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21 cm 132 cm

20 cm 132 cm

0 cm 33 cm
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CONTEMPORARY ART

In this section you can find all Contemporary Art works for sale in our online catalog. A wide and refined selection including paintings, drawings, collages, silkscreens, lithographs, sculptures, and posters by Italian and international artists. All unique pieces to decorate your home.

 

 

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The Last Supper Antique Painting Signed Malangatana Contemporary 1962
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ARARCO0287738

The Last Supper Antique Painting Signed Malangatana Contemporary 1962

The Last Supper 1962

ARARCO0287738
The Last Supper Antique Painting Signed Malangatana Contemporary 1962

The Last Supper 1962

Oil on canvas. Signed and dated lower left. On the back there is a handwritten and signed prayer to Jesus in Portuguese by the artist. Malangatana was a Mozambican artist (poet, painter, musician), as well as a political activist for his country. The work belongs to Malangatana's first artistic period, whose political commitment was not yet evident, and takes up the subject of the Last Supper, which he had already tackled on other occasions in the same years. In this religious subject, Malangatana clearly reveals his closeness to the ritual and tribal culture of his country, but also his knowledge of religion as well as that of Western art, both in the composition of the figures that look at similar Western subjects, and in the compositions of the objects, in particular the numerous and varied elements that fill the table, with a basket of fruit in the center, which recall our Still Lifes. His figures are presented as overlapping and intertwined bodies, and dominated by faces, in which long eyes stand out, with penetrating expressions, which will then become tormented and suffering looks, a symbol of the suffering of an oppressed people.

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Contemporary Drawing Floriano Bodini Doves Pencil on Paper 1976
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ARARCO0287737

Contemporary Drawing Floriano Bodini Doves Pencil on Paper 1976

Doves 1976

ARARCO0287737
Contemporary Drawing Floriano Bodini Doves Pencil on Paper 1976

Doves 1976

Pencils on paper. Signed and dated lower left. Floriano Bodini, a well-known sculptor, engraver and medallist, considered one of the souls of Existential Realism, has also devoted himself to graphics throughout his career. His production features recurring subjects - Bishops, Cardinals, Requiems, Popes, Doves, Ambos - that express thought, trepidation, sometimes anxiety, but also trust, confidence and faith. The dove in particular has represented for Bodini a constant iconographic element in his artistic research, a theme that has been assiduously present in all his production, not only graphic, since the end of the Sixties, up to the last example dated 2004, emblematically considered his last engraved work. The interest in this image is confirmed among other things by his collection of objects that portray doves or whose shape they recall. The result of a research rich in stimuli from different sources, both cultured and popular, the choice of this image has never been trivialized, but has always maintained its high symbolic and formal dignity. The work proposed here is presented in a frame.

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190,00€

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Hsiao Chin Horizon Acrylique and Mixed Technique on Canvas 1962
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ARARCO0286396

Hsiao Chin Horizon Acrylique and Mixed Technique on Canvas 1962

Horizon, 1962

ARARCO0286396
Hsiao Chin Horizon Acrylique and Mixed Technique on Canvas 1962

Horizon, 1962

Acrylic and mixed media on canvas. Signed and dated lower center. Hsiao Chin, an artist of Taiwanese origin who lived and worked for a long time in Milan, conceived art as a path of growth and knowledge, a spiritual journey through time and space, which goes beyond any geographical and cultural limit. In his works, the spiritual practices of the East are perfectly combined with the artistic experiments of the West, which he knew from his long stays in various countries around the world. On the one hand, his paintings can make you think of a written page in which the artist appeals to Eastern symbolism, creating a message made of subtle signs, almost ideograms, alternating with geometric shapes evoking ancestral and shared meanings (circles, squares, spirals...); on the other hand, the bold chromatic choices, full of energy, and the brush strokes, sometimes frenetic and sparkling, sometimes more liquid and calibrated, appear "Western". The artist has said of himself: “Today the question of whether my art is Chinese or global is no longer important to me. I try to go beyond these boundaries, with the aim of creating new works that are not conditioned by techniques and ideas.” (Hsiao Chin, 2016). The work presented here, dated 1962, belongs to the period spent by Hsiao Chin in Europe first and then in New York, in which he came into contact with all the new currents of abstraction, which determined in his painting “a new course”, in which the approach to American minimalism and hard edge painting is evident (painting with "sharp contrasts", or a pictorial style characterized by sharp and sharp contrasts between different areas of color, which can be simple geometric shapes or straight lines. The color of each area is predominantly homogeneous and monochrome). The work is presented in a frame. The work comes from a private collection in Milan, which documents the family's direct contact with the artist through a series of photographic images in his company (copies attached).

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Contemporary Drawing by Fausto Melotti Painting Pencil on Paper Frame
SELECTED
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SELECTED
ARARCO0190584

Contemporary Drawing by Fausto Melotti Painting Pencil on Paper Frame

Sculpture project

ARARCO0190584
Contemporary Drawing by Fausto Melotti Painting Pencil on Paper Frame

Sculpture project

Pencil on watermarked paper. Signed lower left. The drawing is accompanied by an authentication on photo from the Fausto Melotti Archive, with code DIS 36 015, showing the data of the work. Fausto Melotti was a multifaceted and very prolific artist and it is almost impossible to link his production to a particular technique or theme, without providing only a partial view of his artistic vision. The salient features that are constant in Melotti are geometry, the study of abstraction, which leads him to use realistic but not scientifically accurate elements, and arranging the elements so that they recall a musical rhythm, a detail that refers to his training as a musician Sculptor, painter, musician, poet, he made numerous design drawings for his works. Drawing represented for him a fundamental exercise, to transfuse the original graphic trait from sheets of paper into sculptures and ceramics. The sculptures for which he is best known are made up of geometric elements made with metals (brass, iron and gold) worked into thin filaments, giving life to ethereal, weightless and almost fragile compositions. The work is presented in a frame.

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Modern Painting Signed ORAZI Mixed Technique 1960s
ARARCO0275308

Modern Painting Signed ORAZI Mixed Technique 1960s

Relief Painting '58-'68

ARARCO0275308
Modern Painting Signed ORAZI Mixed Technique 1960s

Relief Painting '58-'68

Mixed media on canvas, with material applications. From 1958 to 1968 ORAZI, who had already moved from the figurative to the abstract phase, devoted himself to creating compositions in relief: he collected and used materials and fibres of different types, especially natural materials and fibres such as tiny grains of sand, seeds, plant filaments and fragments of bark, with which he created relief shapes that emerged from the surface of the canvas. The basis of this artistic experience, called Peinture en Relief, was the exploration of nature, its components and its phenomena (flowers, plants, sands, rocks, volcanic lava, coasts and seabeds, eruptions, storms, petrified meteorites). The works of this period were initially characterised by a still rather low relief; but subsequently the relief became more and more pronounced, often coming out of the perimeter of the support, to the point of appearing more like statues than paintings. The work is presented in a frame. From a collection of the artist's family.

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1.470,00€

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Modern Painting Signed ORAZI Mixed Technique Italy 1960s
ARARCO0275306

Modern Painting Signed ORAZI Mixed Technique Italy 1960s

Relief Painting, 1958-1968

ARARCO0275306
Modern Painting Signed ORAZI Mixed Technique Italy 1960s

Relief Painting, 1958-1968

Mixed technique on canvas, with material and plate applications. On the back there is a label from a Parisian art transport service, with the artist's name: ORAZI's works participated in numerous exhibitions in the French capital, both personal and collective. From 1958 to 1968 ORAZI, who had already moved from the figurative to the abstract phase, dedicated himself to creating compositions in relief: he collected and used materials and fibres of different types, especially natural materials and fibres such as tiny grains of sand, seeds, plant filaments and fragments of bark, with which he created relief shapes that emerge from the surface of the canvas. The basis of this artistic experience, called Peinture en Relief, is the exploration of nature, its components and phenomena (flowers, plants, sand, rocks, volcanic lava, coasts and seabeds, eruptions, storms, petrified meteorites). The works of this period were initially characterised by a still rather low relief; but subsequently the relief became more and more pronounced, often coming out of the perimeter of the support, to the point of appearing more like statues than paintings. Often in these works there is a reference to volcanic activity and the material it produces, sometimes expressed in titles such as "Lava Flow", "Volcanic Sands", Volcanic Beaches". The work is presented in a frame. Coming from the artist's family collection.

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1.570,00€

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Modern Painting Signed ORAZI Mixed Technique from the 1960s
ARARCO0275307

Modern Painting Signed ORAZI Mixed Technique from the 1960s

Relief Painting '58-'68

ARARCO0275307
Modern Painting Signed ORAZI Mixed Technique from the 1960s

Relief Painting '58-'68

Mixed media on canvas, with material applications. Signed lower right. From 1958 to 1968 ORAZI, who had already moved from the figurative to the abstract phase, devoted himself to creating compositions in relief: he collected and used materials and fibres of different types, especially natural materials and fibres such as tiny grains of sand, seeds, plant filaments and fragments of bark, with which he created relief shapes that emerged from the surface of the canvas. The basis of this artistic experience, called Peinture en Relief, was the exploration of nature, its components and its phenomena (flowers, plants, sands, rocks, volcanic lava, coasts and seabeds, eruptions, storms, petrified meteorites). The works of this period were initially characterised by a still rather low relief; but subsequently the relief became more and more pronounced, often coming out of the perimeter of the support, to the point of appearing more like statues than paintings. The work is presented in a frame. From a collection of the artist's family.

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1.160,00€

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Modern Painting Signed ORAZI Lovers Oil on Canvas Têtes-Paysage 1975
ARARCO0275313

Modern Painting Signed ORAZI Lovers Oil on Canvas Têtes-Paysage 1975

Lovers, 1975 ca.

ARARCO0275313
Modern Painting Signed ORAZI Lovers Oil on Canvas Têtes-Paysage 1975

Lovers, 1975 ca.

Oil on canvas. Signed lower left. The painting belongs to ORAZI's production from the 1970s. In this phase the artist abandoned completely abstract and relief painting and returned to figurative painting, rendered however with simplified and distorted lines. In particular, he created the series called Lignes Circulaires and the one, to which this work belongs, of paintings called Têtes-Paysage, in which he created compositions that depict mysterious human heads or heads of fauns and mythological figures (sometimes accompanied by their insect companions), often couples of lovers kissing: the lines, in these paintings, intertwine to simultaneously form compositions, intertwining bodies, often in an erotic attitude. The work comes from the artist's family's private collection.

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560,00€

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Jehovah Ordonnant de sa Main Puissante une Famille Cosmique ORAZI 1970
ARARCO0275295

Jehovah Ordonnant de sa Main Puissante une Famille Cosmique ORAZI 1970

Jehovah Ordonnant de sa Main Puissante une Famille Cosmique, 1970

ARARCO0275295
Jehovah Ordonnant de sa Main Puissante une Famille Cosmique ORAZI 1970

Jehovah Ordonnant de sa Main Puissante une Famille Cosmique, 1970

Oil on canvas. Signed and dated lower right. In ORAZI's abstract pictorial phase, his strong inclination to create circular shapes, often knotted or concentric, is often expressed. This tendency becomes central in the pictorial phase of the years 1970-1977, called Ligne Circulaire, in which he abandons creations in relief and the reference to the shapes and impressive events of nature, to instead depict the harmonious dimension of the universe, the birth and movement of the planets, the vastness of the firmament. The colors soften, are rich and at the same time tender. In some paintings ORAZI also depicts fascinating representations of Mother Earth embracing her creatures (insects, birds, flowers) or of the Moon. Or as in this work, he expresses a direct reference in the title to divine creation, depicting "God who orders the cosmic family with his powerful hand". The work comes from the artist's family collection. It is presented in a frame.

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1.260,00€

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Modern Painting Signed ORAZI Tête-Paysage Oil on Canvas 1970 ca.
ARARCO0275294

Modern Painting Signed ORAZI Tête-Paysage Oil on Canvas 1970 ca.

Tête-Paysage 1970 ca.

ARARCO0275294
Modern Painting Signed ORAZI Tête-Paysage Oil on Canvas 1970 ca.

Tête-Paysage 1970 ca.

Oil on canvas. Signed lower left. The painting belongs to ORAZI's production from 1970 to 1977. In this phase the artist abandoned completely abstract and relief painting and returned to figurative painting, rendered however with simplified and distorted lines. In particular, he created the series called Lignes Circulaires and the one, to which this work belongs, of paintings called Têtes-Paysage, in which he created compositions that depict mysterious human heads or heads of fauns and mythological figures (sometimes accompanied by their insect companions): the lines, in these paintings, intertwine to simultaneously form compositions, intertwining bodies, or as in this work, hide a head or a face, often "faunesco". The work comes from the artist's family's private collection.

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1.260,00€

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Figures of Lovers Contemporary Painting Signed ORAZI 1975
ARARCO0275297

Figures of Lovers Contemporary Painting Signed ORAZI 1975

Figures of Lovers 1975

ARARCO0275297
Figures of Lovers Contemporary Painting Signed ORAZI 1975

Figures of Lovers 1975

Oil on canvas. Signed and dated lower right. The painting belongs to ORAZI's production from the 1970s. In this phase the artist abandoned completely abstract and relief painting and returned to figurative painting, rendered however with simplified and distorted lines. In particular, he created the series called Lignes Circulaires and the one, to which this work belongs, of paintings called Têtes-Paysage, in which he created compositions that depict mysterious human heads or heads of fauns and mythological figures (sometimes accompanied by their insect companions), often couples of lovers kissing: the lines, in these paintings, intertwine to simultaneously form compositions, intertwining bodies, often in an erotic attitude. The work comes from the artist's family's private collection.

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560,00€

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Modern Painting Signed ORAZI Oil on Canvas Têtes-Paysage 1975
ARARCO0275296

Modern Painting Signed ORAZI Oil on Canvas Têtes-Paysage 1975

Figures, 1975 ca.

ARARCO0275296
Modern Painting Signed ORAZI Oil on Canvas Têtes-Paysage 1975

Figures, 1975 ca.

Oil on canvas. The painting belongs to ORAZI's production from the 1970s. In this phase the artist abandoned completely abstract and relief painting and returned to figurative painting, rendered however with simplified and distorted lines. In particular, he created the series called Lignes Circulaires and the one, to which this work belongs, of paintings called Têtes-Paysage, in which he created compositions that depict mysterious human heads or those of fauns and mythological figures (sometimes accompanied by their insect companions), often couples of lovers kissing: the lines, in these paintings, intertwine to simultaneously form compositions, intertwining bodies. Here we can perceive some figures, human and animal, probably mythological, engaged in an erotic plot. The work comes from the artist's family's private collection.

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560,00€

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Artwork Signed ORAZI Oil on Canvas Composition Collectable 1933
ARARCO0275292

Artwork Signed ORAZI Oil on Canvas Composition Collectable 1933

Composition, 1933

ARARCO0275292
Artwork Signed ORAZI Oil on Canvas Composition Collectable 1933

Composition, 1933

Oil on canvas. Signed and dated lower right. Partial label of the Galleria Pesaro in Milan on the back. The work belongs to the first period of the French artist ORAZI (a name he wanted written in capital letters), a period still linked to figurative painting, influenced by the historical avant-gardes, in particular by post-impressionism; already in this first phase, research on color has a dominant place in the representation of characters and objects. In this composition, the red and blue colors of the books, the bottle label, the feather, stand out against the soft and homogeneous colors of the other objects, among which the stone mask dominates the left hemifield. The work comes from the artist's family of origin. It is presented in a period frame.

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540,00€

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Peinture en Relief Modern Painting Signed ORAZI Mixed Media 1960s
ARARCO0275315

Peinture en Relief Modern Painting Signed ORAZI Mixed Media 1960s

Peinture en Relief, 1960s

ARARCO0275315
Peinture en Relief Modern Painting Signed ORAZI Mixed Media 1960s

Peinture en Relief, 1960s

Mixed technique on hardboard, with applications of materials in relief. From 1958 to 1968 ORAZI, who had already moved from the figurative to the abstract phase, devoted himself to creating compositions in relief: he collected and used materials and fibres of different types, especially natural materials and fibres such as tiny grains of sand, seeds, plant filaments and fragments of bark, with which he created relief shapes that emerged from the surface of the canvas. The basis of this artistic experience, called Peinture en Relief, was the exploration of nature, its components and its phenomena (flowers, plants, sands, rocks, volcanic lava, coasts and seabeds, eruptions, storms, petrified meteorites). The works of this period were initially characterised by a still rather low relief; but subsequently the relief became more and more pronounced, often coming out of the perimeter of the support, to the point of appearing more like statues than paintings. The work presented here probably belongs to the first experimental phase, with a still not very pronounced relief. The work is mounted on a support panel. It comes from the artist's family collection.

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400,00€

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Modern Painting Signed ORAZI Oil on Canvas Scene 1950 ca.
ARARCO0275304

Modern Painting Signed ORAZI Oil on Canvas Scene 1950 ca.

Scene with Figures, 1950 ca.

ARARCO0275304
Modern Painting Signed ORAZI Oil on Canvas Scene 1950 ca.

Scene with Figures, 1950 ca.

Oil on canvas. It belongs to a group of works called Jeux de Symboles, created from 1945 to 1950 approximately, in which ORAZI's painting moves towards the production of the so-called Peinture du Mouvement, characterized by the work on the dynamic effects of the human body (and animals) in motion, emphasized by the strength of color. Color dominates this scene, strong, acid, bright color, which outlines almost geometric human and animal figures, with marked and clear contours, in which two different ethnic groups seem to be recognized in comparison. The canvas has small losses of color. It comes from the artist's family collection.

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460,00€

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ORAZI The Shawl Portrait of a Mexican Woman ca. 1950 Modernism
ARARCO0275300

ORAZI The Shawl Portrait of a Mexican Woman ca. 1950 Modernism

The Shawl Portrait of a Mexican Woman ca. 1950

ARARCO0275300
ORAZI The Shawl Portrait of a Mexican Woman ca. 1950 Modernism

The Shawl Portrait of a Mexican Woman ca. 1950

Oil on canvas. Signed lower right. The French painter ORAZI stayed in Mexico in 1955 and then in 1956-57, which was an exceptionally attractive world for intellectuals and artists of the time. The natural scenery, the customs and traditions of the local population were the themes that converged in the series of paintings called Peintures sur le Mexique, landscapes, compositions and portraits without giving in to the taste for the exotic, with an extremely careful work on the color to represent, without descriptivism, the elements of nature and the figures of men and women, already projected towards abstraction. This pictorial series, composed of 35 pieces, was then exhibited in 1957, upon his return to France, at the Vendôme Gallery in Paris. The painting comes from the private collection of the artist's family.

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620,00€

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Portrait of a Woman 1951 Painted Signed Orazi Modernism Art
ARARCO0275302

Portrait of a Woman 1951 Painted Signed Orazi Modernism Art

Portrait of a Woman 1951

ARARCO0275302
Portrait of a Woman 1951 Painted Signed Orazi Modernism Art

Portrait of a Woman 1951

Oil on canvas. Signed and dated lower left. The date of the work places this work in the period in which ORAZI was already projecting himself towards a less realistic painting, creating a portrait characterized by very marked physiognomic features, almost geometric, and a color scheme that plays on the variation of a single color range. The figure portrayed is that of an elderly woman, belonging to the peasant world.

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240,00€

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Contemporary Painting Signed ORAZI Informal Composition 1960s
ARARCO0275310

Contemporary Painting Signed ORAZI Informal Composition 1960s

Informal Composition 60s

ARARCO0275310
Contemporary Painting Signed ORAZI Informal Composition 1960s

Informal Composition 60s

Mixed tecnique on cardboard. From the second half of the 1950s ORAZI moved from figurative to abstract painting, with a progressive evolution that started from flat compositions (like the one presented) to works in relief, which culminated in the series called Peinture en Relief (Painting in Relief). The work comes from the artist's family collection.

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220,00€

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Mexican Pesant Woman Modern Painting Signed ORAZI 1956
ARARCO0275301

Mexican Pesant Woman Modern Painting Signed ORAZI 1956

Mexican Peasant Figure 1956

ARARCO0275301
Mexican Pesant Woman Modern Painting Signed ORAZI 1956

Mexican Peasant Figure 1956

Oil on canvas. Signed and dated 1956 lower left. The French painter ORAZI stayed in Mexico in 1955 and then in 1956-57, which was an exceptionally attractive world for intellectuals and artists of the time. The natural scenery, the customs and traditions of the local population were the themes that converged in the series of paintings called Peintures sur le Mexique, landscapes, compositions and portraits without giving in to the taste for the exotic, with an extremely careful work on the color to represent, without descriptivism, the elements of nature and the figures of men and women, already projected towards abstraction. This pictorial series, composed of 35 pieces, was then exhibited in 1957, upon his return to France, at the Vendôme Gallery in Paris. The painting comes from the private collection of the artist's family.

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240,00€

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Trame di Vita Painting Signed Clara Bartolini Contemporary 2011
ARARCO0283415

Trame di Vita Painting Signed Clara Bartolini Contemporary 2011

Trame di Vita 2011

ARARCO0283415
Trame di Vita Painting Signed Clara Bartolini Contemporary 2011

Trame di Vita 2011

Acrylic on wood and collage of various materials. On the back, under the protective cardboard, there is an artist's label with the signature and the title of the work. Clara Bartolini, a multifaceted artist (she has tried her hand at painting, photography, collage, sculpture, assembly, always looking for new materials and new creative paths, but also with poetry, scenography, she is a stylist) said of this series of her works called Trame: "I have always worked with thread, a very representative symbolic element, it assures me of the return, it shows me the paths already taken, it keeps alive the thought on what is important in my life. Ariadne's thread, the fil rouge, the thread of the speech and, why not, mending the tear, putting a patch on it and much more. Thread (I have also been a stylist) has always had a great importance in my life. It often appears in my works, in cotton, copper, brass, iron, nylon. In order not to lose the thread...". The work is presented in a frame.

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260,00€

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Trame di Vita Contemporary Artwork Signed C. Bartolini Italy 2011
ARARCO0283416

Trame di Vita Contemporary Artwork Signed C. Bartolini Italy 2011

Trame di Vita 2011

ARARCO0283416
Trame di Vita Contemporary Artwork Signed C. Bartolini Italy 2011

Trame di Vita 2011

Acrylic on wood and collage of various materials. On the back, the artist's label with the signature and the title of the work. Clara Bartolini, a multifaceted artist (she has tried her hand at painting, photography, collage, sculpture, assembly, always looking for new materials and new creative paths, but also with poetry, scenography, she is a stylist) said of this series of her works called Trame: "I have always worked with thread, a very representative symbolic element, it assures me of the return, it shows me the paths already taken, it keeps alive the thought on what is important in my life. Ariadne's thread, the fil rouge, the thread of the speech and, why not, mending the tear, putting a patch on it and much more. Thread (I have also been a stylist) has always had a great importance in my life. It often appears in my works, in cotton, copper, brass, iron, nylon. In order not to lose the thread...". The work is presented in a frame.

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260,00€

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The Ancient Triskelion' Contemporary Artwork Giorgio Villa 1997
ARARCO0279522

The Ancient Triskelion' Contemporary Artwork Giorgio Villa 1997

The Ancient Triskelion 1997

ARARCO0279522
The Ancient Triskelion' Contemporary Artwork Giorgio Villa 1997

The Ancient Triskelion 1997

Mixed media on board. Signed and dated lower right. On the back, further signature, date and title. Driven by an intense intellectual curiosity that has characterized every moment of his experience, not only creative, but also human and professional, the Ancona artist Giorgio Villa has developed his own principles of thought and action, on rigorous bases of a scientific-mathematical approach, nourished by a profound poetic inspiration and a deep-rooted sense of beauty. The search for a path to follow, free from patterns or cultural ties characterizes his art; Villa moves in the sphere of imagination, feelings and the poetry of images. Each work is the fruit of a meditated inspiration, moment by moment, allowing space for reflection, for the considered gesture, analyzing the relationships between space and matter, between colors and shape, to identify the perfect synthesis, which makes a work of art unique and unrepeatable. In this work Villa depicts the Triskelion, or the ancient symbol formed by three spirals joined at a central point, more generally three intertwined spirals, or, by extension, any other symbol with three protuberances and a triple rotational symmetry.

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280,00€

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Contemporary Painting M. Francesconi Oil on Canvas Italy 1958
ARARCO0154374

Contemporary Painting M. Francesconi Oil on Canvas Italy 1958

Untitled 1958

ARARCO0154374
Contemporary Painting M. Francesconi Oil on Canvas Italy 1958

Untitled 1958

Oil on canvas. Signed and dated lower right. The work of strong emotional impact proposes an almost monochromatic purple background, in which a few black and white strokes are inserted to define a silhouette curled up on the left, perhaps a human form, collected and closed in on itself. Born in 1934 in Viareggio, where he still lives, the painter and sculptor Mario Francesconi is considered one of the few survivors of Dadaism, which since the end of the 1950s has gone through the seasons of Italian and European art in a distinctly personal search for forms and techniques. Starting from his first solo show in 1959 he develops an artistic path that goes through different phases, often attributable to a passion for poor and recycled materials. His artistic activity moves between the areas of painting, sculpture, collage and installation and borders on the adjacent areas of poetry and literature, also thanks to friendships and professional relationships with some of the most significant figures of the intellectual world. Italian of the second half of the last century, from Emilio Villa to Cesare Garboli, from Leonardo Sciascia to Mario Luzi, from Cesare Zavattini to Pier Paolo Pasolini, from Alfonso Gatto to Sandro Penna to Venturino Venturi. The work is presented in a frame.

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560,00€

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Contemporary Painting Luca Caccioni Mixed Technique '900
ARARCO0273457

Contemporary Painting Luca Caccioni Mixed Technique '900

Nude

ARARCO0273457
Contemporary Painting Luca Caccioni Mixed Technique '900

Nude

Mixed media on paper. Signature and title of the work at the bottom. Caccioni, an artist who was born, trained and still lives in Bologna, is one of the protagonists of a generation that has now reached a definitive linguistic maturity and occupies a prominent space within the contemporary artistic panorama. His research mainly uses unusual materials such as acetates, PVC and, more recently, stage backdrops from 19th-century theatrical works, on which he intervenes by painting shapes drawn from a personal memory and from suggestions coming from different cultures and historical periods. A recurring element in Luca Caccioni's work is writing, a self-signifying sign that designs the work and is capable of recounting thoughts; working by superimposition, the images are constructed by adding or subtracting color on the various supports. Work in frame.

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340,00€

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