Painting by Mario Fattori - Interior with Fireplace

Landscape with Lake Glimpse

Oil on canvas. Signed lower left. Little biographical information is available about Angelo Rovida, a landscape painter from Lodi who painted landscapes and urban views, primarily in Northern Italy. The painting is presented in a contemporary guilloché frame.

Rio in Venice, 1970

Oil on canvas. Signed lower right. Title on the back, stamp of Galleria Bolzani, Milan, and the artist's studio address. The Venetian painter Eugenio Polesello devoted himself primarily to landscapes, which he executed with clear tones and simple color schemes, always reminiscent of his Venetian training. Framed.

Canal in Venice

Oil on canvas. Signed lower right. Title on the back, stamp of Galleria Bolzani, Milan, and the artist's studio address. The Venetian painter Eugenio Polesello devoted himself primarily to landscapes, which he executed with clear tones and simple color schemes, always reminiscent of his Venetian training. Framed.

Still Life with Clock and Fruit

Oil on hardboard. Signed lower left. The Milanese artist, son of the famous painter Alcide Davide Campestrini, devoted himself to still life, figure painting, and Alpine landscapes, using a technique rooted in his father's school and the late 19th-century tradition. Typical of his work is the composition presented here, which juxtaposes scattered fruit—in this case, oranges and grapes—with an elegant, antique table clock. The painting is presented in a contemporary frame (1960s-1970s).

In my Studio 1943

Oil on panel. Unsigned, the painting bears the label of the Giotto Sacchetti retrospective, held from June 26 to July 16, 1967, on the back, where this work was exhibited under the catalogue number 51. The work appears in the monograph published in 1967 (plate XXVIII). Giotto Sacchetti painted reality, "Truth" with a keen and sensitive spirit of observation, through the careful analysis of nature perpetuated through strongly constructive brushstrokes of clear Tuscan influence. This work features a view of his studio, a large vase of peach blossoms. Framed.

Motivo a Burano 1967

Oil on canvas. Signed lower right. Title on the back, stamp of Galleria Bolzani, Milan, and the artist's studio address. The Venetian painter Eugenio Polesello devoted himself primarily to landscapes, which he executed with clear tones and simple color schemes, always reminiscent of his Venetian training. Framed.

River Landscape with Figures

Oil on canvas. Signed lower right. Ivan Karpoff, of Russian origin but raised and established as an artist in Italy, gained recognition for his paintings, which oriented themselves toward the Italian Impressionist realism of the late 19th century; he devoted himself primarily to landscapes and portraits. In this work, he depicts a glimpse of flat countryside crossed by a wide river; a woman and her child walk along the path that runs alongside it. Framed.

Landscape with Figures, 1930 ca.

Oil on canvas. Signed lower right. Ivan Karpoff, of Russian origins but raised and artistically established in Italy, was appreciated for his painting oriented towards the Italian impressionistic realism of the late 19th century; he devoted himself mainly to landscapes and portraits. In this work he offers a glimpse of the countryside and hills overlooking a lake, with two peasant figures intent on harvesting. On the back of the canvas there is a dedication: "Campanini... to the Manara spouses Luciano and Adriana, Milan 28 October 1939 XVII". The painting is presented in a mid-1900s frame.

Oil on panel. Signed lower right R.lo Pellegrini. It is probably a work by Romolo Pellegrini, who lived between the 19th and 20th centuries, an artist of landscapes and still lifes with delicate colors. Here we see a bright, flat countryside, with a flock of sheep grazing in the meadows, watched over by the shepherd. The work is presented in a contemporary frame, with missing parts.

Painting on canvas. Unlike most contemporary banners, this one is hand painted and not printed on canvas. The scene is divided into three parts, enclosed within a frame painted with floral motifs and separated by the design of small columns. In the center are depicted the Madonna with Jesus on the throne, on the sides two angels with the appearance of girls. The painting is then framed by a trimming.

Landscape with Mill

Oil on cardboard. Signed lower right. Carlo Vittori, an artist from Cremona, mainly portrayed the landscapes of his Po Valley. Here he proposes a countryside inhabited by a mill, to which the water arrives through an overhead canalization. The painting is presented in chronicle.

Seated Figure

Oil on wooden board. Signed lower right. The painter Salvatore Sportelli, of Apulian origin but who lived for a long time in Lodi, where he taught (a posthumous exhibition of his was recently held in the city), produced numerous popular figures and genre scenes characterized by a look at post-impressionism. The work is presented in a frame.