Niki de Saint Phalle Vintage Bag Canvas with Print France 1980s-90s

Bottega Veneta bag in black and brown leather with diamond workmanship, woven leather shoulder strap, fabric interior with zip

Large shoulder bag by Fendi dating back to the 90s. It is made of waterproof canvas with logo and gold metal details.

Handbag from the 60s by Roberta di Camerino in white leather with gold metal details.

Soft white calfskin bag. The leather has signs and darkened parts due to wear and tear, which do not preclude its use, especially on the handle.

Shoulder bag in soft burgundy colored leather by Chloè, with golden metal details. The conditions are very good: signs of wear over time do not preclude its use.

Ruggero Verity
Casa Editrice Marzocco

Service trolley with removable tray top and bottle holder in mahogany veneered wood and enamelled metal.

Portrait of a Woman 1951

Oil on canvas. Signed and dated lower left. The date of the work places this work in the period in which ORAZI was already projecting himself towards a less realistic painting, creating a portrait characterized by very marked physiognomic features, almost geometric, and a color scheme that plays on the variation of a single color range. The figure portrayed is that of an elderly woman, belonging to the peasant world.

Informal Composition, 1960s

Mixed media on cardboard. Signed lower right. From the second half of the 1950s ORAZI moved from figurative to abstract painting, with a progressive evolution that started from flat compositions (like the one presented) to works in relief, which gave life to the series called Peinture en Relief (Painting in Relief). The work comes from the artist's family collection.

Italy, XX Century

Wooden game box with 925 silver sheet applications. Inside, chessboard with wooden pawns and chessmen, dice, playing cards and poker chips.

Informal Composition 60s

Mixed tecnique on cardboard. From the second half of the 1950s ORAZI moved from figurative to abstract painting, with a progressive evolution that started from flat compositions (like the one presented) to works in relief, which culminated in the series called Peinture en Relief (Painting in Relief). The work comes from the artist's family collection.

Mexican Peasant Figure 1956

Oil on canvas. Signed and dated 1956 lower left. The French painter ORAZI stayed in Mexico in 1955 and then in 1956-57, which was an exceptionally attractive world for intellectuals and artists of the time. The natural scenery, the customs and traditions of the local population were the themes that converged in the series of paintings called Peintures sur le Mexique, landscapes, compositions and portraits without giving in to the taste for the exotic, with an extremely careful work on the color to represent, without descriptivism, the elements of nature and the figures of men and women, already projected towards abstraction. This pictorial series, composed of 35 pieces, was then exhibited in 1957, upon his return to France, at the Vendôme Gallery in Paris. The painting comes from the private collection of the artist's family.