical studies

Blood on the paper. The designs on both sides, depicting a study of a male figure with flute and particular anatomy of the upper limb to the front and a woman's face to the back. In the frame.

The study of faces

Oil on canvas. Restored and ritelato, is presented in a gilded frame of'800.