Italy, Late XX Century

Pair of five-flame candelabra in chased and chiselled silver. Decorations with repeated motifs on the base and arms with leaf volutes. Engraved silver marks under base, Milanese silversmith unidentified. Grams 2900.

Lombardy First Quarter XVIII Century

Group consisting of a high chair and four chairs in carved, lacquered and partially gilded walnut, Lombardy, first quarter of the 18th century. Armrests and under armrests of the high chair moved, legs and front crossbar have the typical volutes of intertwined acanthus leaves of Fantonian origin, feet carved in a curl. Backrests and seats upholstered and covered in finely embossed leather with partially gilded decorative motifs. Small lacks in the carving; deficiencies in the gilding and lacquering. A group of similar seats are included in the collection of the Museum of Applied Arts, in the museum complex of the Castello Sforzesco in Milan.

18th Century / 1701 - 1800

French neoclassical chest of drawers inlaid with breccia top, front with 2 drawers, front and sides inlaid with architectural whims enclosed within gilt bronze borders, wavy legs. Entirely decorated with neoclassical gilt bronze elements. Veneered in bois de rose; among the woods used there are palm, maple, green stained maple and boxwood. Interior in oak.

Italy, Last Quarter XVIII Century

Neoclassical mirror in carved and partially lacquered and gilded wood, Lombardy last quarter of the 18th century. Medallion frieze with love knot placed on the top, made with a ribbon and held by a float, and richly carved floral festoons; gilt moldings, mercury mirror. Decorated in the upper part with a cancurrent motif enriched with golden leaf elements, attributable to the iconographic repertoire of Giocondo Albertolli (Bedano 1742–Milan 1839), Swiss-Italian architect, decorator and teacher.

Italy First Quarter 19th Century

Pair of cups in burnished bronze and yellow Siena marble, Italy, first quarter of the 19th century. Oval marble plinth base, embellished with shell and bead frets in the lower part and a pair of festoons made up of leaves, lake reeds and four valves arranged in a rosette, one of which is partially missing. Upper section of the base with a bronze plate to simulate marine ripples, from which rises a sculpture in the round depicting a two-tailed winged siren, characterized by a "crown" of algae and raised arms, the latter holding a large shell with a segmented placed on top. One of the bronzes that surround the plinth is partially missing.

20th Century / 1901 - 2000

Chandelier in gilded bronze and ground glass. The open cartouche-shaped structure develops through 12 sliding arms with fluted bell-shaped candle holders and corolla-shaped bobeches over pierced acanthus jets, interspersed with 4 amethyst-colored terminals in the shape of an urn. The frame is centered by an urn-shaped column with a pinnacle terminal. Entirely decorated with transparent, amber and amethyst glass pendants, including a faceted sphere pendant. Attributable to Baccarat production.

Italy, Late XIX Century

Large table in solid walnut, Italy late 19th century. Turned legs embellished with moldings and ending with pear-shaped feet.

Ferrara, Mid XVIII Century

Baroque sideboard made in Ferrara supported by cabriole feet, has a wavy front in which there are pairs of doors and drawers in the band: a large central one and two smaller lateral ones; the sides are also wavy and are equipped with a door each. On the top rests a riser with a shelf that can be opened giving access to the internal compartment, to which galvanized tanks have been added to allow it to be used as a planter; in walnut, the interiors are in fir. The piece of furniture has small restorations and replacements in the construction part of the drawers, in the rear strip and in the hinges of the shelf to allow the aforementioned transformation, in the hardware and in a handle of one of the two side doors.

Milan, 1750 ca.

Pair of lamp holders in carved pine wood, lacquered white and partially gilded, supported by a cylindrical rod. Composed of large opposing "C" volutes, they are carved with curls and leaf motifs, embellished with a flowering branch that descends from the upper corolla, a support for the candle. Above the two lights there is a perforated and gilded sheet iron plate.

19th Century / 1801 - 1900

8-arm chandelier in cut crystal with candle holders. The arms are grafted onto a support structure in gilded brass with multiple levels in which there are the lodgings for the glasses of the arms. The brass structure supports a cascade of cut crystals on four levels. The central brass stick ends with a cut glass cup from which crystals hang and from which the chains with gem crystals alternating with cut sticks start. The electrical support was added at the beginning of the 1900s to the central pivot without affecting the original chandelier. It is one of the most popular chandelier models in the Regency era; they can be found both with bronze arms and in this version with the arms in a single piece of cut glass, with only the glass in bronze. The most important examples, even if of completely different dimensions, are well testified by the watercolors of Charles Wild of the interiors of Carlton House made in the first decades of the nineteenth century.

Italy 1930s 40s

Silver vase with chiselled body. Handle decorated with flower. Marks of the silversmith, the silversmith and the dealer engraved under the base. 998 grams.

Italy 1940s

Silver box decorated with small flowers in relief. Lid with a bunch of flowers. Silver and silversmith's marks engraved under the base. 300 grams.

Vento, XVI Century

Late Gothic walnut chest, Veneto, 16th century. Decorated with eight panels carved directly into the solid wood, four on the front and two on each side, depicting rosettes, frets and typical elements of the Gothic style. Standing on feral feet. Fir interior. Plan with restorations and replacements; a backrest board and the under-top band were also replaced.

Italy, Second Half XX Century

Shell-shaped table chocolate holder in embossed silver supported by three fish-shaped feet. Wavy edge with relief decoration depicting a small crab. Silver and silversmith's marks engraved on the reverse of the edge. 488 grams.

Italy, 1960s

Hand-hammered silver basket supported by four feet. Engraved silver and silversmith's marks on the edge. 480 grams.

Italy, 1960s

Lamp with base and glass holder ring in engraved and perforated silver and turned body in onyx. Satin glass lampshade. Silver marks engraved on the base, manufacturing mark difficult to read.

Lombardy, Late XVIII Century

Neoclassical secrétaire supported by truncated-pyramidal feet, on the front it has two doors surmounted by a flap door and concealing a scarab with a morocco top, a central compartment, small drawers and document compartments; there is a further drawer under the top. The cabinet is richly inlaid with maple designs within bois de violette reserves and bois de rose borders. Subjects of maggioliniana derivation are depicted, such as leaf and candelabra motifs, vases from which deliphines branch out on the lower doors, while on the flap is depicted, held by two ram's heads, a large floral festoon placed above two facing sphinxes. The sides are also richly inlaid with vases in the lower panel, while the upper panel features Minerva. Walnut interior, the marble top was added later.

Europe, Late XIX - Early XX Century

Centerpiece in embossed and chiselled silver with a wavy edge, decorated with festoons and leaf scrolls, supported by three curled feet. Silver mark engraved under the base. 874 grams.

Italy, XX Century

Centerpiece in embossed and podulated silver. Silver marks engraved on the outer edge. 440 grams.

Italy, XX Century

Oval silver tray. Marks of the silver and the silversmith engraved in the cable. 784 grams.