Vintage Fendi Scarf Wool Fur with Pockets Italy 1990s

Roberta di Camerino belt in gold metal featuring the R logo repeated along the entire length. The final part can be unhooked and used as a bracelet.

Italy, Last Quarter of the XX Century

Bronze sculpture on a black marble base depicting a female nude.

Genuine Leather

Python leather bag with a Greek key motif and metal studs. The handles are woven leather. The outside features two zippered pockets, while the interior is lined and features three small pockets. Hooks for attaching a shoulder strap, which is not included, are included. Dust bag included.

AA.VV.
[Legatoria Conti Borbone dei Fratelli Marchesi]

Figure with Flowers

Oil on canvas. Signed lower left. Additional signature, stamp, and declaration of authenticity on the back. Influenced by Expressionism during his Parisian years, Fantuzzi placed a strong emphasis on the expression of emotions and moods in his works. Color dominates his canvases in its boldest palettes, typically cool tones of blue, green, and purple, creating sometimes stark contrasts. Fantuzzi's main themes are the loneliness of the metropolis and the difficulty of communicating in interpersonal relationships; he often paints poorly defined figures and eyeless faces. Framed.

Vintage corner cabinet made of wood with a white glass top.

Italy, 1990s

Fontana Arte Cartoccio glass centerpiece vase. The manufacturer's logo is under the base.

Still Life with Clock and Fruit

Oil on hardboard. Signed lower left. The Milanese artist, son of the famous painter Alcide Davide Campestrini, devoted himself to still life, figure painting, and Alpine landscapes, using a technique rooted in his father's school and the late 19th-century tradition. Typical of his work is the composition presented here, which juxtaposes scattered fruit—in this case, oranges and grapes—with an elegant, antique table clock. The painting is presented in a contemporary frame (1960s-1970s).

In my Studio 1943

Oil on panel. Unsigned, the painting bears the label of the Giotto Sacchetti retrospective, held from June 26 to July 16, 1967, on the back, where this work was exhibited under the catalogue number 51. The work appears in the monograph published in 1967 (plate XXVIII). Giotto Sacchetti painted reality, "Truth" with a keen and sensitive spirit of observation, through the careful analysis of nature perpetuated through strongly constructive brushstrokes of clear Tuscan influence. This work features a view of his studio, a large vase of peach blossoms. Framed.

77 x 50 In

Srinagar rug in cotton and silk, fine knot, hand-made.

93 x 52 In

Jorun rug in wool, large knot and hand-made.

Oil on canvas. Signed lower right. Magdalene, depicted nude with long, loose hair, is portrayed in a contemplative pose: seated in the desert on a stone, reading the Bible with the skull beside her (as per traditional iconography), she is visited by an angel who supports her in her ecstatic impulse, as she reaches toward the sky, which fades into the cloud. The painting is presented in a contemporary frame.