Maschere grottesche tra Manierismo e Rococò

Alberta Brambatti, Donata Maccelli, Lucia Tonini
Cantini

Giovanni Fanelli
Cantini

Paolo Sica
Editori Laterza

Jorge Marin
s.e.

AA.VV.
The Palace Museum

Mildred Constantine, Jack Lenor Larsen
Van Nostrand Reinhold company

A history of an art movement with an analysis and techniques. "This sweeping survey of Art Fabric works, objects, and activity in the important decade of the 1970's is a roaring statement of artistic truth. The relative youth of this movement is reflected in the vigor of the works presented. Yet their technical maturity and aesthetic soundness and honesty reflect a tradition of great antiquity. Far more than just a valuable documentation of the art fabric movement, this book is a statement of love for this medium by authors who are major forces in the art fabric world and sets a standard for art in any medium" - from front flap.

Sergio Rebora, Anna Bernardini
Silvana Editoriale

Jules Compte
s.e.

Francesca Rapposelli
Gruppo San Luca - Onlus

s.a.
Liveraison

Ripartizione iniziative culturali
s.e.

John Esten
Universe Publishing

"Why Don't You . . . tie black tulle bows on your wrists?have a yellow satin bed entirely quilted in butterflies?remember how delicious champagne cocktails are after tennis or golf? Indifferent champagne can be used for these." For more than half a century, Diana Vreeland, doyenne of American fashion, beguiled, awed, astonished, and was adored by almost anyone who created or wore clothes. Irresistible and flamboyant, socialite Mrs. T. Reed Vreeland began her now legendary twenty-five-year tenure at "Harper's Bazaar writing a column of audacious advice: extravagant ideas that helped redefine American women and twentieth-century fashion. Her commentary created a fashion frenzy when it began appearing in "Harper's Bazaar in 1936. Her ideas were simultaneously stylish and outrageous, and have as much appeal today as they did decades ago. Here for the first time, John Esten has compiled one hundred of Mrs. Vreeland's kaleidoscopic "Why Don't You . . . ?" suggestions, and pairedthem with the breathtaking works of such renowned photographers and artists as Munkacsi, Dahl-Wolfe, Hoyningen-Heune, and Berard, which further capture the dazzling legacy of whimsy, elegance, and style of Mrs. Vreeland's "Bazaar years.