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22 cm 170 cm

12 cm 250 cm

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Emilio Rizzi Pancil on Papr Italy 20th Century
SELECTED
SELECTED
ARARNO0101149

Emilio Rizzi Pancil on Papr Italy 20th Century

Pair of Sketches

ARARNO0101149

Emilio Rizzi Pancil on Papr Italy 20th Century

Pair of Sketches

Pencil on paper. Signature and writing "Study for the Mass at the FIled". They are 2 unpublished sketches preparatory to the famous painting of the bolognese artist that is today preserved at the Renaissance Museum of Brescia. The art piece was painted with oil on canvas in 1938 and is the biggest painting made by Rizzi (length 6.57m, height 2.55m), made up on a several sketches made with pencil and chercoal on paper. The painting depicts the landscapes of the Basso Piave, theatre of battles during the Frist World War, and it shows the recollection of soldiers. The sketches in question are the study of two different recollecting poses of two soldiers. Framed.

Reserved

1,200.00€

Reserved
Stanislao Grimaldi
ARAROT0119848

Stanislao Grimaldi

Study of an Officer on Horseback

ARAROT0119848

Stanislao Grimaldi

Study of an Officer on Horseback

Lead mine study on paper. Signed in the lower right corner Grimaldi. An oval depicts an officer of the Batteries on horseback charging; at the base coats of arms and military triumphs. The knight's uniform refers to the Carlo Alberto period, around 1845. It is a study by Grimaldi commissioned to him, probably for a print or publication, by the Voloire Regiment, or rather the body of the "Horse Batteries", the particularly mobile artillery units, used in rapid support to the actions of the other units. Stanislao Grimaldi, Count of Poggetto, of Turin, was the official painter of Vittorio Emanuele II, superintendent of the Albertina Academy in Turin and known as an illustrator of Risorgimento battles. The drawing is presented in a frame.

in Cart

240.00€

in Cart
Otto Gutfreund, Clay Sculpture, 1910s
ARARCO0046993

Otto Gutfreund, Clay Sculpture, 1910s

Famale Bust

ARARCO0046993

Otto Gutfreund, Clay Sculpture, 1910s

Famale Bust

Clay sculpture. Signed down on the back. Otto Gutfreund was a czechoslovakian sculptor that after studying in Prague and Paris, became famous around 1910s for his cubist styled sculptures. After taking part to the First World War he moved up to a more realistic style following the period of " return to order" after war that characterized also arts. His sculpting prodution, mostly bronze made, also availed itself of clay and ceramic using.

in Cart

3,500.00€

in Cart
Hieronymus III Francken (1611-1661) The denial of Peter
SELECTED
SELECTED
ARTPIT0000908

Hieronymus III Francken (1611-1661) The denial of Peter

The denial of Peter

ARTPIT0000908

Hieronymus III Francken (1611-1661) The denial of Peter

The denial of Peter

Oil on oak board, coming from an important historical Florentine collection. The collection started by an ancestor of the family who was in Vienna in 1798 and then in Wurzburg until 1813, as a companion of exile of the Grand Duke of Tuscany Ferdinand III. The collection was transferred to Florence after the fall of Napoleon, and its importance is proved by a copy of an inventory compiled in 1881. At number 14 of it (corresponding to the one shown on the cartouche at the back of the table), the compiler's description:...a two feet and four and a half inches long wooden footboard, and one foot and eight and a half-inch high, representing Peter who denies Jesus Christ to the maiden in Anna's house. We see the Savior from far away carried to that pontiff to be examined, in the midst of a crowd and a quantity of soldiers. In the 1960s, an initial attribution to Bruegel was denied and relocated to Francken. The composition was obviously successful because other versions of the workshop were known (see for example, an oil on copper with identical subject and dimensions in the Koller auction on 18/09/2015). Presented in a refurbished frame.

in Cart

18,000.00€

in Cart
Woman Combing Her Hair Umberto Milani Wax on Gypsum 1943
ARTNOV0001687

Woman Combing Her Hair Umberto Milani Wax on Gypsum 1943

Woman Combing Her Hair 1943

ARTNOV0001687

Woman Combing Her Hair Umberto Milani Wax on Gypsum 1943

Woman Combing Her Hair 1943

This beautiful work was made by the young Umberto Milani (1912-1969) and it might recall the impressionistic technique by Medardo Rosso. Actually, the modelling obtained with the juxtaposition of blocks in a strict volumetric construction is opposite to a superficial conception (Pica A., p. 10) and will lead the sculptor to choose the pure abstract subjects that will characterize his successive production. Private collection. 1943.

in Cart

1,400.00€

in Cart
Giuseppe Ajmone, Oil on Canvas
ARARCO0051474

Giuseppe Ajmone, Oil on Canvas

Nude, 1964

ARARCO0051474

Giuseppe Ajmone, Oil on Canvas

Nude, 1964

Oil on cavas. SIgned and dated on the lower right corner. Title and signature on the back. Giuseppe Ajmone, artist from Valsesia who studied at the Brera Academy of Fine Arts in Milan, had been one of the firmatories of the Manifesto of Realism in 1946. Along with still lives and landscapes, during his first artistic period, Ajmone was very interested in nudes that represent most of his pictorical prodution from 1960s until todai. Framed.

in Cart

1,400.00€

in Cart
Marcello Dudovich
ARARNO0103832

Marcello Dudovich

Lady with Dog

ARARNO0103832

Marcello Dudovich

Lady with Dog

Tempera on paper. Signed in pencil in the lower center. Marcello Dudovich, originally from Trieste but artistically trained in Milan and partly in Bologna, was an Italian advertiser, painter and illustrator, and is considered one of the fathers of modern Italian advertising poster design. The work of the Trieste is remembered above all for having staged the comforts of the Italian bourgeoisie in the period of the Belle Époque: elegance, worldliness, horse races, elegant clothes and, above all, the femininity of high-ranking women. The painting is presented in a contemporary frame.

Reserved

980.00€

Reserved
Jenny Watson Mixed Technique Contemporary
ARARCO0106145

Jenny Watson Mixed Technique Contemporary

No Title

ARARCO0106145

Jenny Watson Mixed Technique Contemporary

No Title

Mixed technique on fabric scraps, with added elements of various materials. The square canvas drawn with oil presents a figure of a woman on horseback; the horse's tail, to be applied on top, is made of synthetic hair; the painting is also accompanied by a small rectangular canvas with a text written in English, like the excerpt of a letter, and a ceramic ashtray in the shape of a horse, proposed alongside each other. Jenny Watson is an Australian artist (born and trained in Melbourne) who has adopted different stylistic approaches to her painting, using a range of different materials and fabrics, such as velvet elements and collages, and often combining images and words. The subjects she proposed have always tended to be autobiographical: starting from punk and feminist inspirations, Jenny Watson recreates an intimate diary in which figures and words intertwine to compose short daily narratives. Her personal iconography is made up of self-portraits (the red-haired woman is none other than the artist herself), horses, cats, domestic interiors and lettering, rendered with very fresh brushstrokes that leave a lot of space to the imagination, even if the figures are rendered in a very rigid and fixed way, as if to denounce the absence of social movement, especially towards women. Her pieces are often accompanied by small coloured canvases that display poetic descriptions of her work, making the viewer's identification process immediate. The piece proposed here was presented at a solo exhibition by Jenny Watson held in Trento in 2018, at the Raffaelli Art Studio, entitled "Jenny around the world". It is accompanied by photos showing how its presentation at this exhibition was carried out, and the invitation card to the exhibition of the buyers of the work is also attached. A small catalogue of the artist's exhibition held in Como in 1993 is also attached.

in Cart

2,800.00€

in Cart
Daniele Galliano Oil Enamel On Canvas Contemporary
ARARCO0106144

Daniele Galliano Oil Enamel On Canvas Contemporary

Jesus' Soldiers 2008

ARARCO0106144

Daniele Galliano Oil Enamel On Canvas Contemporary

Jesus' Soldiers 2008

Oil and enamel on canvas. Title, date and signature on the back. Daniele Galliano, originally from Pinerolo, self-taught, begins to exhibit in Turin, where he lives and works, at the beginning of the 90s, quickly gaining a prominent place within that new Italian pictorial scene that took its first steps in the late 1980s. His painting technique belongs to the so-called “photographic realism”, which involves the transition from photography to painting, changing the status of the image that the artist offers with a new and personal look. The titles affixed to the works give an absolutely non-neutral reading of the scenes themselves, expressing crearly the artist's obligatory thoughts. His reinterpreted images of places and people reach the Italian and foreign public and allow him to participate in important solo and group exhibitions in Europe and the United States. The piece presented here offers an interpretation of a traditional liturgical moment: the group photo of a First Communion is transformed by Galliano into an absolute declaration of power in the centre, with the black and white figures of the children - the yin and the yang - and the purple of the universe in the background. The painting is accompanied by authentication on photo and a catalogue of Galliano's solo exhibition "All good things", that took place at the Raffaelli Art Studio in Trento in 2008, where the work was exhibited.

in Cart

6,000.00€

in Cart
Liberio Rossi Oli on Canvas Contemporary Art 20th Century
ARARCO0106788

Liberio Rossi Oli on Canvas Contemporary Art 20th Century

Bite Kiss 1975

ARARCO0106788

Liberio Rossi Oli on Canvas Contemporary Art 20th Century

Bite Kiss 1975

Oil on canvas. Signed at the bottom left. On the back there is another signature with date, title and label of the exposition at the Ponte Rosso Gallery in Milan. Liberio Reggiani is a Milanese painter, draftman and engraver that is considered a leading exponent of existential realism, which highlights in his works the tragic condition of man, first affected by war, then reduced, in suffocating metropolis, a victim of degradation and alienation contemporary. The work is framed.

in Cart

360.00€

in Cart
Study of Figures Marker on Paper 1941
ARARPI0076634

Study of Figures Marker on Paper 1941

ARARPI0076634

Study of Figures Marker on Paper 1941

Marker on paper. Study of male figures, seated and standing, made with ochre marker. At the bottom there is the date 11-3-41. Framed.

Reserved

90.00€

Reserved
Jacques Callot Etchings On Paper
ARARPI0107400

Jacques Callot Etchings On Paper

Les Gueux, 1622 (complete series)

ARARPI0107400

Jacques Callot Etchings On Paper

Les Gueux, 1622 (complete series)

Etchings. This is the complete series of 25 engravings on paper of the "Beggars" (Les Gueux), made by the French engraver in Nancy, and widely reproduced for the popularity it obtained; Rembrandt, who owned a collection of Callot's prints, was inspired by them for his beggar figures. Beggars or commoners of Italian origin are depicted (Callot drew them in Italy) who symbolize the poverty and the wounds of the human condition. The engravings have not been signed by the author, but have been numbered; only the first engraving, which portrays a very humble character carrying a flag with the words "Captain De Baroni", and which also represents the title page of the collection, shows the name of the painter and engraver. The whole series is presented in frames in style.

in Cart

3,600.00€

in Cart
Giuseppe Ajmone, Oil on Canvas,
ARARCO0051471

Giuseppe Ajmone, Oil on Canvas,

Motion, 1982

ARARCO0051471

Giuseppe Ajmone, Oil on Canvas,

Motion, 1982

Oil on cavas. SIgned on the lower right corner. Title and signature on the back. Giuseppe Ajmone, artist from Valsesia who studied at the Brera Academy of Fine Arts in Milan, had been one of the firmatories of the Manifesto of Realism in 1946. Along with still lives and landscapes, during his first artistic period, Ajmone was very interested in nudes that represent most of his pictorical prodution from 1960s until todai. Framed.

Reserved

1,600.00€

Reserved
Virgilio Audagna Earthenware Sculpture 20th Century
ARARNO0061199

Virgilio Audagna Earthenware Sculpture 20th Century

Female Nude

ARARNO0061199

Virgilio Audagna Earthenware Sculpture 20th Century

Female Nude

Enamelled earthenware sculpture. The sculpture depicts a young woman seated with missing legs and arms: it is possible to guess that she is sitting with her arms resting on them, her head turned upwards, smiling, allowing herself to be illuminated by the light. It is part of the rich sculptural production of Virgilio Audagna, who gave great prominence to the female nude, presented in many poses and expressions. The sculptor Virgilio Audagna created both large monuments and small works. Active not only in Italy but also abroad, where he often stayed, he was also able to produce models for medals, with sacred and profane subjects, to commemorate numerous events. As well as being a sculptor, he was also a draughtsman and painter.

Reserved

3,000.00€

Reserved
Madame du Barry Bust in Terracotta
SELECTED
SELECTED
ARARAR0119522

Madame du Barry Bust in Terracotta

ARARAR0119522

Madame du Barry Bust in Terracotta

Terracotta sculpture depicting Madame du Barry.

in Cart

3,000.00€

in Cart
Xavier Bueno
ARARCO0093034

Xavier Bueno

Girls

ARARCO0093034

Xavier Bueno

Girls

Oil on canvas cardboard. Signed lower left. After his childhood spent in Spain, his native country, Geneva and Paris, in 1940 Xavier Bueno moved to Italy, in Fiesole, where he joined with his brother Antonio, Pietro Annigoni and Gregorio Sciltian. to the group of "Modern Painters of Reality", whose manifesto proposed an "objective" observation of truth, of nature and its faithful reproduction as possible. The experience of the Spanish civil war first and then the Italian one increasingly directed the artist towards a realism linked to reasons of strong social content. 1953 represented an important turning point for Xavier's career: it was the year of his explicit adherence to the poetics of socialist realism, an adhesion that came after a personal itinerary that saw him practicing "committed" painting since the pre-war period, with a clear advance on art of the Italian left. Another fundamental stage in Xavier's career was the trip to Brazil in 1954: the artist returned from this experience full of enthusiasm and with a series of inks whose main protagonists are children, teenagers, laborers. From this moment on, the theme of childhood became more and more recurrent, little by little the characters were portrayed motionless, in a sort of unreal fog, devoid of even depth, of perspective rigor, in which they emerge as evoked. The work presented here belongs to this production. Between 1959 and 1964 Xavier created the cycle of "Children", suffering images and melancholy symbolic works of a humiliated and oppressed humanity, which the artist presented at the "España libre" exhibition. His technique also underwent an evolution, which led him to seek a thickening of the material, thickened by the addition of sand to the paint; the use of collage, already experimented by him in still lifes, became conspicuous also in the figurative-portraiture field. The material of his paintings became such as to come to define them "fresco on canvas". Work presented in frame.

Call

Price on request

Call
Rossini Luigi
ARTCON0000463

Rossini Luigi

Oil on canvas

ARTCON0000463

Rossini Luigi

Oil on canvas

Oil on canvas by Rossini Luigi (artist from the Brianza, Italy), well-known by collectors but little exposed to the market.

in Cart

3,000.00€

in Cart
Eva Petrič Contemporary Mixed Technique
ARARCO0106147

Eva Petrič Contemporary Mixed Technique

Untitled

ARARCO0106147

Eva Petrič Contemporary Mixed Technique

Untitled

Mixed technique: reworked photograph with applications of wax and overlapping of painted plexiglass panel. Eva Petrič, an artist of Slovenian origin who currently works between New York, Vienna and Ljubljana, creates photographs, videos, performances and installations, in which the goal is to "create space", which can be a physical space, or a mental, imaginary, or metaphorical one, rather than real. In her productions, the character on which she then elaborates a particular "vision" is often herself, her body or her shadow, a theme, overlapping other different elements to create a new spatial dimension. Attached to the work, an extract from the catalogue from the exhibition of Eva Petrič at the Suppan Gallery in Vienna in 2007.

in Cart

1,800.00€

in Cart
Engraving of the EIGHTEENTH century
ARARPI0054909

Engraving of the EIGHTEENTH century

Custom of Peasants Girl in the Pisans Countryside

ARARPI0054909

Engraving of the EIGHTEENTH century

Custom of Peasants Girl in the Pisans Countryside

Engraving on paper applied on canvas. Under the image ther is the title and the attribute wording " in Florance at Niccolò Pagani and Giuseppe Bardi's place". The board comes from the composition "The farmers of Tuscany" ( a serie made of a frontispice and 60 boards od customs); color printed etching engraved on copper; "Ant. Bicci dis." on the lower left corner; " C.Lasino inc." on the lower right corner. Carlo Lasino, engraver and painter (Treviso 1759-Pisa 1838) directed the making of this board. Shows light drops of moisture. Displayed in a coeval frame.

in Cart

150.00€

in Cart
Engraving, 18th Century
ARARPI0054907

Engraving, 18th Century

Custom of Young Couple in the Pisan Countryside

ARARPI0054907

Engraving, 18th Century

Custom of Young Couple in the Pisan Countryside

Engraving on paper applied on canvas. Under the image there is the title and an attributive wording " in Florance at Niccolò Pagni and Giuseppe Bardi's place". The board come frome the art piece " The farmers of Tuscany" ( a serie made of a frontispiece and 60 boards); Color printed etching engraved on copper; "Ant.Bicci dis" on the lower left corner; " C.Lasino inc" on the lower right corner. Carlo Lasino, engraver and painter ( Treviso 1759-Pisa 1838), directed the making of this work. Shows light drops of moisture. Displayed in a coeval frame.

in Cart

150.00€

in Cart

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