MIRRORS AND ANTIQUE FRAMES

Carved and Gilded Mirror, Louis XVI Style

Neoclassical mirror carved and gilded. Leaf carvings decorate the bracket feet and the top with a classical vase in the center.

Golden freestanding fireplace

French freestanding mirror from the late 1800s made with a large beaded moulding on the inside. Minor damage

Venice, Late XVIII Century

Neoclassical mirror with Chinoiserie lacquered larch frame and painted with floral and leaf motifs with red and gold lacquer. Mercury mirror. Venice, late 18th century.

Italy, Late XIX Century

Free-standing mantelpiece, second half of the 19th century, of eclectic taste, this mirror is made up of a single frame with carved moulding and a shaped cymatium.

20th Century

Carved and gilded frame 20th century. A baroque motif of leaves, shells and curls forms the main body of this frame, with a carved internal moulding with classic grooves.

Italy, XX Century

Mirror in fir wood painted in imitation marble and gilding in the moldings and in the leafy details of the corners. Mirror replaced. Italy, 20th century.

Italy, Late XIX Century

Umbertino free-standing mirror in lacquered and painted walnut with gilded details. Upper part composed of a central coat of arms supported by curls and leaf carvings, adorned with rose branches. Base with leaf carvings and curl as lateral support. Italy, late 19th century.

Italy, Early XIX Century

Fireplace from the early 19th century, Empire period. Made of walnut and veneered on the upper trabeation in walnut pedulle; frame with successive leaves gilded in gouache on two orders; in the cymatium frame carved with ovals and gilded and two large leaves on the uprights carved and gilded.

Italy Early 1900s

Baroque carved frame from the mid-1900s. Made of fir and gilded in "matt" gold, slight damage.

Italy, Mid XX Century

Large frame moulded according to ancient canons but made in the mid-1900s, gilded in "matt" gold over the entire surface.

Italy, Late XIX Century

Large mirror from the Umbertine period. Carved with large scrolls, curls and overlapping lambrequins, in the cymatium medallion with a knight's head and carved rose branches, mercury mirror, the entire surface is gilded in gouache.

Lombardy, XVIII Century

Small Rococo mirror in gilded wood with leaf carvings and scrolls. Small missing parts. Lombardy, 18th century.

Italy, XX Century

Walnut-stained linden mirror, perforated, baroque-style leaf carvings. Italy, 20th century.

Italy, XIX Century

Gilded wood mirror, top with leaf carvings and scrolls, mercury mirror. Missing parts. Italy, 19th century.

Italy

Walnut mirror, walnut veneer and maple fillets. Mercury mirror. Italy, 19th century.

Italy, Late XIX Century

Small mirror in lacquered wood, leaf carvings and Liberty motifs made in pastiglia. Modified in size. Italy, late 19th century.

Italy, Late XVIII Century

Eclectic mirror in lacquered poplar, carved scrollwork top, replaced mirror. Italy, second half of the 18th century.

Italy, Late XVIII - Early XIX Century

Neoclassical lacquered fireplace. Made with a mirror in the support base while in the upper part a camber encloses an oval reserve in which an allegorical painting depicting "Justice" with cupids is housed; the frame is lacquered in shades of ochre and gray and yellow, with reserves painted with classic candelabra and white festoons on a light blue background.

Italy, XX Century

Oval mirror in carved and gilded wood, mirror included with beading surrounded by leaf and shell carvings. Italy, 20th century.

France, XIX Century

Mirror in lacquered and gilded wood, shaped frame with floral, leafy and ribbon carvings in the corners, beveled mirror surrounded by ribbon molding. France, 19th century.

Italy, Late XIX Century

Late 19th century Umbertine style free-standing mirror. Carved with baroque leaf motifs and lacquered in imitation wood with gilded reliefs.

Italy

Large free-standing mirror made in the last quarter of the 19th century still with a marked eclectic taste. The structure of the strongly architectural frame features a double arch on the top on which rests a large hexagonal reserve with a blue painted background with carved and gilded putti inserted. On the two culminating parts of the mirrors are inserted facing carved and always gilded dragons. On the sides of the mirror are applied carved dragons with Gothic turrets. Then two coats of arms are applied, one of which is recognizable as the Visconti coat of arms. Veneered in mahogany with painted and gilded parts. Repetitions in the gilding.