MIRRORS AND ANTIQUE FRAMES - Page 2

France, Late XIX Century

Gilded fir wood free-standing mirror, shaped frame. France, late 19th century.

Italy, XIX Century

Baroque style mirror, in carved wood with leaf motifs, scrolls and ribbons, and gilded. Italy, 19th century.

Venice, Late XVIII Century

Neoclassical mirror with Chinoiserie lacquered larch frame and painted with floral and leaf motifs with red and gold lacquer. Mercury mirror. Venice, late 18th century.

Italy, Early XIX Century

Fireplace from the early 19th century, Empire period. Made of walnut and veneered on the upper trabeation in walnut pedulle; frame with successive leaves gilded in gouache on two orders; in the cymatium frame carved with ovals and gilded and two large leaves on the uprights carved and gilded.

Italy Early 1900s

Baroque carved frame from the mid-1900s. Made of fir and gilded in "matt" gold, slight damage.

Italy, Late XIX Century

Large mirror from the Umbertine period. Carved with large scrolls, curls and overlapping lambrequins, in the cymatium medallion with a knight's head and carved rose branches, mercury mirror, the entire surface is gilded in gouache.

Italy, Late XVIII Century

Eclectic mirror in lacquered poplar, carved scrollwork top, replaced mirror. Italy, second half of the 18th century.

Italy, Late XVIII - Early XIX Century

Neoclassical lacquered fireplace. Made with a mirror in the support base while in the upper part a camber encloses an oval reserve in which an allegorical painting depicting "Justice" with cupids is housed; the frame is lacquered in shades of ochre and gray and yellow, with reserves painted with classic candelabra and white festoons on a light blue background.

Italy, XX Century

Neoclassical style free-standing mirror, shield mirror supported by scroll carvings, plumes, floral and leaf carvings. Italy, 20th century.

France, XIX Century

Mirror in lacquered and gilded wood, shaped frame with floral, leafy and ribbon carvings in the corners, beveled mirror surrounded by ribbon molding. France, 19th century.

Italy

Large free-standing mirror made in the last quarter of the 19th century still with a marked eclectic taste. The structure of the strongly architectural frame features a double arch on the top on which rests a large hexagonal reserve with a blue painted background with carved and gilded putti inserted. On the two culminating parts of the mirrors are inserted facing carved and always gilded dragons. On the sides of the mirror are applied carved dragons with Gothic turrets. Then two coats of arms are applied, one of which is recognizable as the Visconti coat of arms. Veneered in mahogany with painted and gilded parts. Repetitions in the gilding.

Lombardy, Late XIX Century

Gilded wooden mirror, shaped frame embellished with the application of carvings on the edges, mostly missing. Beveled mirror. Lombardy, late 19th century.

Italy

Neoclassical mirror in carved and gilded lime wood, richly adorned with a cymatium and feet with leaf carvings. Reduction of the cymatium, parts of the carving removed and the vase lowered, missing material fallen. Mercury mirror. Italy, last quarter of the 18th century.

France, Mid XIX Century

Cabarèt mirror in carved and gilded fir, floral and leaf carvings in pastiglia, cymatium ending with a coat of arms with a carved face inside. Mercury mirror. France, mid-19th century.

Small Mirror

Carved mirror in Rococo style with rocaille and floral scrolls, finished with varnished gilding.

Antique Mirror in Venetian Baroque Style

Venetian Baroque style mirror, carved with soft rocaille scrolls and flowers, mirror composed of several parts with studs.

Italy, Early XX Century

Frame in carved style with leaf motifs at the corners, it is gilded.

France, Mid XIX Century

Eclectic mirror in gilded wood with pastille carvings, France, mid-19th century. Shaped frame adorned with pastille carvings depicting frets, leaf and floral elements, curls and trophy composed of bow, quiver and torch. Mercury mirror. Lacks in the carving and gilding.

Tuscany, Late XIX Century

Louis Philippe cheval mirror, resting on two bases equipped with a drawer and connected by a pair of turned crosspieces; the uprights are carved in the shape of dolphins, to support the frame, decorated with a cymatium carved with leaf scrolls: the central psyche mirror has both a tilting movement and a rotation movement, thanks to a vertical pin. In mahogany, the interiors are in poplar.