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7 cm 798 cm

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PAINTINGS ONLINE | ANCIENT AND CONTEMPORARY ART GALLERY - Page 7

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Antique Painting Signed Charles Christophe Coventry 1802
ARAROT0272935

Antique Painting Signed Charles Christophe Coventry 1802

Family Lunch 1802

ARAROT0272935
Antique Painting Signed Charles Christophe Coventry 1802

Family Lunch 1802

Oil on canvas. Signed and dated lower left. Genre scene of popular taste, it portrays a bourgeois family preparing to have lunch: the father, already seated at the table, is about to bless the meal, while his wife and son, standing, follow the prayer. Little is known about Charles Christophe Coventry, an English painter of whom we know mainly genre scenes of popular settings, such as this one. Restored and relined, the painting is presented in a period frame.

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1,360.00€

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Fake Author's Painting Signed Rognoni
ARARCO0272771

Fake Author's Painting Signed Rognoni

Fantastic Vision with Figures

ARARCO0272771
Fake Author's Painting Signed Rognoni

Fantastic Vision with Figures

Oil on canvas. The signature of the painter Franco Rognoni appears at the bottom right, but the work has not been recognized as authentic by the artist's archive. It also well reflects Rognoni's pictorial style, characterized by figures, both men and houses drawn in black with a few precise strokes, and then filled with color that fades into the background. In the canvas, an elegant male figure appears, leaning impassively and indifferently on the flowered railing of a terrace overlooking a city; below him, at the bottom left, another face emerges (the same man?) wearing a military helmet and placed on a darker, less sunny city background: whether it is the man at war who recalls the time of peace or vice versa, the reference to the alternation in life of peace and war, of serenity and drama is evident. The work is presented in a frame.

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560.00€

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Antique Painting Female Portrait Oil on Canvas XVIII Century
ARARPI0270015

Antique Painting Female Portrait Oil on Canvas XVIII Century

ARARPI0270015
Antique Painting Female Portrait Oil on Canvas XVIII Century

Oil on canvas. Central European school of the 18th century. The distinguished lady, who flaunts a dress enriched with bows and lace, is seated at her desk and holds a letter in her hand; at the bottom left an envelope bears traces of a name, unfortunately illegible, a device to make the portrayed character known. Restored and relined, the painting is presented in an early 1900s frame.

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1,660.00€

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Antique Painting Landscape Oil on Canvas France XVIII Century
ARARPI0270019

Antique Painting Landscape Oil on Canvas France XVIII Century

ARARPI0270019
Antique Painting Landscape Oil on Canvas France XVIII Century

Oil on canvas. French school of the second half of the 18th century. This bucolic landscape of verdant countryside opens up in the background with fields and blue mountains. In the foreground, near an imposing fountain consisting of a monumental marble base on which rests an amphora vase, a shepherd and a shepherdess are engaged in conversation, while they rest together with their herd of cows and sheep. Restored and relined, the painting is presented in a late 19th century gilded frame.

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2,160.00€

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Contemporary Painting Signed Paolo Patelli Mixed Technique 2003
ARARCO0271791

Contemporary Painting Signed Paolo Patelli Mixed Technique 2003

Untitled, 2003

ARARCO0271791
Contemporary Painting Signed Paolo Patelli Mixed Technique 2003

Untitled, 2003

Mixed media on paper. Signed and numbered on the back. Copy No. 40 of an edition of 350, of which the first 50 copies are numbered and signed by the artist. These works were created as an attachment to the Catalogue of the 1040th exhibition at the Galleria del Cavallino -Venice, held in October 2003 and dedicated to the works of Paolo Patelli, as indicated in the colophon of the brochure, where there is a further signature of the artist and dedication. Paolo Patelli, an artist of Istrian origins, expresses the joy of painting, creating works that are enriched by his passion for music. The rhythmic spirit of the artist's style captures movements, translating them into a visual language that breaks the mold of traditional artistic models, making every line and every brushstroke visible, leaving a wide exposure of the paper surface.

Reserved

340.00€

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Reserved
Antique Male Bust Signed Giovanni Antonio Emanuelli  Marble Italy 1838
SELECTED
SELECTED
ARTART0000188

Antique Male Bust Signed Giovanni Antonio Emanuelli Marble Italy 1838

Giovanni Antonio Emanuelli, 1838

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Contemporary Panel Bunished Copper Italy 1970s
ARARCO0272036

Contemporary Panel Bunished Copper Italy 1970s

ARARCO0272036
Contemporary Panel Bunished Copper Italy 1970s

Burnished and wrought copper plate, with lighter spot decorations, embossing and holes, mounted on a red-stained plywood panel.

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360.00€

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Copper and Brass Sculpture Panel 70s
ARARCO0272035

Copper and Brass Sculpture Panel 70s

ARARCO0272035
Copper and Brass Sculpture Panel 70s

Copper and brass panel, worked with irregular geometric figures. Inspired by the works of the sculptor and painter Lino Bersani (Genoa 1935). Mounted on a white lacquered wooden panel.

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360.00€

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Erminia meets the shepherds
ARARPI0132193

Erminia meets the shepherds

Second Half Twenties of the 17th century

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Antique Painting Male Portrait Oil on Canvas XVIII Century
ARARPI0269995

Antique Painting Male Portrait Oil on Canvas XVIII Century

ARARPI0269995
Antique Painting Male Portrait Oil on Canvas XVIII Century

Oil on canvas. Italian school of the 18th century. The man, dressed in black with a white collar, poses in front of a shelf on which rest some objects: a crucifix, a bell, an inkwell, which identify the man as a magistrate. The painting has been restored and relined. It is presented in a period frame.

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1,160.00€

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Contemporary Bas-Relief Abstract Composition Italy 1970s
ARARCO0272034

Contemporary Bas-Relief Abstract Composition Italy 1970s

ARARCO0272034
Contemporary Bas-Relief Abstract Composition Italy 1970s

Bas-relief in wood, fabric and white tempera, evoking a stylised Crucifix. Mounted on a panel and presented in a display case.

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360.00€

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Holy Family with Saint John
SELECTED
SELECTED
ARARPI0125327

Holy Family with Saint John

Bartolomeo Ramenghi, school of, first half of the 16th century

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Antique Painting Religious Subject Oil on Canvas XVII Century
ARARPI0270140

Antique Painting Religious Subject Oil on Canvas XVII Century

ARARPI0270140
Antique Painting Religious Subject Oil on Canvas XVII Century

Oil on canvas. Northern Italian school of the 17th century. Veronica, a character who appears during the Passion of Christ, was the pious woman who, following Jesus on his climb to Calvary with the cross on her shoulders, cleaned his face with a cloth: according to tradition, Jesus' face remained imprinted on the cloth. Therefore the saint is iconographically depicted while presenting this cloth, in memory of the miracle received following her charitable gesture, as in this painting, where on the left in the background appear the three Crosses of Golgotha, towards which Veronica turns, to remember that she was a witness to the death of Jesus. Already restored and relined, probably in the late 19th - early 20th century, the canvas presents further small losses of color and stains. It is presented in an antique regilded frame.

Reserved

1,260.00€

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Reserved
Bust of Baron Antonio Negri
SELECTED
SELECTED
ARTART0000177

Bust of Baron Antonio Negri

Gaetano Monti, 1837

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David and Abigail
SELECTED
SELECTED
ARARPI0121676

David and Abigail

Vincent Malò, fourth decade of the 17th century

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From the lost fresco with allegory of Asia
SELECTED
SELECTED
ARARPI0112621

From the lost fresco with allegory of Asia

Andrea Appiani

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Painting Scene of Repentance of a King
ARARPI0270021

Painting Scene of Repentance of a King

ARARPI0270021
Painting Scene of Repentance of a King

Oil on canvas. At the center of the scene a king kneels in a contrite attitude before an old man, who bends toward him with an attitude of benevolent welcome; around him the soldiers of the entourage and other dignitaries assist, participating and obsequious. It could be the biblical episode of King David's repentance before the prophet Nathan, who opened his eyes to his sin of concubinage with Bathsheba and the murder of her husband Uriah, and then assures him of the Lord's forgiveness. Restored and relined, the painting is presented in a period frame, composed of ancient elements, with several missing parts.

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2,570.00€

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Antique Painting Battle Scene Oil on Canvas XVIII Century
ARARPI0267459

Antique Painting Battle Scene Oil on Canvas XVIII Century

ARARPI0267459
Antique Painting Battle Scene Oil on Canvas XVIII Century

Oil on canvas. The scene depicts a battle between an army of Moors and white soldiers, defending a fortification from which they fire cannons, while in the background, on the top of a promontory, a white city emerges. Set near the sea, with several invading vessels heading towards the coast, the scene focuses on the capture of the Moorish king, in the center on his white horse, with a dismayed expression on his face because he is surrounded by opposing soldiers who try to unseat him, while his own soldiers try to defend him. The atmosphere of the scene is dominated by the dust and smoke of the cannons, which cover all the characters in an earthy veil, even where the colors of the clothes would be more vivid. Restored and relined, the painting is presented in a period frame.

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3,970.00€

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Antique Female Bust Marble Richly Decorated XIX Century
SELECTED
SELECTED
ARTART0000155

Antique Female Bust Marble Richly Decorated XIX Century

Spring

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Modern Painting Signed L. Gignus Oil on Canvas XX Century
ARARNO0269697

Modern Painting Signed L. Gignus Oil on Canvas XX Century

Landscape with Figures

ARARNO0269697
Modern Painting Signed L. Gignus Oil on Canvas XX Century

Landscape with Figures

Oil on canvas applied to board. Signed lower left. On the back there is a cartouche with expert authentication dated 1944 and signed by a Milanese art critic. In the vast plain, green but with few trees, which recalls the Lombard plains, two farmers work near a pond, close to their farmhouse; in the background you can glimpse the mountain peaks of the Alpine chain. The subject is part of the production of strong naturalistic matrix of the painter, born in Modena but artistically raised in Milan and its surroundings, places that were frequent themes of his landscape production. The painting is presented in a period frame.

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440.00€

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Antique Painting Mythological Subject Oil on Canvas XVIII Century
ARARPI0267786

Antique Painting Mythological Subject Oil on Canvas XVIII Century

ARARPI0267786
Antique Painting Mythological Subject Oil on Canvas XVIII Century

Oil on canvas. The large painting tells the famous mythological episode of the Judgement of Paris, the event that helped trigger the Trojan War. Paris, a Trojan prince, was called to settle the dispute between the three goddesses Hera, Athena and Aphrodite, over who deserved to be awarded the golden apple to "the most beautiful", thrown by the goddess Discord on the table of the gods. Each of the three goddesses promised Paris a reward in exchange for the apple, and he chose Aphrodite, who had promised him the most beautiful woman in the world, namely Helen, the wife of Menelaus, king of Sparta. In the large scene, Paris is sitting in the center, between the legs of the goddess Aphrodite, to whom he holds out the apple with his raised arm; Aphrodite is taking the apple with one hand, while she turns upwards to indicate to the god Cupid, hovering above her, to carry out his task. On the left, the other two goddesses turn their backs, indignant and frowning, while above the god Mercury decrees Aphrodite's victory, pointing at her with his staff, the caduceus symbol of the agreement reached, and the god Cupid, on Aphrodite's instructions, prepares the fiery arrow with which he will make Helen fall in love with Paris. The scene is completed by a putto who pours water from a vase from above, perhaps a sort of baptism, or consecration of the choice. The imposing and strongly carnal figures fill the scene in a tangle of bodies, which with the variation of the flesh colors - pale those of the divinities, more vivid that of the shepherd prince, (the only mortal in the fact!), but all played out in a single chromatic range -, create a chromatic homogeneity. Restored and relined, the painting is presented in a period frame.

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6,800.00€

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Antique Painting Portrait of a Nobleman Oil on Canvas XVII Century
ARARPI0267777

Antique Painting Portrait of a Nobleman Oil on Canvas XVII Century

ARARPI0267777
Antique Painting Portrait of a Nobleman Oil on Canvas XVII Century

Oil on canvas. Dutch school of the 17th century. The young nobleman, very serious, looks out from an oval painted frame, on which he rests his hand to show off his family ring. The painting, already relined and applied to a recent frame, requires further restoration due to paint loss in the painted part. Presented in a period frame.

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2,160.00€

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Antique Painting Male Portrait Oil on Canvas XVII Century
ARARPI0267776

Antique Painting Male Portrait Oil on Canvas XVII Century

ARARPI0267776
Antique Painting Male Portrait Oil on Canvas XVII Century

Oil on canvas. Dutch school of the 17th century. The young nobleman, very serious, looks out from an oval painted frame, on which he rests his hand to show off his family ring. The painting, already relined and applied to a recent frame, requires further restoration due to paint loss in the painted part. Presented in a period frame.

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2,160.00€

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Antique Painting Preaching Scene Oil on Canvas XVIII Century
ARARPI0267795

Antique Painting Preaching Scene Oil on Canvas XVIII Century

ARARPI0267795
Antique Painting Preaching Scene Oil on Canvas XVIII Century

Oil on canvas. Venetian school of the 18th century. The large Nordic landscape, with verdant mountain slopes through which a river flows, is inhabited by several figures in the foreground: a group of people are listening to a young man standing in the center, who is announcing something, pointing, with his arm stretched upwards, to the sun that is tearing apart the dark clouds. It evokes a sermon by Saint John the Baptist, although no iconographic element specifically refers to this character. The painting, restored and relined, is mounted on a stretcher from the early 1900s. It is presented in a contemporary frame.

Reserved

3,470.00€

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Reserved