In evidence

Specific typology

Price

150 € 16000 € Apply

Age

dimensioni opera


10 cm 220 cm

7 cm 798 cm

0 cm 55 cm

9 cm 22 cm
Apply

Artist

Subject

Artistic school

Artistic technique

Technical specification

PAINTINGS ONLINE | ANCIENT AND CONTEMPORARY ART GALLERY - Page 9

Sort by

« ‹

Page

of

13

› »
Contemporary Painting Signed Luca Caccioni Mixed Technique 1993
ARARCO0273459

Contemporary Painting Signed Luca Caccioni Mixed Technique 1993

Studio, 1993

ARARCO0273459
Contemporary Painting Signed Luca Caccioni Mixed Technique 1993

Studio, 1993

Mixed media on paper. On the back, the artist's signature, the title, the date and a dedication to a friend. Caccioni, an artist who was born, trained and still lives in Bologna, is one of the protagonists of a generation that has now reached a definitive linguistic maturity and occupies a prominent space within the contemporary artistic panorama. His research mainly uses unusual materials such as acetates, PVC and, more recently, stage backdrops of nineteenth-century theatrical works, on which he intervenes by painting shapes drawn from a personal memory and from suggestions coming from different cultures and historical periods. A recurring element in Luca Caccioni's work is writing, a self-signifying sign that designs the work and is capable of recounting thoughts; working by superimposition, the images are constructed by adding or subtracting color on the various supports. Work in frame.

In Cart

250.00€

In Cart
Madonna enthroned with Child between angels and saints
SELECTED
SELECTED
ARARPI0156546

Madonna enthroned with Child between angels and saints

Santi di Tito (Borgo San Sepolcro 1536 – Florence 1603), ca. 1560-1570. Oil on the table
Call
Modern Painting Signed Luigi Brignoli Oil on Canvas 1935
ARARNO0272405

Modern Painting Signed Luigi Brignoli Oil on Canvas 1935

The Birth of Venus, 1935

ARARNO0272405
Modern Painting Signed Luigi Brignoli Oil on Canvas 1935

The Birth of Venus, 1935

Oil on canvas. Signed and dated lower left on the left lateral canvas. The large composition is made up of three separate canvases, the central one developed vertically (dimensions 220 x 128 cm) and rounded on the upper margin, the two lateral ones developed horizontally and shaped at the corners (dimensions 150 x 328 cm). The central canvas is dominated by the figure of Venus, who emerges naked from the sea foam, with one arm raised to cover her eyes to protect herself from the light of dawn; on the two lateral canvases, a group of tritons, sirens, sea nymphs, sea monsters, led by the god Poseidon, recognizable on the left by the trident he holds, witness the event with amazement and joyful exultation. The figures stand out against the background of sea and sky, fused in a luminous continuum of shades of blue, into which the pink light of dawn insinuates itself, illuminating the scene. Trained at the school of Cesare Tallone, Brignoli learned from him the naturalism deriving from the Venetian tradition, the observation of nature, the decisive brush stroke, the strong contrasts of light. Moreover, after several trips to Africa, begun in 1922, Brignoli approached orientalist painting, but he shunned forms of exotic rhetoric, to instead relive the new subject with a careful research of colors and the effects of light on the landscape. This work, belonging to the artist's already "African" period, is influenced by this imprint, in the bright and clear chromatic choices. Due to its size and the composition of the three canvases, it has a great scenographic impact: coming from a large villa in Brescia, where it was displayed on the imposing staircase, it was probably conceived and created specifically as a custom-made decorative element. The canvases are presented in contemporary gilded frames, missing some parts.

Call

Price upon request

Call
Antique Painting Signed Charles Christophe Coventry 1802
ARAROT0272935

Antique Painting Signed Charles Christophe Coventry 1802

Family Lunch 1802

ARAROT0272935
Antique Painting Signed Charles Christophe Coventry 1802

Family Lunch 1802

Oil on canvas. Signed and dated lower left. Genre scene of popular taste, it portrays a bourgeois family preparing to have lunch: the father, already seated at the table, is about to bless the meal, while his wife and son, standing, follow the prayer. Little is known about Charles Christophe Coventry, an English painter of whom we know mainly genre scenes of popular settings, such as this one. Restored and relined, the painting is presented in a period frame.

In Cart

1,300.00€

In Cart
Fake Author's Painting Signed Rognoni
ARARCO0272771

Fake Author's Painting Signed Rognoni

Fantastic Vision with Figures

ARARCO0272771
Fake Author's Painting Signed Rognoni

Fantastic Vision with Figures

Oil on canvas. The signature of the painter Franco Rognoni appears at the bottom right, but the work has not been recognized as authentic by the artist's archive. It also well reflects Rognoni's pictorial style, characterized by figures, both men and houses drawn in black with a few precise strokes, and then filled with color that fades into the background. In the canvas, an elegant male figure appears, leaning impassively and indifferently on the flowered railing of a terrace overlooking a city; below him, at the bottom left, another face emerges (the same man?) wearing a military helmet and placed on a darker, less sunny city background: whether it is the man at war who recalls the time of peace or vice versa, the reference to the alternation in life of peace and war, of serenity and drama is evident. The work is presented in a frame.

In Cart

500.00€

In Cart
Antique Painting Female Portrait Oil on Canvas XVIII Century
ARARPI0270015

Antique Painting Female Portrait Oil on Canvas XVIII Century

ARARPI0270015
Antique Painting Female Portrait Oil on Canvas XVIII Century

Oil on canvas. Central European school of the 18th century. The distinguished lady, who flaunts a dress enriched with bows and lace, is seated at her desk and holds a letter in her hand; at the bottom left an envelope bears traces of a name, unfortunately illegible, a device to make the portrayed character known. Restored and relined, the painting is presented in an early 1900s frame.

In Cart

1,600.00€

In Cart
Antique Painting Landscape Oil on Canvas France XVIII Century
ARARPI0270019

Antique Painting Landscape Oil on Canvas France XVIII Century

ARARPI0270019
Antique Painting Landscape Oil on Canvas France XVIII Century

Oil on canvas. French school of the second half of the 18th century. This bucolic landscape of verdant countryside opens up in the background with fields and blue mountains. In the foreground, near an imposing fountain consisting of a monumental marble base on which rests an amphora vase, a shepherd and a shepherdess are engaged in conversation, while they rest together with their herd of cows and sheep. Restored and relined, the painting is presented in a late 19th century gilded frame.

In Cart

2,100.00€

In Cart
Contemporary Painting Signed Paolo Patelli Mixed Technique 2003
ARARCO0271791

Contemporary Painting Signed Paolo Patelli Mixed Technique 2003

Untitled, 2003

ARARCO0271791
Contemporary Painting Signed Paolo Patelli Mixed Technique 2003

Untitled, 2003

Mixed media on paper. Signed and numbered on the back. Copy No. 40 of an edition of 350, of which the first 50 copies are numbered and signed by the artist. These works were created as an attachment to the Catalogue of the 1040th exhibition at the Galleria del Cavallino -Venice, held in October 2003 and dedicated to the works of Paolo Patelli, as indicated in the colophon of the brochure, where there is a further signature of the artist and dedication. Paolo Patelli, an artist of Istrian origins, expresses the joy of painting, creating works that are enriched by his passion for music. The rhythmic spirit of the artist's style captures movements, translating them into a visual language that breaks the mold of traditional artistic models, making every line and every brushstroke visible, leaving a wide exposure of the paper surface.

In Cart

300.00€

In Cart
Antique Male Bust Signed Giovanni Antonio Emanuelli Marble Italy 1838
SELECTED
SELECTED
ARTART0000188

Antique Male Bust Signed Giovanni Antonio Emanuelli Marble Italy 1838

Giovanni Antonio Emanuelli, 1838
Call
Contemporary Panel Bunished Copper Italy 1970s
ARARCO0272036

Contemporary Panel Bunished Copper Italy 1970s

ARARCO0272036
Contemporary Panel Bunished Copper Italy 1970s

Burnished and wrought copper plate, with lighter spot decorations, embossing and holes, mounted on a red-stained plywood panel.

In Cart

300.00€

In Cart
Contemporary Panel Geometricla Figures Copper Brass Italy 1970s
ARARCO0272035

Contemporary Panel Geometricla Figures Copper Brass Italy 1970s

ARARCO0272035
Contemporary Panel Geometricla Figures Copper Brass Italy 1970s

Copper and brass panel, worked with irregular geometric figures. Inspired by the works of the sculptor and painter Lino Bersani (Genoa 1935). Mounted on a white lacquered wooden panel.

In Cart

300.00€

In Cart
Enrico Baj animated mobile
SELECTED
SELECTED
ARARCO0206630

Enrico Baj animated mobile

Made by Stefano Bini
Call
Antique Painting Religious Subject Oil on Canvas XVII Century
ARARPI0270140

Antique Painting Religious Subject Oil on Canvas XVII Century

ARARPI0270140
Antique Painting Religious Subject Oil on Canvas XVII Century

Oil on canvas. Northern Italian school of the 17th century. Veronica, a character who appears during the Passion of Christ, was the pious woman who, following Jesus on his climb to Calvary with the cross on her shoulders, cleaned his face with a cloth: according to tradition, Jesus' face remained imprinted on the cloth. Therefore the saint is iconographically depicted while presenting this cloth, in memory of the miracle received following her charitable gesture, as in this painting, where on the left in the background appear the three Crosses of Golgotha, towards which Veronica turns, to remember that she was a witness to the death of Jesus. Already restored and relined, probably in the late 19th - early 20th century, the canvas presents further small losses of color and stains. It is presented in an antique regilded frame.

In Cart

1,200.00€

In Cart
David and Abigail
SELECTED
SELECTED
ARARPI0121676

David and Abigail

Vincent Malò, fourth decade of the 17th century
Call
From the lost fresco with allegory of Asia
SELECTED
SELECTED
ARARPI0112621

From the lost fresco with allegory of Asia

Andrea Appiani
Call
Antique Painting Battle Scene Oil on Canvas XVIII Century
ARARPI0267459

Antique Painting Battle Scene Oil on Canvas XVIII Century

ARARPI0267459
Antique Painting Battle Scene Oil on Canvas XVIII Century

Oil on canvas. The scene depicts a battle between an army of Moors and white soldiers, defending a fortification from which they fire cannons, while in the background, on the top of a promontory, a white city emerges. Set near the sea, with several invading vessels heading towards the coast, the scene focuses on the capture of the Moorish king, in the center on his white horse, with a dismayed expression on his face because he is surrounded by opposing soldiers who try to unseat him, while his own soldiers try to defend him. The atmosphere of the scene is dominated by the dust and smoke of the cannons, which cover all the characters in an earthy veil, even where the colors of the clothes would be more vivid. Restored and relined, the painting is presented in a period frame.

In Cart

3,800.00€

In Cart
Antique Female Bust Marble Richly Decorated XIX Century
SELECTED
SELECTED
ARTART0000155

Antique Female Bust Marble Richly Decorated XIX Century

Spring
Call
Antique Painting Preaching Scene Oil on Canvas XVIII Century
ARARPI0267795

Antique Painting Preaching Scene Oil on Canvas XVIII Century

ARARPI0267795
Antique Painting Preaching Scene Oil on Canvas XVIII Century

Oil on canvas. Venetian school of the 18th century. The large Nordic landscape, with verdant mountain slopes through which a river flows, is inhabited by several figures in the foreground: a group of people are listening to a young man standing in the center, who is announcing something, pointing, with his arm stretched upwards, to the sun that is tearing apart the dark clouds. It evokes a sermon by Saint John the Baptist, although no iconographic element specifically refers to this character. The painting, restored and relined, is mounted on a stretcher from the early 1900s. It is presented in a contemporary frame.

In Cart

3,300.00€

In Cart
Antique Painting Signed Christian Georg Schütz I Landscape '700
SELECTED
SELECTED
ARARPI0233328

Antique Painting Signed Christian Georg Schütz I Landscape '700

River Landscape with Shepherdess and Ruins

ARARPI0233328
Antique Painting Signed Christian Georg Schütz I Landscape '700

River Landscape with Shepherdess and Ruins

Oil on canvas. Signed " Schütz fecit" on the ruin to the right of the shepherdess. Christian Georg Schütz the Elder captures an idyllic and serene landscape, crossed by a winding and slow river; on the right bank stand some architectural ruins of classical structures, while in the foreground, seated in the center, serene and composed, a shepherdess spins wool while watching over her small flock of goats and cows. The painting is a hymn to nature, where the naturalistic elements, the earth, the sky, the river meet to form a harmonious and balanced scene, pervaded by pink light, in which the living figures and the architectural remains fit in with balance and calm. Schütz mainly painted river views of the Rhine and the Main, places he inhabited, and worked for important German clients, nobles and prelates. The painting has participated in several art auctions. Restored and relined, it is presented in a period frame.

Call

Price upon request

Call
Antique Painting Signed G. Canella Historical Subject 1840 ca.
SELECTED
SELECTED
ARAROT0267791

Antique Painting Signed G. Canella Historical Subject 1840 ca.

Clash between Military and Guerrillas in Spain

ARAROT0267791
Antique Painting Signed G. Canella Historical Subject 1840 ca.

Clash between Military and Guerrillas in Spain

Oil on canvas. Accompanied by an expertise by Professor Fernando Mazzocca. The painting belongs to a series of works by the Veronese painter Giuseppe Canella set in Spain, following the artist's stay in that country between 1820 and 1823, which led him to stop in various Spanish cities, the last being Madrid where he frequented the court. From his travels around Europe, Canella brought back numerous drawings from which he took inspiration for the works later reworked in his studio in Milan, often then presented at the Exhibitions of the Brera Academy. In this work the reference is to a dramatic period in the history of Spain, marked by the constitutional uprisings against King Ferdinand VII of Bourbon, which provoked French intervention in support of the monarchy against the rebels. In reality, the historical event is almost a pretext for Canella to recall the harshness and charm of the mountainous landscape, which acts as a monumental backdrop to the clash between the army and the rebels, small and almost indistinct figures. The painting, in excellent condition, presents only very slight losses of color, already restored. It is presented in a contemporary frame.

In Cart

11,600.00€

In Cart
Antique Painting Signed G. Francesco Clipper Oil on Canvas '700
SELECTED
SELECTED
ARARPI0266288

Antique Painting Signed G. Francesco Clipper Oil on Canvas '700

A Cherry Seller Being Courted by Two Musicians ca. 1720

ARARPI0266288
Antique Painting Signed G. Francesco Clipper Oil on Canvas '700

A Cherry Seller Being Courted by Two Musicians ca. 1720

Oil on canvas. The painting is accompanied by an expertise by the art historian Dr. Giuseppe Sava. The protagonist of the open-air market scene is a cherry seller, wearing a showy straw hat and sitting next to a basket of these fruits placed on a wooden bench, next to a stone on which the steelyard rests. With a smiling, almost winking look, turned towards the viewer, she is accepting the advances of the man who, behind her, is placing a hand on her shoulder, with a lascivious look, while two musicians on the left improvise a small concert. The composite and cheerful group harks back to the production of Giacomo Francesco Cipper, known as Todeschini (1664 -1736), a painter of Austrian origins but Lombard in training and pictorial style, who was a "singer of peasants, street vendors intent on their daily occupations or pastimes", a specialist in market scenes, open-air concerts, card players, scenes of humble daily life created with laughing caricatural forcing and a search for comic effect. Cipper drew this narrative style from the Danish painter known as Monsù Bernardo, who was active for a long time in Italy between Bergamo and Milan: in particular, from him came the predilection for everyday stories and humble characters, as well as the impertinent nature of such characters, who seek the attention of the observer by staring at him. In this painting too, the female protagonist fixes her mischievous gaze on the observer, smiling with complicity and irony at the courtship game in which the three men make her the protagonist, implying a "market" that is no longer just that of cherries. In his expertise, Dr. Sava underlines the stylistic and typological relations of this painting with other characters by Cipper, in support of the attribution; the stylistic evolution in the formal and technical aspects of his works is also explained - the colors that lighten, with an evident predilection for ochre, hazelnut, sage green, among which powder blue creeps in; the milky backgrounds, the softer luminosity and the less plastic chiaroscuro -, an evolution that allows us to place the work in his production of the early 18th century. The painting has been restored and relined. It is presented in an adapted antique frame.

Call

Price upon request

Call
Antique Painting Historical Subject Oil on Canvas XVIII Century
ARARPI0267775

Antique Painting Historical Subject Oil on Canvas XVIII Century

ARARPI0267775
Antique Painting Historical Subject Oil on Canvas XVIII Century

Oil on canvas. The large scene is set outside a rocky fortress and features a garrison of soldiers preparing for battle: in the foreground on the left, near a tree, the group of commanders on horseback observe the work and give orders, while the troops arm the cannons on the ramparts, prepare rudimentary lances and sharpen their sidearms. The colors are clear and dull, with shades of gray that pass from the clear sky with clouds to the rocky fortress, to get lost in the ground, turning to a sandy beige; only a few of the officers' uniforms stand out, breaking the chromatic uniformity. Restored and relined, the painting is presented in a golden frame from the early 1900s.

In Cart

7,200.00€

In Cart
Antique Painting Signed Angelos Giallinas Watercolor on Paper '800
ARAROT0267699

Antique Painting Signed Angelos Giallinas Watercolor on Paper '800

View of Corfu with a Small Church and a Monk

ARAROT0267699
Antique Painting Signed Angelos Giallinas Watercolor on Paper '800

View of Corfu with a Small Church and a Monk

Watercolor on paper. Signed lower left. Angelos Giallinas, born in Corfu, was known for his numerous views of his native island, although his landscape production includes glimpses of Greece, other Greek islands, Italian and oriental cities. His watercolor glimpses are pervaded by a suspended, veiled atmosphere. The painting has slight scratches. Framed.

In Cart

3,200.00€

In Cart
Antique Painting Signed Angelos Giallinas Watercolor on Paper '800
ARAROT0267700

Antique Painting Signed Angelos Giallinas Watercolor on Paper '800

Glimpse of Corfu with Monk

ARAROT0267700
Antique Painting Signed Angelos Giallinas Watercolor on Paper '800

Glimpse of Corfu with Monk

Watercolor on paper. Signed lower left. Angelos Giallinas, born in Corfu, was known for his numerous views of his native island, although his landscape production includes glimpses of Greece, other Greek islands, Italian and oriental cities. His watercolor glimpses are pervaded by a suspended, veiled atmosphere. The painting has slight scratches. Framed.

In Cart

3,200.00€

In Cart
« ‹

Page

of

13

› »