Modern Painting Signed A. Rovida Lake Landscape Italy 1960s - Landscape with Lake Glimpse

Rio in Venice, 1970

Oil on canvas. Signed lower right. Title on the back, stamp of Galleria Bolzani, Milan, and the artist's studio address. The Venetian painter Eugenio Polesello devoted himself primarily to landscapes, which he executed with clear tones and simple color schemes, always reminiscent of his Venetian training. Framed.

Canal in Venice

Oil on canvas. Signed lower right. Title on the back, stamp of Galleria Bolzani, Milan, and the artist's studio address. The Venetian painter Eugenio Polesello devoted himself primarily to landscapes, which he executed with clear tones and simple color schemes, always reminiscent of his Venetian training. Framed.

Still Life with Clock and Fruit

Oil on hardboard. Signed lower left. The Milanese artist, son of the famous painter Alcide Davide Campestrini, devoted himself to still life, figure painting, and Alpine landscapes, using a technique rooted in his father's school and the late 19th-century tradition. Typical of his work is the composition presented here, which juxtaposes scattered fruit—in this case, oranges and grapes—with an elegant, antique table clock. The painting is presented in a contemporary frame (1960s-1970s).

Motivo a Burano 1967

Oil on canvas. Signed lower right. Title on the back, stamp of Galleria Bolzani, Milan, and the artist's studio address. The Venetian painter Eugenio Polesello devoted himself primarily to landscapes, which he executed with clear tones and simple color schemes, always reminiscent of his Venetian training. Framed.

River Landscape with Figures

Oil on canvas. Signed lower right. Ivan Karpoff, of Russian origin but raised and established as an artist in Italy, gained recognition for his paintings, which oriented themselves toward the Italian Impressionist realism of the late 19th century; he devoted himself primarily to landscapes and portraits. In this work, he depicts a glimpse of flat countryside crossed by a wide river; a woman and her child walk along the path that runs alongside it. Framed.

Painting on canvas. Unlike most contemporary banners, this one is hand painted and not printed on canvas. The scene is divided into three parts, enclosed within a frame painted with floral motifs and separated by the design of small columns. In the center are depicted the Madonna with Jesus on the throne, on the sides two angels with the appearance of girls. The painting is then framed by a trimming.

Landscape with Mill

Oil on cardboard. Signed lower right. Carlo Vittori, an artist from Cremona, mainly portrayed the landscapes of his Po Valley. Here he proposes a countryside inhabited by a mill, to which the water arrives through an overhead canalization. The painting is presented in chronicle.

Seated Figure

Oil on wooden board. Signed lower right. The painter Salvatore Sportelli, of Apulian origin but who lived for a long time in Lodi, where he taught (a posthumous exhibition of his was recently held in the city), produced numerous popular figures and genre scenes characterized by a look at post-impressionism. The work is presented in a frame.

Relief engraving. Signed lower right; edition number 68/99 on the left. Piza, a Brazilian painter, sculptor, and printmaker, became known primarily for his chisel engraving technique, which involves cutting copper plates into small flakes. Framed.

Maurizio Arena Directs..." 1991

Watercolor and marker on paper. Signed lower right, with the addition of the self-description "almost blind"; title at the top. The work is accompanied by a photo authentication from the Luciano Minguzzi Museum Foundation. A sculptor, engraver, and medallist, Minguzzi also created numerous drawings, often sketches for sculptures. The drawing is presented in a frame.

Bull

Watercolor and charcoal on paper. Signed lower right. The work is accompanied by a photo certificate from the Luciano Minguzzi Museum Foundation. A sculptor, engraver, and medallist, Minguzzi also created numerous drawings, often sketches for sculptures. The drawing is presented in a frame.

Figure with Flowers

Oil on canvas. Signed lower left. Additional signature, stamp, and declaration of authenticity on the back. Influenced by Expressionism during his Parisian years, Fantuzzi placed a strong emphasis on the expression of emotions and moods in his works. Color dominates his canvases in its boldest palettes, typically cool tones of blue, green, and purple, creating sometimes stark contrasts. Fantuzzi's main themes are the loneliness of the metropolis and the difficulty of communicating in interpersonal relationships; he often paints poorly defined figures and eyeless faces. Framed.