Italy, Early XX Century

Art Nouveau oak mirror, beveled mirror, upper moldings with stylised carvings. Italy, early 20th century.

Group of frames from the late 19th century

Group of 6 eclectic style frames, made of poplar with applied pastiglia carvings, painted in red with gilded carvings. Late 19th century.

Wall mirror with side lights (not overhauled) blue glass and mirrored glass.

Antique Mirror in Venetian Baroque Style

Venetian Baroque style mirror, carved with soft rocaille scrolls and flowers, mirror composed of several parts with studs.

Italy, Early XX Century

Frame in carved style with leaf motifs at the corners, it is gilded.

Tuscany, Late XVIII Century

Pair of neoclassical mirrors in walnut, gilded and lacquered. Carved cymatium composed of a pair of vases, leaf carvings and festoons that resume on the sides and at the base. Appliques missing, mirrors partially replaced. Restoration. Tuscany, third quarter of the 18th century.

France, Mid XIX Century

Eclectic mirror in gilded wood with pastille carvings, France, mid-19th century. Shaped frame adorned with pastille carvings depicting frets, leaf and floral elements, curls and trophy composed of bow, quiver and torch. Mercury mirror. Lacks in the carving and gilding.

Tuscany, Late XIX Century

Louis Philippe cheval mirror, resting on two bases equipped with a drawer and connected by a pair of turned crosspieces; the uprights are carved in the shape of dolphins, to support the frame, decorated with a cymatium carved with leaf scrolls: the central psyche mirror has both a tilting movement and a rotation movement, thanks to a vertical pin. In mahogany, the interiors are in poplar.

Wall mirror in mirrored glass and anodized aluminum frame. It has a small chip on the glass.

Veneto, Late XVIII Century

Neoclassical mirror with imitation wood lacquered wooden frame and gilded wood carvings, Veneto, late 18th century. Shaped frame with Greek borders, embellished with a cymatium with leaf and floral carvings that fall along the sides, a pair of vases and an oval mirror with a monogram placed within a pair of columns. Ornamental carvings also on the lower side. Regilded in ancient times.

France, Early XX Century

Pastiglia-carved and gilded frame; has shortcomings.

Italy, Last Quarter XVIII Century

Neoclassical mirror in carved and partially lacquered and gilded wood, Lombardy last quarter of the 18th century. Medallion frieze with love knot placed on the top, made with a ribbon and held by a float, and richly carved floral festoons; gilt moldings, mercury mirror. Decorated in the upper part with a cancurrent motif enriched with golden leaf elements, attributable to the iconographic repertoire of Giocondo Albertolli (Bedano 1742–Milan 1839), Swiss-Italian architect, decorator and teacher.

Lombardy Late 17th - Early 18th Century

Baroque mirror, the frame is carved with powerful leafy volutes, it is entirely gilded; with lacks and restorations.

Italy, Second Half of the XIX Century

Eclectic mirror made of carved and gilded wood, worked with leaf motifs, acanthus leaves, rocaille elements and drooping festoons on the sides. Italy second half 19th century.

Italy Early 19th Century

Empire frame in walnut in neoclassical style with mercury mirror, Italy, early 19th century. Carved with ribbon and leaf Greek motif.

Wall mirror, with shelf and side appliques. Mirrored glass and smoked glass.

Second half of the 19th century

Neo-Renaissance mirror, imitating the painted terracotta of the Florentine Della Robbia workshop. With frame in glazed and glazed terracotta, decorated with festoons of fruit and two cherubs.

Veneto Last Quarter of the 18th Century

Neoclassical mirror with a contoured shape, the apron and the cymatium are carved with characteristic festoon and vase motifs. In partially gilded walnut, in the lower part there are places for the torch holder arms.

Italy, last quarter of the nineteenth century

Neoclassical style fireplace in carved, lacquered and partially gilded wood, Italy, last quarter of the 19th century. Coping entirely decorated with neoclassical carvings, such as Greek frets, phytomorphic spirals, leafy elements and the pair of large volutes with rosettes placed on the sides. At the top there is a medallion with a female profile in profile. Coping partially equipped with a blue lacquered base. Lacks in the carving.