MIRRORS AND ANTIQUE FRAMES

Italy, XIX Century

Baroque style mirror, in carved wood with leaf motifs, scrolls and ribbons, and gilded. Italy, 19th century.

Carved and Gilded Mirror, Louis XVI Style

Neoclassical mirror carved and gilded. Leaf carvings decorate the bracket feet and the top with a classical vase in the center.

Late 19th Century

French freestanding mirror from the late 1800s made with a large beaded moulding on the inside. Minor damage

Italy, Late XIX Century

Free-standing mantelpiece, second half of the 19th century, of eclectic taste, this mirror is made up of a single frame with carved moulding and a shaped cymatium.

20th Century

Carved and gilded frame 20th century. A baroque motif of leaves, shells and curls forms the main body of this frame, with a carved internal moulding with classic grooves.

Italy, XX Century

Mirror in fir wood painted in imitation marble and gilding in the moldings and in the leafy details of the corners. Mirror replaced. Italy, 20th century.

Italy, Late XIX Century

Umbertino free-standing mirror in lacquered and painted walnut with gilded details. Upper part composed of a central coat of arms supported by curls and leaf carvings, adorned with rose branches. Base with leaf carvings and curl as lateral support. Italy, late 19th century.

Antique Mirror Umbertino Period

Monumental free-standing mirror, ca. 1870. Burin-engraved frame containing a mirror on which the rich carvings rest, at the base two winged sphinxes are opposed while at the top of the uprights two other caryatids hold a festoon of flowers and leaves that rests on repeated architectural elements. On the top a triton holds two flower festoons. The entire surface is gilded. There are clearly Umbertine-style elements in which the new Liberty style can also be seen.

Italy, Early XIX Century

Fireplace from the early 19th century, Empire period. Made of walnut and veneered on the upper trabeation in walnut pedulle; frame with successive leaves gilded in gouache on two orders; in the cymatium frame carved with ovals and gilded and two large leaves on the uprights carved and gilded.

Italy Early 1900s

Baroque carved frame from the mid-1900s. Made of fir and gilded in "matt" gold, slight damage.

Italy, Late XIX Century

Large mirror from the Umbertine period. Carved with large scrolls, curls and overlapping lambrequins, in the cymatium medallion with a knight's head and carved rose branches, mercury mirror, the entire surface is gilded in gouache.

Italy, XX Century

Walnut-stained linden mirror, perforated, baroque-style leaf carvings. Italy, 20th century.

Italy, XIX Century

Gilded wood mirror, top with leaf carvings and scrolls, mercury mirror. Missing parts. Italy, 19th century.

Italy

Walnut mirror, walnut veneer and maple fillets. Mercury mirror. Italy, 19th century.

Italy, Late XIX Century

Small mirror in lacquered wood, leaf carvings and Liberty motifs made in pastiglia. Modified in size. Italy, late 19th century.

Italy, Late XVIII Century

Eclectic mirror in lacquered poplar, carved scrollwork top, replaced mirror. Italy, second half of the 18th century.

Italy, Late XVIII - Early XIX Century

Neoclassical lacquered fireplace. Made with a mirror in the support base while in the upper part a camber encloses an oval reserve in which an allegorical painting depicting "Justice" with cupids is housed; the frame is lacquered in shades of ochre and gray and yellow, with reserves painted with classic candelabra and white festoons on a light blue background.

Italy, XX Century

Oval mirror in carved and gilded wood, mirror included with beading surrounded by leaf and shell carvings. Italy, 20th century.

France, XIX Century

Mirror in lacquered and gilded wood, shaped frame with floral, leafy and ribbon carvings in the corners, beveled mirror surrounded by ribbon molding. France, 19th century.

Italy

Large free-standing mirror made in the last quarter of the 19th century still with a marked eclectic taste. The structure of the strongly architectural frame features a double arch on the top on which rests a large hexagonal reserve with a blue painted background with carved and gilded putti inserted. On the two culminating parts of the mirrors are inserted facing carved and always gilded dragons. On the sides of the mirror are applied carved dragons with Gothic turrets. Then two coats of arms are applied, one of which is recognizable as the Visconti coat of arms. Veneered in mahogany with painted and gilded parts. Repetitions in the gilding.

Mirror in Rococo Style

Carved mirror in Rococo style in the 20th century, gilded over the entire surface.