Italy, Late XIX - Early XX Century

Pair of late 19th century boiserie panels, in carved poplar wood with neoclassical motif frames and female heads in the centre, lacquered in yellow and beige with gilded frames.

Italy, Early XX Century

Sofa in Baroque style in walnut, leaf carvings and scrolls. Padded back, armrests and seat. Italy, early 20th century.

30s-40s

Bedside tables with hinged doors, stained poplar and maple veneer.

Giacomo Leopardi
Scuola Normale Superiore

Tommaso Fazello
Edi Oftes

France, Late XVIII Century

Beech conversation chair, Transition. Padded back and seat, wavy legs, Leaf carvings along the entire surface. France, last quarter of the 18th century.

Untitled

Acrylics on board. Signed lower right. The artist Marisa Mezzadra has combined the art of painting with poetry, translating into images what great poets of different centuries have inspired her. An English teacher at Bocconi University in Milan, she has combined two worlds, that of painting and that of teaching, in the constant search for new methods of developing her two activities. In particular, Marisa Mezzadra's metaphysical painting seeks to reveal the hidden meaning of existence, of the world within us and around us, in the profound essence of splendid nature.

Austria, Late XIX Century

Biedermeier working table in maple and maple burl. Tripartite elliptical top with green leather inserts, rotating opening of the two lateral elements of the top that give access to open compartments below and central fabric basket. Turned legs ending with goat feet. Austria, second quarter of the 19th century.

Italy, Mid XX Century

Single-door display cabinet in walnut, in Rococo style. Curved and curved in all directions, it features the typical rocaille carving, shells and curls, sides and glass door.

Italy, XX Century

Pair of torch-shaped appliques in gilded and chiseled bronze with neoclassical-style workmanship. Italy, late 19th century.

Italy, Late XIX Century

Umbertino cabinet in walnut, bois de rose inserts in the false drawer and in the uprights. Drop-leaf door. Italy, late 19th century.

France, Late XVIII Century

Beech conversation chair, Transition. Padded back and seat, wavy legs, Leaf carvings along the entire surface. France, last quarter of the 18th century.

Luigi Pirandello
RCS Libri

70s-80s

Table lamp in the Poliarte style, two-tone glass, cork-covered lampshade.

Landscape with Figures, 1930 ca.

Oil on canvas. Signed lower right. Ivan Karpoff, of Russian origins but raised and artistically established in Italy, was appreciated for his painting oriented towards the Italian impressionistic realism of the late 19th century; he devoted himself mainly to landscapes and portraits. In this work he offers a glimpse of the countryside and hills overlooking a lake, with two peasant figures intent on harvesting. On the back of the canvas there is a dedication: "Campanini... to the Manara spouses Luciano and Adriana, Milan 28 October 1939 XVII". The painting is presented in a mid-1900s frame.

80s-90s

Ceiling/wall lamp, in enamelled aluminium and white curved glass.

Italy, Early XX Century

Pair of gilded bronze candlesticks with columnar stem and decorations with repeated motifs and snake scales. The candlesticks have an electrical system to be overhauled.

Switzerland, 1999

Lunar Calendar themed box set containing clock and paper calendar poster.

Carlo Malagola
In Bologna

Switzerland, 2003

Profiled aluminum case containing two watches, CDs and photographs of the artist Phil Collins and his album "Wake up call". Limited edition 2046/9999.

Linen tablecloth with 12 napkins, drawn and full stitch work.

Linen tablecloth with 12 napkins, Venice stitch, Burano stitch and satin stitch.

Italy, Early XX Century

Large oil lamp transformed into a chandelier with six lights in the lower arms, plus a central one. Iron worked with leaves, flowers and twigs, opaline glass lampshade. Height adjustment with chain lift. Italy, early 20th century.

Emile Chanoux
Institut historique de la resistance