ANTIQUE COFFE TABLES - Page 3

France, Early XX Century

Mahogany working table, drawers on the front and left side and a drawer under the top. Old stain marble top with brass-plated sheet metal balustrade, wavy legs, feet with bronze shoes. France, early 20th century.

Italy, Late XIX Century

Charles X coffee table in cherry wood and cherry slab, Italy second quarter of the 19th century. Top and under-top band inlaid with walnut phytomorphic motifs, typical of the period; the top also features walnut threads. Turned central shaft, resting on four shaped legs. Internal structure of fir top.

Italy, XX Century

Poplar and beech coffee table, drawer under the top, ebonized curved legs, bois de rose inlaid tops, gilded metal moldings. Italy, 20th century.

Chinoiserie Lacquered Coffee Table

Early 20th century chinoiserie table with removable glass tray top, lacquered with oriental motifs on red lacquer and gilded parts.

Italy, XX Century

Coffee table supported by shaped uprights connected by a pair of crosspieces, there is a drawer in the under-top band; in pine.

Italy, XX Century

Antique side table, ebonized curved legs, shelves inlaid in various woods, with floral motifs and frames, moldings in worked and gilded sheet metal. Italy, 20th century.

Naples, Mid XIX Century

Console in mahogany and Louis Philippe mahogany slab with raised tilting mirror, Naples mid-19th century. Shaped white marble top, drawer in the band, legs connected by cross-piece. Richly carved with rocaille-style motifs, including curls, shells and leaf elements. Poplar interior.

China, XX Century

Pair of round tables, 20th century China. Structure in lacquered wood, adorned with oriental motifs painted in gold. The floors are then decorated with scenes depicting dancing female figures, made of soapstone and inserted within a painted landscape; mother-of-pearl inserts embellish the edges of the tops. The removable legs can be positioned and fixed under the top, making it easier to transport.

China, XX Century

Mahogany coffee table, 20th century China.

France, Late XIX Century

Napoleon III side table in marquetterie exotic wood and bois de violette, France, late 19th century. Upper surface equipped with a removable glass tray and connected to the lower surface by wavy uprights. Entirely decorated with finely chiseled gilded bronzes, used to make the edge of the tops, the handles and the classic-style applications depicting corncucopias, leafy and floral elements, ribbons and masks. The goat-shaped shoes are also in gilded bronze. Restored.

Emilia Romagna, XVIII Century

Baroque coffee table supported by wavy legs, in walnut, the top is decorated with phytomorphic maple inlays. The mechanism that allowed the opening was blocked and modified, transforming it into a fixed table.

Italy, Mid XVIII Century

Open bedside table in walnut with shaped and inlaid top, front with door bearing carved knob and wavy legs with carved feet. The entire structure is inlaid with bois de violette, bois de rose and maple. Italy 18th century.

Rolo, Second Half of the XIX Century

Table with round top inlaid with olive, maple, cherry and walnut and decorated with a central scene depicting St. George killing the dragon and Greek frets on the edges. Turned and inlaid elm stem and wavy legs. Rolo second half of the 19th century

Tuscany Third Quarter XVIII Century

Openable game table in English Baroque taste, open finished, veneered in walnut and striped walnut, Tuscany third quarter of the 18th century. Shaped openable top threaded in maple, equipped with green cloth insert, drawer in the band. Supported by five wavy legs with golf club-shaped feet, one of which can be opened like a compass to support the open surface. Poplar interior. Handle replaced.

Italy 20th century

Epoch style coffee table with top made up of different types of breccia with a central rosette. Support structure in metal. Italy, 20th century.

19th Century / 1801 - 1900

Two George IV screen poles, supported by 3 curved legs, on which stands a refined baluster engaged with the pole that ends in a vase-shaped element. Two shield-shaped panels are fixed by rings and screws, so that their height can be adjusted. Made of citronnier, painted with phytomorphic motifs, the screens have embroidered fabric inserts. While in the 19th century pole screens had an ornamental function, in the 18th century they were used to shield the face from the direct heat of the fire, which could generate dangerous toxic reactions with white lead cosmetics (basic lead carbonate), widely used at the time by both men and women. The adjustable height allowed them to be customised according to the needs of the user, positioning them as a screen between their face and the fireplace.